Yelena Efros has been sending letters to Russian prisons for years, as the head of a volunteer group writing regular dispatches to the country’s swelling ranks of political prisoners.
Yet six months ago, she found herself staring down at a note she never imagined writing — a letter to her daughter, jailed over an award-winning play she directed in 2020. Russian authorities arrested Efros’s daughter, director and playwright Yevgenia Berkovich, in May on charges of “justifying terrorism.”
The offense is punishable by up to seven years in prison.
Photo: AFP
“If they were going to lock anyone up, I thought it would be me for those letters,” 64-year-old Efros said.
The case against Berkovich, 38, and fellow playwright Svetlana Petriychuk, 43, stems from their play about Russian women who are recruited into the Islamic State group and travel to Syria to marry Islamic State fighters before returning to Russia.
Titled Finist, the Brave Falcon after a Russian folk tale, it received two prestigious Golden Mask awards in Russia.
Photo: AFP
However, critical acclaim has counted for little since Moscow accelerated its campaign against artists and cultural figures amid its war in Ukraine.
Actors, directors, writers and performers have seen their work censored, been fired, forced into exile or arrested.
Rights groups say the case against Berkovich and Petriychuk is particularly controversial.
The charges stem from a linguistic analysis of the play using a fringe research method into extremism and terrorism called “destructology.” Dismissed as pseudoscience by its critics, an analysis based on its approach found that the play promoted Islamic State and advanced “radical feminism.”
Lawyers have dismissed the idea as absurd.
A Russian Ministry of Justice agency has also rejected that initial interpretation, and prosecutors are seeking to keep Berkovich and Petriychuk in jail while a new study is completed.
Far from “justifying terrorism,” the play is an obvious criticism of the Islamic State and a cautionary tale about young Russian Muslim women recruited to join its ranks, Berkovich and her supporters say.
Last week, Efros traveled from her home in Saint Petersburg to Moscow for a court hearing on extending her daughter’s pretrial detention.
Berkovich urged the judge to let her return home to her two adopted daughters while she awaits trial.
“Two sick children were taken from their mother six months ago... It’s torture,” she said.
Berkovich adopted the two girls, now in their late teens, four years ago after they had spent most of their lives cycling through Russian orphanages and foster homes.
Her younger daughter has recently started having nightmares where she sees her mother dying in prison, a psychologist told the court.
The prosecutors, who appeared unmoved by the testimony, welcomed the court’s ruling to extend pretrial detention until Jan. 10.
“Happy New Year,” Berkovich shouted from a glass cage in the court after the judge read the ruling.
“The judge has no conscience, no power, they are just acting out a preplanned program,” Efros said outside the chamber.
The case against her daughter is a sign of Russia targeting “free women” — those who refuse to “know their place is in the kitchen,” Efros said.
“Toxic masculinity” has flourished in Russia since Feb. 24 last year when Moscow invaded Ukraine, she said.
“Our country is heading toward a traditional archaic society — a Domostroy — where feminism is of course evil,” Efros said, referring to a 16th-century domestic Russian code that encouraged men to hit their wives and children.
She sees parallels between this trend and the play Berkovich is being punished for.
“It’s a kind of fundamentalism — it could be Islamic fundamentalism, but it doesn’t have to be, it can be Orthodox fundamentalism or just simple fundamentalism,” she said.
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