Sun, Mar 26, 2023 page3

• Father-daughter design duo land Grammy glory

  • Staff writer, with AFP
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  Driving down a desert road, fresh off a heartbreaking loss at the Grammy Awards in Las Vegas, Taiwanese designer Xiao Qing-yang (蕭青陽) and his daughter Hsiao Chun-tien (蕭君恬) were already working on their next project.

  “When we were traveling in Arizona, the desert was endless and there was one road. At night it is like having a dialogue with yourself,” 24-year-old Hsiao said.

  These ideas inspired their design of the artwork and packaging for Beginningless Beginnings, the soundtrack for a short film on Taiwan’s ancient Tamsui-Kavalan Trails (淡蘭古道).

  

  Taiwanese designer Xiao Qing-yang and his daughter Hsiao Chun-tien hug outside the Crypto.com Arena in Los Angeles after winning the Best Recording Package award at the Grammys on Feb. 6.

  Photo: CNA

  A year later, their journey came full circle, with the duo winning a Grammy for best recording package for the album design.

  “I was so excited that I forgot to hug my mother and brother sitting next to me before going on the stage,” Hsiao said, winning her first nomination.

  Xiao, 56, had to wait longer.

  Before his first win this year, he had been nominated six times.

  “I had sat in the audience for 18 years to finally get on stage, and she won the first time, so our moods are quite different,” he said, smiling.

  Hsiao’s first trip to the Grammys was when she was just seven, for her father’s second nomination. At the time, she said, she felt like she was just going to a concert to watch the world’s biggest music stars perform.

  “I later realized it’s actually a competition that’s important to my father, and I saw him feel disappointed each time ... so I, too, feel like I’ve gone through six times of not winning,” she said.

  “Are you sure I looked disappointed?” her father interrupted.

  Hsiao laughed, before telling her father his expressions are, perhaps, more transparent than he might think.

  The lauded album cover is designed to resemble a glove puppet, inspired by one of the characters in the film: a puppeteer who performs at shrines for folk deity Tudigong (土地公, Earth God).

  The cover opens like a concertina, with multiple layers symbolizing “the roads traveled and the music listened to along the century-old trails,” Xiao said.

  Hsiao drew parallels between walking the ancient trails and their road trip through the Arizona desert.

  “It’s an inner exploration and a zen reflection,” she said.

  The two designers speak with a warm energy, enthusiastically following each other’s train of thought and smiling often.

  The Tamsui-Kavalan Trails were the main routes connecting two prefectures in Taipei and eastern Yilan County during the Qing Dynasty, more than 200 years ago.

  Indigenous people built some of the roads in the mountains, with tea merchants and foreign missionaries later walking the same paths.

  “The ancient trails make me think about the times when my father and grandfather traveled the roads, and now I am walking on the same roads,” Xiao said.

  “I wanted to depict the stories of their times, to recreate what [the trails] looked like a hundred years ago and the music that was played in Taiwan then,” he added.

  The soundtrack by the Tamsui-Kavalan Chinese Orchestra features traditional music, some dating back hundreds of years to musicians playing on sections of the trails.

  Also featured on the album are natural sounds from the hikes, from gurgling streams to chirping birds.

  Xiao likened walking the trails of his ancestors to a pilgrimage, and Hsiao said the duo tried to capture the sense of a never-ending journey in their design.

  “No matter which side you view it from, top or bottom, it could be the beginning or the end,” she said. “Or, maybe there is no so-called beginning or end.”
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