In the stories of Japanese animation “Doraemon,” the robotic cat has all kinds of amazing gadgets in his pocket. Japan’s TV Asahi Corporation recently conducted a survey on which gadgets were the most popular among adults and children. The “Anywhere Door” — a door that leads to anywhere the user wants to go — was the most popular gadget in both categories, because it makes it easier for them to go to work or school.
Children’s favorite props also included a “Time Machine” that allows you to travel freely through time and space, and the “Bamboo-copter,” a helicopter hat that allows you to fly. Adults’ favorites included the “What-If Phone Booth,” which makes your wishes come true when you make a call from it, and “Memory Toast,” which helps you memorize what is printed on the bread after eating it.
Netizens said the children’s choices show they are free and unrestrained, while the adults’ choices suggest their desire to extricate themselves from their current circumstances.
Photo: CNA
照片︰中央社
(CNA, translated by Eddy Chang)
日本卡通「哆啦A夢」的故事中，機器貓從口袋拿出來的許多道具都很神奇。近來日本的朝日電視台調查大人和小孩最想要什麼道具，結果第一名都是「任意門」！因為打開門就能到任何你想去的地方，上班或是上學都很方便。
小孩最愛的還有「時光機」，可自由穿越時間、空間去旅行；「竹蜻蜓」，像直昇機一樣讓人飛翔的帽子。大人最愛的品項，則有「如果電話亭」，打一通電話就能讓你心想事成；「記憶吐司」，將資訊印在吐司上只要吃了就能記住。
而網友認為小孩的選擇，顯示自由自在不受拘束的特性，大人的選擇則代表渴望擺脫現有的狀態。
（中央社）
Street lights are often taken for granted until a power outage plunges the world into darkness. When that happens, the value of these lighting installations becomes evident as the world turns into a more dangerous place for pedestrians and motorists alike. The Chinese could claim to be the first to have constructed a crude type of street light. Around 500 BC, residents of Beijing employed a type of street lamp that used hollow bamboo pipes and natural gas vents to create burning torches. Later, ancient Romans adopted lamps fueled by vegetable oil, which relied on slaves to light and
A: Who else is on Billboard’s list: “The 25 greatest pop stars of the 21st Century?” B: No. 15 to 6 are: Miley Cyrus, Justin Timberlake, Nicki Minaj, Eminem, Usher, Adele, Ariana Grande, Justin Bieber, Kanye West and Britney Spears. A: I can’t believe that Adele’s only at No. 10. B: No. 5 to 1 are: Lady Gaga, Drake, Rihanna, Taylor Swift and Beyonce. A: Well, they surely deserve the honor. A: 《告示牌》雜誌的「21世紀最偉大的25位流行歌手」，還有誰上榜啊？ B: 第15至6名是：麥莉希拉、大賈斯汀、妮姬米娜、阿姆、亞瑟小子、愛黛兒、亞莉安娜、小賈斯汀、肯伊威斯特、小甜甜布蘭妮。 A: 真不敢相信愛黛兒只排第10名。 B: 第5至1名是：女神卡卡、德瑞克、蕾哈娜、泰勒絲、碧昂絲。 A: 這幾位真是實至名歸！ （By Eddy Chang, Taipei Times／台北時報張聖恩）
A: The 21st Century is now entering its 25th year. B: So Billboard has released a list: “The 25 greatest pop stars of the 21st Century.” A: Who are the greatest pop singers? B: No. 25 to 16 are: Katy Perry, Ed Sheeran, Bad Bunny, One Direction, Lil Wayne, Bruno Mars, BTS, The Weeknd, Shakira and Jay-Z. A: Wow, my favorite K-pop supergroup BTS has made it to the list. A: 21世紀正在邁入第25個年頭了。 B: 《告示牌》雜誌特別公布：「21世紀最偉大的25位流行歌手」。 A: 最偉大的歌手有哪些？ B: 第25至16名是：凱蒂佩芮、紅髮艾德、壞痞兔、1世代、小韋恩、火星人布魯諾、防彈少年團（BTS）、威肯、夏奇拉、Jay-Z。 A: 哇，我最愛的韓流天團BTS也上榜了！ （By Eddy Chang, Taipei Times／台北時報張聖恩）
Spoiler alert and shift blame 破梗&甩鍋 在新冠疫情期間，無論是因為封城 (lockdown) 還是居家隔離 (self-isolation at home)，人們關在家中使用網路的時間大增。這也讓一些原本只存在於網路論壇的用語廣為普及。我們來談一下破梗 (spoiler alert) 與甩鍋 (shift blame) 這兩個用語。 有位古典文學教授 Joel Christensen 針對領導統御與疫情控制寫了一篇以古喻今、相當深入的文章：“Plagues follow bad leadership in ancient Greek tales”，文中出現一些講法，可用來翻譯上述的流行語： In the 5th century B.C., the playwright Sophocles begins Oedipus Tyrannos with the title character struggling to identify the cause of a plague striking his city, Thebes. (Spoiler alert: It’s his own bad leadership.) (Joel Christensen, “Plagues follow bad leadership in ancient Greek tales,” The Conversation, March 12, 2020) 作者提到 Oedipus（伊底帕斯）想找出瘟疫何以降臨他的城邦的緣由，加了一句：Spoiler alert: It’s his own bad leadership.（破梗：領導無方）。Spoiler alert 就是「破梗」，如果用在有人洩漏電影劇情的情境中，也可以翻作「小心爆雷」或「劇透警告」。疫情之下，在家看影集、電影成了很多人的娛樂，但要小心劇透 (spoilers)，很多 YouTube 上的影評在開頭也都會說 Spoiler alert!，警告還沒看過電影的觀眾小心爆雷、劇透。 至於「甩鍋」，源自大陸網民用語，通常意指某人犯了錯之後想推卸責任、轉移焦點、甚至讓別人背黑鍋的做法。疫情爆發後，相關網路資訊量爆增，許多中國網民也想找人為這場疫情負責，紛紛呼籲地方政府首長、地方黨書記不要「甩鍋」。 其實，在古代文學《奧德賽》中，就有「將自己的責任怪罪眾神」的說法，試用時下流行的「甩鍋」來重新翻譯： Humans are always blaming the gods for their suffering, but they experience
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