Toxic masculinity peddled by online influencers is becoming increasingly prominent, experts say, buoyed by the resurgence of far-right ideology and a virulent backlash against feminism.
In March, a 26-year-old man was jailed in the UK for killing his ex-girlfriend, her sister and her mother with a crossbow and knife last year. Kyle Clifford’s trial heard that he had watched videos by self-proclaimed misogynistic influencer Andrew Tate hours before the horrific murders.
Tate has more than 10 million followers on X and is popular with young men on the platform, where he shares his violent vision of masculinity.
Photo: AFP
While Tate was banned on Instagram and TikTok for his misogynistic tirades, his X account was restored by Elon Musk when the billionaire bought the platform in 2022.
Now, the British-American figurehead of the online masculinist movement has left Romania for the US with his brother Tristan, despite facing rape and human trafficking charges in Bucharest.
The two brothers, outspoken supporters of US President Donald Trump, are now in Florida, where a criminal investigation has been opened against them.
According to Jacob Johanssen, associate professor of communications at St Mary’s University in London, there has been “a normalization of misogyny, rape culture and violence against women and girls.”
The rise of the so-called “manosphere” — made up of online forums and communities that promote masculinism and misogyny — is “intrinsically linked to the growth of right-wing populism across many parts of the world”, Johanssen said.
MEN ‘ALIENATED’
With Trump’s offensive against diversity and inclusion policies, hailed by hard-right politicians in several countries, “anti-woke” rhetoric is gaining ground.
In January, Meta founder and CEO Mark Zuckerberg called for a return to “masculine energy.”
“What we’re seeing is a new dynamic,” said Joshua Thorburn, a doctoral candidate at Australia’s Monash University researching online misogyny, adding that there is now “more visibility” for such ideas.
While some feminist researchers have long warned of an impending conservative backlash against advances in women’s rights, experts point to a crisis in masculinity.
“We live in an unstable and precarious world and men, as well as everyone else, face many problems today. They feel alienated,” according to Johanssen.
This, experts say, is where the manosphere comes in, with its online forums and YouTube channels.
“The different communities in the manosphere function like self-help groups for men where they can discuss issues such as mental health, vulnerability or loneliness,” Johanssen said. “But at the same time, those spaces also contain very toxic discussions of misogyny and sexism.”
‘TRICKING’ YOUNG MEN
According to Thorburn, a large section of manosphere content also “relates to things a lot of young men may be looking for online, such as dating advice, health and fitness advice and financial advice.”
“A young man or teenager may not be explicitly searching for misogynistic content when they first encounter a manosphere influencer’s content or a manosphere community,” he said.
A 15-year-old Londoner called Alistair said he enjoys this kind of content. He is a fan of the YouTube channel and podcast FreshandFit, which describes itself as dedicated to “men’s self-improvement.”
However, in addition to videos on how to achieve dream muscles, other segments discuss why “women are so hypocritical” or why men and women “could never be equal.”
Alistair, who is also a fan of Andrew Tate, does not see any issue.
“It’s about sport and how to make it in life,” the secondary school pupil said. “Where’s the harm?”
In recent weeks, the British television series Adolescence has won praise for its exploration of the subject through the story of a 13-year-old boy who murders a schoolgirl, influenced by online misogyny.
The screenwriters said they were inspired by several real-life events and hoped the show could help audiences understand how boys and young men are influenced by the manosphere.
In a speech on Wednesday, former England football manager Gareth Southgate slammed “toxic” influencers who “trick young men into believing that success is measured by money or dominance... and that the world, including women, is against them.”
The 1990s were a turbulent time for the Chinese Nationalist Party’s (KMT) patronage factions. For a look at how they formed, check out the March 2 “Deep Dives.” In the boom years of the 1980s and 1990s the factions amassed fortunes from corruption, access to the levers of local government and prime access to property. They also moved into industries like construction and the gravel business, devastating river ecosystems while the governments they controlled looked the other way. By this period, the factions had largely carved out geographical feifdoms in the local jurisdictions the national KMT restrained them to. For example,
The remains of this Japanese-era trail designed to protect the camphor industry make for a scenic day-hike, a fascinating overnight hike or a challenging multi-day adventure Maolin District (茂林) in Kaohsiung is well known for beautiful roadside scenery, waterfalls, the annual butterfly migration and indigenous culture. A lesser known but worthwhile destination here lies along the very top of the valley: the Liugui Security Path (六龜警備道). This relic of the Japanese era once isolated the Maolin valley from the outside world but now serves to draw tourists in. The path originally ran for about 50km, but not all of this trail is still easily walkable. The nicest section for a simple day hike is the heavily trafficked southern section above Maolin and Wanshan (萬山) villages. Remains of
With over 100 works on display, this is Louise Bourgeois’ first solo show in Taiwan. Visitors are invited to traverse her world of love and hate, vengeance and acceptance, trauma and reconciliation. Dominating the entrance, the nine-foot-tall Crouching Spider (2003) greets visitors. The creature looms behind the glass facade, symbolic protector and gatekeeper to the intimate journey ahead. Bourgeois, best known for her giant spider sculptures, is one of the most influential artist of the twentieth century. Blending vulnerability and defiance through themes of sexuality, trauma and identity, her work reshaped the landscape of contemporary art with fearless honesty. “People are influenced by
Ten years ago, English National Ballet (ENB) premiered Akram Khan’s reimagining of Giselle. It quickly became recognized as a 21st-century masterpiece. Next month, local audiences get their chance to experience it when the company embark on a three-week tour of Taiwan. Former ENB artistic director Tamara Rojo, who commissioned the ballet, believes firmly that if ballet is to remain alive, works have to be revisited and made relevant to audiences of today. Even so, Khan was a bold choice of choreographer. While one of Britain’s foremost choreographers, he had never previously tackled a reimagining of a classical ballet, so Giselle was