“The Room Next Door,” Pedro Almodovar’s English-language debut starring Julianne Moore and Tilda Swinton, topped the Venice Film Festival and was awarded its Golden Lion award Saturday.
Nicole Kidman was awarded the best actress prize, for her raw and exposing portrayal of a CEO embroiled in an affair with an intern in “Babygirl,” but missed the ceremony due to the death of her mother.
“I arrived in Venice and found out shortly after that my beautiful, brave mother, Janelle Ann Kidman has just passed,” Kidman said in a statement read by “Babygirl” director Halina Reijn. “I’m in shock and I have to go to my family, but this award is for her. ... She shaped me and made me.”
Photo:EPA
The 81st edition of the festival came to a close Saturday, with the Isabelle Huppert-led jury bestowing top prizes to Brady Corbet, for directing the 215-minute post-war epic “The Brutalist” and Vincent Lindon, for his lead performance in “The Quiet Son.” Lindon plays a single father whose son is radicalized by the far right.
Maura Delpero’s “Vermiglio” won the Silver Lion award, the runner up prize. The Italian-French-Belgian drama is about the last year of World War II, in which a refugee soldier happens upon a large family.
Almodovar’s win came after his film, a meditation on friendship and death, received a nearly 20-minute standing ovation. The Spanish filmmaker is a Venice favorite, having premiered many of his films at the festival over the past four decades.
Photo : AFP
“I would like to dedicate it to my family,” Almodovar said. “This movie … it is my first movie in English but the spirit is Spanish.”
Corbert, whose “The Brutalist” is about an architect and a Holocaust survivor rebuilding a life in America, came armed with a written statement to read at the ceremony — something his filmmaker wife had encouraged him to do.
“This is all very overwhelming. ... Brevity has never been my strong suit,” Corbet said. “Thank you for not holding its length against me.”
Photo : AFP
The Venice Film Festival used its closing film slot to host the world premiere of Kevin Costner’s “Horizon: An American Saga — Chapter 2.” The film played out of competition.
Many of the 21 competition titles were divisive, with passionate supporters and detractors.
“I have good news for you,” Huppert said at the ceremony. “Cinema is in great shape.”
Among the highest profile of the films of the festival in competition were: Todd Phillips’ “Joker: Folie a Deux,” the not-a-musical-musical with Joaquin Phoenix and Lady Gaga ; Pablo Larrain’s Maria Callas film “Maria,” starring Angelina Jolie as the famed soprano; and Luca Guadagnino’s William S. Burroughs adaptation “Queer,” with Daniel Craig as a junkie expat obsessed with a young student.
Five years ago, the Venice jury surprised the film world by giving the Golden Lion to “Joker,” which went on to win a best actor Oscar for Phoenix. Last year the top award went to “Poor Things” and the year before, the documentary “All the Beauty and the Bloodshed.”
The Luigi De Laurentiis award for a debut film went to Sarah Friedland’s “Familiar Touch,” about an octogenarian’s transition to life in assisted living as she grapples with her age, her memory and her relationship to her caregivers. Friedland also won the director prize in the horizons section and her star, Kathleen Chalfant, won the actress prize.
Though always a player in the international festival scene, Venice has cemented its reputation as a major launching pad for awards campaigns over the past 12 years. Since 2014, they’ve hosted four best picture winners (“Birdman,” “Spotlight,” “The Shape of Water” and “Nomadland”) and 19 nominees. And buzz is already swirling about possible best actress nominations for Kidman and Jolie, actor for Craig and supporting actress for Gaga, as the fall film season kicks into full gear.
The festival this year marked a return to form with true A-listers back on the Lido to celebrate films both in and out of competition after last year’s strike addled outing. In addition to the names above, George Clooney, Brad Pitt, Michael Keaton, Winona Ryder, Ethan Hawke, Sigourney Weaver were all lending their star power to the event.
And many rose to the occasion with their fashion. Gaga’s Christian Dior gown paired with a vintage lace Philip Treacy headpiece made for a major red-carpet moment. As was Kidman’s body hugging Schiaparelli, Blanchett’s Armani Prive with strands of pearls cascading down her back, and Jolie with her fur stole. Rachel Weisz and Daniel Craig also played the power couple, with her in a glittery blue Versace gown and him in a cream Loewe suit. The “Beetlejuice Beetlejuice” cast did also did a spin on the movie’s aesthetic with their wares.
Nov. 11 to Nov. 17 People may call Taipei a “living hell for pedestrians,” but back in the 1960s and 1970s, citizens were even discouraged from crossing major roads on foot. And there weren’t crosswalks or pedestrian signals at busy intersections. A 1978 editorial in the China Times (中國時報) reflected the government’s car-centric attitude: “Pedestrians too often risk their lives to compete with vehicles over road use instead of using an overpass. If they get hit by a car, who can they blame?” Taipei’s car traffic was growing exponentially during the 1960s, and along with it the frequency of accidents. The policy
While Americans face the upcoming second Donald Trump presidency with bright optimism/existential dread in Taiwan there are also varying opinions on what the impact will be here. Regardless of what one thinks of Trump personally and his first administration, US-Taiwan relations blossomed. Relative to the previous Obama administration, arms sales rocketed from US$14 billion during Obama’s eight years to US$18 billion in four years under Trump. High-profile visits by administration officials, bipartisan Congressional delegations, more and higher-level government-to-government direct contacts were all increased under Trump, setting the stage and example for the Biden administration to follow. However, Trump administration secretary
The room glows vibrant pink, the floor flooded with hundreds of tiny pink marbles. As I approach the two chairs and a plush baroque sofa of matching fuchsia, what at first appears to be a scene of domestic bliss reveals itself to be anything but as gnarled metal nails and sharp spikes protrude from the cushions. An eerie cutout of a woman recoils into the armrest. This mixed-media installation captures generations of female anguish in Yun Suknam’s native South Korea, reflecting her observations and lived experience of the subjugated and serviceable housewife. The marbles are the mother’s sweat and tears,
In mid-1949 George Kennan, the famed geopolitical thinker and analyst, wrote a memorandum on US policy towards Taiwan and Penghu, then known as, respectively, Formosa and the Pescadores. In it he argued that Formosa and Pescadores would be lost to the Chine communists in a few years, or even months, because of the deteriorating situation on the islands, defeating the US goal of keeping them out of Communist Chinese hands. Kennan contended that “the only reasonably sure chance of denying Formosa and the Pescadores to the Communists” would be to remove the current Chinese administration, establish a neutral administration and
RSS