Sat, Nov 04, 2023 page13

• Movie review: Lost in Perfection

  Two women who are polar opposites face off in this clash of social expectations where morality becomes increasingly murky

  • By Han Cheung / Staff Reporter
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  First of all, a personal gripe: why does every movie seem to depict journalists at their absolute worst, as if they’re little more than heartless monsters who harass people with horribly insensitive questions and are willing to do anything to get a scoop? While the stereotypes are true to a certain extent and Taiwan’s sensational media landscape is only getting more toxic, this exaggerated, overly-simplistic trope is getting old.

  Lost in Perfection (惡女) takes the ugly side of the news business a step further, featuring newly promoted news station anchor Li-mei (Ivy Shao, 邵雨薇) who works in a cut-throat environment where she sometimes has to bend the rules to succeed. Everything is going well for her on the surface — she’s sweet, smart and ambitious and is about to marry a wealthy and handsome dentist with whom she shares a posh apartment.

  Things get out of hand, however, when middle-aged Hsiu-lan (Lin Mei-hsiu, 林美秀), unceremoniously dubbed by the media as an “unattractive femme fatale,” is arrested for allegedly killing three of her former lovers after accepting large amounts of cash from them. The men were all found to have committed suicide by burning coal. Li-mei realizes that Hsiu-lan is the woman who her father (Mark Lee, 李天柱) a long-time widower, had abruptly introduced the previous night as his new fiancee. The father is exactly the type who would fall for romance scams and despite the deaths, insists that Hsiu-lan is innocent and their love is real.

  

  Lin Mei-hsiu stars in Lost in Perfection.

  Photo courtesy of Catchplay

  Due to the lack of evidence, the case against Mei-hsiu isn’t strong. Desperate to save her father, Li-mei begins plotting ways to ensure Hsiu-lan is put behind bars by working with dashing prosecutor Guo-lun (Rhydian Vaughan, 鳳小岳).

  The crux of the film is the battle between the two women, who are essentially polar opposites. Li-mei is beautiful, well-educated and career-driven but has bad luck with men (even her dentist beau leaves her at one point), while Hsiu-lan came to Taipei as a poor country girl and was able to achieve her lavish lifestyle through knowing exactly how to please these lonely men despite her modest looks.

  Rarely showing their true emotions and intentions, the calculating nemeses trade underhanded barbs and maneuvers throughout the film, making for some stirring psychological fare. Li-mei is clearly outclassed by the wily Hsiu-lan, but she has the power of the media at her disposal and is increasingly willing to abuse it.

  

  Ivy Shao, left, and Lin Mei-hsiu star in Lost in Perfection.

  Photo courtesy of Catchplay

  Social norms may automatically give Li-mei the higher moral ground, which she tries to impose on Hsiu-lan, but Hsiu-lan is not ashamed of her actions, even proud of her ability to give men everything they truly desire. They simply killed themselves because they could not bear the fact that she broke up with them, she maintains. And this morality is further blurred as the truth becomes murkier and the struggle intensifies. Who’s really the “evil woman,” per the film’s Chinese-language title, here?

  Lost in Perfection is a stark departure for director Sung Hsin-yin (宋欣穎), whose previous feature, On Happiness Road (幸福路上), is a whimsical, colorful and heart-warming animation that delves into Taiwan’s history through a woman’s life journey.

  Both films do touch on the roles and expectations of women in Taiwanese society, although it feels that On Happiness Road presents a more nuanced, relatable picture overall. The women in Lost in Perfection, from the leads to the ruthless news station boss, are more one-dimensional, serving largely to present different moral aspects.

  Shao and Lin deliver convincing performances that drive the show, but the film gets bogged down in the middle, with significant screen time spent on the confusing details of the case and cheesy love scenes instead of deeper character exploration. It just feels that everyone — including the hapless, simple-minded men — could have been fleshed out more to emphasize the human aspect of it all.
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