A few wily notes of a snake charmer’s flute twirl through the air as drag queen Xuren (由序人) shimmies in time with the music. Dressed in a glittery, green snake-skin bodysuit, a flowing silk robe and black six-inch, lace-up stilettos, Xuren abruptly stops dancing as the music halts.
American pop music soon begins blaring, Xuren drops into the splits and the audience at Cafe Dalida erupts in screams.
Founded by Alvin Chang (張原韶), the venue is one of Taiwan’s hottest drag bars and is a hub for both veteran and up-and-coming queens, as well as dedicated locals and wide-eyed tourists. It has also become a safe space for the queer community.
Photo: Anouk Yeh
Chang first encountered queer nightlife while traveling in Europe with the China Youth Corps (救國團). In 1996, he returned to Taipei, which only had one gay bar at the time, and began DJing at Source — “an unofficial gay bar” — and organizing “gay nights” and drag shows there.
“At that time, you couldn’t even buy rainbow flags in Taiwan,” Chang said. “I had to buy scrap fabric and make the rainbow decorations myself.”
Five years later, Chang went on to open his first gay bar, Fresh, with a friend. In 2001, he opened Cafe Dalida.
Photo: Anouk Yeh
Tucked in Ximen’s Red House plaza, the outdoor bar is strung with dozens of fairy lights and lush green foliage. The Cafe hosts bi-weekly drag performances, from artist-themed shows (Beyonce or Lady Gaga) to international drag queen features.
Dalida is where many popular queens in the Taipei drag scene got their start.
THE MAKING OF THE QUEENS
The first time Xuren performed drag was in 2018 at Dalida, during a recurring queer dance and drag party Chang co-hosts called the CUM (Create Ur Magic) Party.
Xuren performs at different venues almost weekly. They design their own costumes, makeup and performance concepts.
Another Taipei drag queen who got her start at Dalida is Amily Givenchy. Originally from South Africa, Amily, whose real name is Angus Botha, first encountered drag after moving to Taiwan in 2014. After she became a regular at Dalida, she was invited to perform at CUM Party.
Amily said that her drag inspiration comes from her “incredibly strong” mother, grandmother and sister.
“[Drag] is my love letter to them and my way of saying thank you,” Amily said.
Botha says there’s a strong sense of community among the queens in Taipei. She points to other queens such as Bouncy Babs and Magnolia as foremothers of the Taipei drag scene.
“There’s a lot of love and respect for one another. It’s a close-knit community because we all have to work together to keep [drag] existing,” Amily said.
A STRONG LOCAL COMMUNITY
The supportive nature of the drag community extends beyond the performers.
Hsu Bo-chao (許博超) started attending drag shows after being introduced to Cafe Dalida in June last year. Since then, he has gone out to watch drag shows every week.
Hsu said that watching drag helped him discover that he was bisexual.
“Because of the drag shows, I was opened to a new world,” he said.
Hsu said that aside from helping him discover his sexuality, drag has also “transformed” him into a more confident and outgoing person. When he’d arrive at Dalida wearing more traditionally feminine outfits, the queens and patrons would always compliment him.
“People here don’t degrade you, they just praise you,” Hsu said.
Hsu said he used to always be a people pleaser.
“Now, when I make friends, I use a mantra of, if I like myself, other people will like me,” he said.
AN INTERNATIONAL AUDIENCE
In addition to a supportive local community, Dalida also boasts a large foreign audience. During Dalida’s June 24 Dragon Boat Festival performance, the audience consisted of people hailing from France, Germany and the US.
Also in the audience that night were Lizi Olson and Pamela Nakanelua, a pair of sisters in their late fifties traveling from Hawaii.
During the show, Olson and Nakanelua — who was wearing a shirt bearing the image of US drag icon Sasha Colby — sat front and center, animatedly interacting with the queens and Go Go dancers. At one point, a male Go Go dancer approached their table.
“I was so excited, I fell off my chair!” Olson said.
While the drag scene in Taipei hasn’t been easy to keep alive, the queens have high hopes for the future of drag in the city. Amily said that performing drag has given her “so much respect for what women go through.”
“I think everybody should get in drag at least once and spend a minute walking in someone else’s shoes,” she said.
Nine Taiwanese nervously stand on an observation platform at Tokyo’s Haneda International Airport. It’s 9:20am on March 27, 1968, and they are awaiting the arrival of Liu Wen-ching (柳文卿), who is about to be deported back to Taiwan where he faces possible execution for his independence activities. As he is removed from a minibus, a tenth activist, Dai Tian-chao (戴天昭), jumps out of his hiding place and attacks the immigration officials — the nine other activists in tow — while urging Liu to make a run for it. But he’s pinned to the ground. Amid the commotion, Liu tries to
The slashing of the government’s proposed budget by the two China-aligned parties in the legislature, the Chinese Nationalist Party (KMT) and Taiwan People’s Party (TPP), has apparently resulted in blowback from the US. On the recent junket to US President Donald Trump’s inauguration, KMT legislators reported that they were confronted by US officials and congressmen angered at the cuts to the defense budget. The United Daily News (UDN), the longtime KMT party paper, now KMT-aligned media, responded to US anger by blaming the foreign media. Its regular column, the Cold Eye Collection (冷眼集), attacked the international media last month in
A pig’s head sits atop a shelf, tufts of blonde hair sprouting from its taut scalp. Opposite, its chalky, wrinkled heart glows red in a bubbling vat of liquid, locks of thick dark hair and teeth scattered below. A giant screen shows the pig draped in a hospital gown. Is it dead? A surgeon inserts human teeth implants, then hair implants — beautifying the horrifyingly human-like animal. Chang Chen-shen (張辰申) calls Incarnation Project: Deviation Lovers “a satirical self-criticism, a critique on the fact that throughout our lives we’ve been instilled with ideas and things that don’t belong to us.” Chang
Feb. 10 to Feb. 16 More than three decades after penning the iconic High Green Mountains (高山青), a frail Teng Yu-ping (鄧禹平) finally visited the verdant peaks and blue streams of Alishan described in the lyrics. Often mistaken as an indigenous folk song, it was actually created in 1949 by Chinese filmmakers while shooting a scene for the movie Happenings in Alishan (阿里山風雲) in Taipei’s Beitou District (北投), recounts director Chang Ying (張英) in the 1999 book, Chang Ying’s Contributions to Taiwanese Cinema and Theater (打鑼三響包得行: 張英對台灣影劇的貢獻). The team was meant to return to China after filming, but