Mass is about to start when I arrive at the Todos los Santos church on Heping Island (和平島). Clad in bright red robes, the priest has set up a makeshift altar in the center of the complex, while the parishioners sit on the ground.
Built in 1626 by Spanish missionaries, the main structure is long gone, and the stone foundations and buttresses on display were only discovered underneath a parking lot in 2011. A 3D recreation of the building can be viewed through a cell phone AR app.
Considered Taiwan’s earliest Catholic church, Todos los Santos seems to have become a site of pilgrimage since it opened to the public in June. Visitors are especially excited about the Spanish-style Caravaca cross that was found on one of the many skeletons buried here, and the display notes aside from European artifacts, Neolithic pottery, indigenous jewelry and Chinese porcelain have also been unearthed. There’s even a Japanese-era brick septic tank.
Photo: Han Cheung, Taipei Times
I had no idea that there would be a church service there, but I did come mainly for the ruins. I’ve visited Heping Island, just off the coast of Keelung, numerous times in the past — and wrote a feature about it in 2015 — but every time, I’ve gone straight to Heping Island Park, famous for its other-worldly rock formations and stunning ocean views.
Since the church lies outside the park, I decide to skip the park altogether and explore the rest of the sleepy island on foot. The winding streets with faded old buildings and colorful temples are quite pleasant to stroll through, while lumbering shipyard structures by the coast make for a picturesque contrast. While the park is definitely the area’s star attraction, it’s rewarding to just step out to where people still live and dive into the area’s rich past.
LAYERS OF HISTORY
Photo: Han Cheung, Taipei Times
I hop off the bus at the bridge leading to the island. There’s a steady stream of tourists taking selfies of rainbow-colored houses at Zhengbin Harbor (正濱漁港), which is worth checking out if you have time, but I head in the opposite direction toward the decaying ruins of the Agenna Shipyard. I remember climbing onto these eerie reinforced concrete beams years ago, but now the site is sealed off — probably for good reason.
On the other side of the bridge is a row of seafood restaurants, and there are plenty of eateries and convenience stores on the island.
The church ruins are a short walk from the bridge. The site is quite expansive, and what’s on display is just a third of the original complex. Researchers believe that the first structure was quite small; it was likely renovated and expanded after the Spanish found sources for stone in 1632 along the Tamsui River. When the Spanish were driven out of northern Taiwan by the Dutch in 1642, about 400 prisoners were briefly kept here, indicative of the structure’s size.
Photo: Han Cheung, Taipei Times
Little was known about the Spanish structures that once existed on the island when historian Jose Eugenio Borao Mateo arrived in 1989. He was originally trying to locate the fort built by Europeans, but the Taiwanese-Spanish archaeological team had trouble obtaining permission from CSBC Corp to excavate the site due to it being below their facilities. The shipbuilding company allowed them to dig in their parking lot, however, and using a 1654 map of the area, they discovered the church and adjacent Catholic cemetery.
Nearby is the 234-year-old Sheling Temple (社靈廟) dedicated to the Taoist Wangye deity (王爺). Its colorful King Boat is displayed in front of the building, and unlike most King Boat rituals across Taiwan, this vessel is not burned; instead it makes an annual pilgrimage to various fishing ports in the area.
GOOD VISTAS
Photo: Han Cheung, Taipei Times
The covered, one-street Heping Market contains a “historic corridor” of drawings and photographs depicting the island’s past, starting from when the indigenous Basay people arrived in the area thousands of years ago as traders. They had advanced seafaring skills, and one image shows them raiding European ships. The hanging displays are double-sided, so viewers have to walk to the end and back.
There were already Han Taiwanese settlers on the island by the early 1600s, and this corridor was one of their main streets. Spanish records refer to it as “Parian,” their word for Chinese quarters in the Philippines. These early settlers brought deities of the sea goddess Matsu (媽祖) with them for protection against pirates, and in 1747 the Tianhou Temple was built to honor her. The grand, three-story structure housing the deity today is not the original temple, which was mostly destroyed by the Japanese in 1937 to build a road. The remnants were moved to the current site in 1949.
The shipyard along the adjacent shore seems abandoned at first glance, with partially hollowed-out brick buildings and rusting ships, but there’s still activity going on at both ends. It’s quite atmospheric, with great views of the harbor.
Photo: Han Cheung, Taipei Times
For even better vistas, I climb a hill up to Tianxian Temple (天顯宮), which is a sprawling Buddhist and Taoist complex with multiple levels and halls of worship. Much of the place, including the main shrine, is under renovation.
Visitors are greeted by two rows of Buddhist Arhat sculptures that are numbered; usually there are 18 of them, but here they continue down a meandering slope in dizzying succession until I reach the 500th one in a garden at the bottom of the compound. They seem to be quite new, with construction tools still scattered around the grounds, but the sheer number of them makes for an impressive scene. There’s a forest path that continues down the hill, but there’s not much to see besides some not-so-friendly dogs at the end of it.
RECLAIMED BY NATURE
Photo: Han Cheung, Taipei Times
My last stop is the Sheliao East Fort (社寮東砲台), which was first built by the Spanish shortly after their arrival and maintained by the Dutch. The cannons were added by the Qing in the 1890s in response to the 1884 French invasion of Keelung and upgraded several times under the Japanese.
On the way is a marker noting the spot where the Spanish lost their final battle to the Dutch in 1642. Surprisingly, I hear people chatting in what sounds like Amis on the way up to the fort, and a woman carving betel nut trinkets tells me that this area was settled by indigenous workers from Hualien five decades ago.
Like the church ruins, the fort embodies the different layers of the island’s storied history, but now it’s just one of many touristy military structures, much of it reclaimed by vegetation and banyan tree roots. Judging from the cobwebs in the tunnels, people don’t come here that often.
The rock formations of the park can be partially seen from the top of the fort, but you’ll have to go all the way around to the main entrance to get in.
The arrival of a Typhoon Gaemi last week coincided with the publication of a piece at Yale Climate Connection on the upcoming bill for coastal defenses in the US: US$400 billion by 2040. Last week’s column noted how Taiwan is desperately short of construction workers. I doubt “sea wall and dike construction workers” are on the radar of most readers, but they should be. Indeed, the extensive overbuilding of residential housing has crowded out construction workers needed elsewhere, one of the many ways the housing bubble is eating Taiwan. FLOODING For example, a September 2022 piece in Frontiers in Environmental Science, a
Allegations of corruption against three heavyweight politicians from the three major parties are big in the news now. On Wednesday, prosecutors indicted Hsinchu County Commissioner Yang Wen-ke (楊文科) of the Chinese Nationalist Party (KMT), a judgment is expected this week in the case involving Hsinchu Mayor Ann Kao (高虹安) of the Taiwan People’s Party (TPP) and former deputy premier and Taoyuan Mayor Cheng Wen-tsan (鄭文燦) of the Democratic Progressive Party (DPP) is being held incommunicado in prison. Unlike the other two cases, Cheng’s case has generated considerable speculation, rumors, suspicions and conspiracy theories from both the pan-blue and pan-green camps.
Last Sunday’s Democratic Progressive Party (DPP) national congress was the most anticipated in years, and produced some drama and surprises. As expected, party chair President William Lai (賴清德), his New Tide (新潮流系統, usually abbreviated to 新系) faction and his allied “trust in Lai” (信賴) coalition of factions won majorities and control of the party, but New Tide did not do as well as expected due to an unexpected defection (two previous columns — “The powerful political force that vanished from the English press,” April 23, 2024 and “Introducing the powerful DPP factions,” April 27, 2024 — provide indepth introductions
Stepping inside Waley Art (水谷藝術) in Taipei’s historic Wanhua District (萬華區) one leaves the motorcycle growl and air-conditioner purr of the street and enters a very different sonic realm. Speakers hiss, machines whir and objects chime from all five floors of the shophouse-turned- contemporary art gallery (including the basement). “It’s a bit of a metaphor, the stacking of gallery floors is like the layering of sounds,” observes Australian conceptual artist Samuel Beilby, whose audio installation HZ & Machinic Paragenesis occupies the ground floor of the gallery space. He’s not wrong. Put ‘em in a Box (我們把它都裝在一個盒子裡), which runs until Aug. 18, invites