In the short film A Dire Strait, Taiwanese-American protagonist Demi is confined to her bed, forced to eat the same food everyday and forbidden to shower. She even has to urinate in a jar, and her nightmare begins when she tries to secretly resist the rules.
This “dark comedy/thriller” is actually about a ritual that most postpartum Taiwanese and Chinese women still partake in: zuoyuezi (坐月子, sitting for one month), which is meant to help their “broken” bodies recover and produce the best quality milk for their newborn. Demi’s captors are her in-laws, whose round-the-clock surveillance is driving her mad.
US-based Taiwanese director Lin Liang-chun (林亮君) says that while the film features the strictest version of the tradition and is partially based on what her mother went through, she’s found that many younger mothers still go through similar restrictions. The COVID-19 pandemic’s quarantine measures also served as inspiration, as more people are now able to empathize with the zuoyuezi experience of isolation.
Photo courtesy of Lin Liang-chun
“The confinement element of zuoyuezi is actually very suitable for a thriller film,” Lin says. “But the nature of the genre requires me to portray the most extreme version of the practice. I tell people at screenings that not every family is like this, and this is not an anti-zuoyuezi movie.”
However, the cultural standards of being a “good mother” and the pressure “to prioritize family over self-care while also doing it in a ‘right’ way that pleases elders” is real, and still passed down through each generation by women who endured it themselves, Lin says.
A Dire Strait won the Grand Jury Award for shorts at last month’s annual Dances With Films festival in Los Angeles for independent productions, and Lin hopes to show it at upcoming cinema events in Taiwan.
Photo courtesy of Lin Liang-chun
LITTLE KNOWN PRACTICE
Lin says her mother frequently talked about her painful zuoyuezi experience. She had to sneak food into her room, and although it was the sweltering Taiwanese summer, she had to wear a sweater and was forbidden from using a fan or even opening the window even after she developed a severe heat rash.
While many American viewers have never heard of the practice, Lin found that Taiwanese and Chinese mothers in the US often go through stricter experiences than their counterparts in Asia.
Photo courtesy of Lin Liang-chun
“Since immigrants are afraid of losing their culture and roots, they try even harder to preserve them,” Lin says. “Many mothers and mothers-in-law here are way more traditional than the ones in Taiwan.”
Plus, women in Taiwan can go to postpartum centers where there’s significantly less pressure, but these facilities are very expensive and rare in the US, so it’s more common for the parents to carry out the practice. Lin hopes to go beyond the more common Asian-American topics and present more of these lesser-known cultural issues to Western audiences.
The film also contains subtle references to cross-strait politics, especially with the title: the in-laws wear red, the husband, who mostly goes along with his parents, is clad in blue, while Demi appears in green.
“So far, only Taiwanese and Chinese have been able to pick up on this, while Americans not so much,” Lin says. “But it doesn’t matter, the most important thing is to tell a good, character-driven story. The conflict between collectivists and individualists naturally occurs in that family.”
MOTHER’S AWAKENING
A Dire Strait is also a shout-out to Lin’s mother, who began pursuing her own path after decades as the “good daughter-in-law.”
When she was nearly 60 years old, Peng Su-hua (彭素華) enrolled in the Graduate Institute of Children’s Literature at National Taitung University and began hanging out with women more than half her age.
“It took my mom, the most talented woman I know, 30 years to find out what she wanted to do with her life other than being a mother,” Lin says.
Lin’s next project is a feature-length film based on Peng’s latest novel, Grandmas’ Bikini (奶奶們的比基尼), which was published last year. It tells the story of four grandmas who embark on a road trip after one of them is diagnosed with a cyst in her breast that needs to be removed.
“They decide to go to the beach and wear bikinis to celebrate their bodies,” Lin says. “They bring an annoying granddaughter along, and the story is told from her perspective.”
Although it’s a humorous story, Lin found herself in tears as she leafed through the pages, as she saw bits of her mother in each of the grandmas.
“I knew that the story symbolized her feminist awakening process,” she says. “These grandmas breaking free of family pressure and searching for themselves totally symbolizes my mother’s journey of self-discovery.”
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Last week the Democratic Progressive Party (DPP) said that the budget cuts voted for by the China-aligned parties in the legislature, are intended to force the DPP to hike electricity rates. The public would then blame it for the rate hike. It’s fairly clear that the first part of that is correct. Slashing the budget of state-run Taiwan Power Co (Taipower, 台電) is a move intended to cause discontent with the DPP when electricity rates go up. Taipower’s debt, NT$422.9 billion (US$12.78 billion), is one of the numerous permanent crises created by the nation’s construction-industrial state and the developmentalist mentality it
Experts say that the devastating earthquake in Myanmar on Friday was likely the strongest to hit the country in decades, with disaster modeling suggesting thousands could be dead. Automatic assessments from the US Geological Survey (USGS) said the shallow 7.7-magnitude quake northwest of the central Myanmar city of Sagaing triggered a red alert for shaking-related fatalities and economic losses. “High casualties and extensive damage are probable and the disaster is likely widespread,” it said, locating the epicentre near the central Myanmar city of Mandalay, home to more than a million people. Myanmar’s ruling junta said on Saturday morning that the number killed had
RSS