The starry cast of Aaron Sorkin’s 1960s courtroom drama The Trial of the Chicago 7 took the top prize Sunday at a virtual Screen Actors Guild Awards where actors of color, for the first time, swept the individual film awards. The 27th SAG Awards, presented by the Hollywood actors’ guild SAG-Aftra, were a muted affair — and not just because the red carpet-less ceremony was condensed to a pre-recorded, Zoom-heavy, one-hour broadcast on TBS and TNT. The perceived Academy Awards frontrunner — Chloe Zhao’s Nomadland — wasn’t nominated for best ensemble, making this year’s postponed SAG Awards less of an Oscar preview than it is most years.
Still, the win for Netflix’s The Trial of the Chicago 7 marked the first time a film from any streaming service won the guild’s ensemble award. Written and directed by Sorkin, The Trial of the Chicago 7 had been set for theatrical release by Paramount Pictures before the pandemic hit, leading to its sale to Netflix. The streamer is still after its first best-picture win at the Oscars. Frank Langella, who plays the judge who presided over the 1969 prosecution of activists arrested during the 1968 Democratic National Convention, drew parallels between that era’s unrest and today’s while accepting the award on behalf of the cast.
“’God give us leaders,’ said the Reverend Martin Luther King before he was shot down in cold blood on this very date in 1968 — a profound injustice,” said Langella, citing events leading up to those dramatized in The Trial of the Chicago 7. “The Reverend King was right. We need leaders to guide us toward hating each other less.”
Photo: AP
The win came over two other Netflix releases — Ma Rainey’s Black Bottom and Da 5 Bloods — as well as Amazon’s One Night in Miami and A24’s Minari.
Had Lee Isaac Chung’s Korean-American family drama Minari won, it would have been the second straight year a film largely not in English won SAG’s top award. Last year, the cast of Parasite triumphed, becoming the first cast from a non-English language film to do so.
The SAG Awards are a closely watched Oscar harbinger. Actors make up the largest branch of the Academy of Motion Pictures Arts and Sciences, and SAG winners often line up with Oscar ones. Last year, Parasite went on to win best picture at the Academy Awards, and all of the individual SAG winners — Renee Zellweger, Brad Pitt, Laura Dern, Joaquin Phoenix — won at the Oscars, too.
Those awards this year went to a group entirely of actors of color, potentially setting the stage for a historically diverse slate of Oscar winners: Chadwick Boseman, best male actor for Ma Rainey’s Black Bottom; Viola Davis, best female actor for Ma Rainey’s Black Bottom; Yuh-Jung Youn, best female supporting actor for Minari; and Daniel Kaluuya, best male supporting actor for Judas and the Black Messiah. Of those, Davis’ win was the most surprising in a category that has often belonged to Carey Mulligan (Promising Young Woman) or Frances McDormand (Nomadland). It’s Davis’ fifth individual SAG award.
“Thank you, August, for leaving a legacy for actors of color that we can relish the rest of our lives,” said Davis, referring to playwright August Wilson.
As it has throughout the awards season, best male actor again belonged to Boseman for his final performance. Boseman, who died last August at age 43, had already set a record for most SAG film nominations — four — in a single year. He was also posthumously nominated for his supporting role in Da 5 Bloods and shared in the ensemble nominations for both Spike Lee’s film and Ma Rainey’s Black Bottom.
It was the SAG Awards where Boseman gave one of his most memorable speeches. At the guild’s 2019 awards, Boseman spoke on behalf of the Black Panther cast when the film won the top award.
“We all know what it’s like to be told that there is not a place for you to be featured,” Boseman said then. “Yet you are young, gifted and Black.”
The Academy Awards frontrunner, Nomadland missed out on a best-ensemble nomination possibly because its cast is composed of largely non-professional actors. Zhao’s film previously won at the highly predictive Producers Guild Awards, as well as at the Golden Globes. The Trial of the Chicago 7, up for best picture at the Oscars and four other awards, could pose a challenge to the frontrunner.
In an interview following the pre-taping of the award for The Trial of the Chicago 7, Langella called the virtual experience much more civilized. “I’m in my bedroom slippers,” he said from New York’s Hudson Valley. “I have no pants on,” added his co-star Michael Keaton.
Eddie Redmayne, who plays Tom Hayden in the film, credited Sorkin and casting director Francine Maisler for assembling such a disparate group of actors — including Sacha Baron Cohen, Mark Rylance, Yahya Abdul-Mateen II and Jeremy Strong — into an ensemble.
“It was like a clash of different types of music, whether it was jazz or rock or classical — but all of that coming together under Aaron. He was the conductor, almost,” said Redmayne. “It was a joy day and day out to watch these great and different and varied actors slugging it out.”
In television categories, the ensembles of Schitt’s Creek (for comedy series) and The Crown (for drama series) added to their string of awards. Other winners included Anya Taylor-Joy (The Queen’s Gambit), Gillian Anderson (The Crown), Jason Sudeikis (Ted Lasso), Jason Bateman (Ozark) and Mark Ruffalo (I Know This Much Is True).
The awards are typically the highest profile event for the Screen Actors Guild, though the union’s faceoff earlier this year with former President Donald Trump may have drawn more headlines. After the guild prepared to expel Trump (credits include The Apprentice, Home Alone 2) for his role in the Capitol riot, Trump resigned from SAG-Aftra.
In Normal Accidents, Charles Perrow’s classic analysis of technological systems and the accidents they foster, Perrow observes that “when we have interactive systems that are tightly coupled, it is ‘normal’ for them to have this kind of accident, even though it is infrequent.” Such accidents are an “inherent property” of technological systems, and we have them because our industrial society is full of tightly coupled, interactive systems with great potential for catastrophe. Here in Taiwan the omnipresence of tightly coupled systems — systems in which a failure in one leads to failure in another — operating in an atmosphere of
April 12 to April 18 Hsieh Hsueh-hung (謝雪紅) stuffed her suitcase with Japanese toys and celebrity photos as she departed from Tokyo in February 1928. She knew she would be inspected by Japanese custom officials upon arrival in Shanghai, and hoped that the items would distract them from the papers hidden in her clothes. Penned with invisible ink on thin sheets, it was the charter of the Taiwanese Communist Party (台灣共產黨, TCP), which Hsieh and her companions would launch on April 15 under the directive of the Soviet-led Communist International with the support of their Chinese, Japanese
Charles Baudelaire, whose 200th birthday yesterday was celebrated with stamp issues, new editions of his poetry and virtual events, is arguably more famous for his concept of the flaneur — an aimless stroller or ambler — than for his writing. That’s partly because reading his volumes Les Fleurs du Mal or Le Spleen de Paris requires a degree of application, but also because the idea of an individual moving through the city streets and finding aesthetic pleasure in the teeming crowds, appeals to us and continues to chime. At least, it did until spring last year, when the crowds were
Cute cartoon animals have been at the heart of Hong Kong clothing brand Chickeeduck since 1990, displayed on everything from t-shirts and tote bags to baby rompers and pillows. But owner Herbert Chow is now struggling to get his designs made in China, where his avian characters have been seized by authorities for “advocating violence.” Chow, 57, was preparing for the Lunar New Year shopping season earlier this year when he was informed that a shipment of some 10,000 Chickeeduck items had been seized in mainland China. “My manufacturer said the customs department found the products were advocating violence in social
RSS