Works by three of Taiwan’s younger generation of notable choreographers will be performed this weekend, two that wrap up the Taipei Arts Festival and one under the auspices of the Kuandu Arts Festival.
All three Taiwanese have developed substantial international contacts, two by touring their works and/or winning choreographic competitions abroad, and one who has been based in Essen, Germany for 14 years.
‘UNDER THE HORIZON’
Photo courtesy of Huang Yi Studio
Going strictly in chronological order, first up is Huang Yi Studio’s (黃翊工作室) Under The Horizon (地平面以下), which opens tonight at the Metropolitan Hall, and is considered one of the highlights of the Taipei Arts Festival.
Described as a “hybrid opera,” the show created by Huang Yi (地平), the Utrecht-based Nederlands Kamerkoor (Netherlands Chamber Choir) and Berlin-based Japanese multimedia and audiovisual artist Ryoichi Kurokawa, premiered on Sept. 21 in Utrecht, Netherlands.
Huang Yi gave a preview of the piece almost a year ago this month at the Cloud Gate Theatre and it was tantalizing.
Photo courtesy of Anna Westphal
Considered one of his generation’s most exciting talents, he has built a reputation for working with technology and Under The Horizon is likely to cement that reputation further.
Inspired by both the plight of refugees fleeing war, persecution or famine, as well as Chinese folklore that says the horizon is the dividing line between life and the netherworld (where souls exist as shadows), Huang Yi and Kurokawa have created a world where humans and shadows cross paths.
It is a show about the universal desire for hope, home, love and belonging. It is also about loss and longing.
Photo courtesy of Chou Mo
The www.artsticket.com.tw site has split the program into two listings: one is for tonight and tomorrow’s shows, which feature the choir; the second is for the three other shows, which will be performed to a recorded soundtrack.
For all five performances, there is an advisory that latecomers will not be admitted.
‘UNSOLVED’
The search for home is also one of the themes of the second production, the 70-minute dance-video installation by Polymer DMT (聚合舞), Unsolved (未解,懸), which opens tomorrow night at Huashan 1914 Creative Park’s Umay Theater.
Choreographer Luo Fang-yun (羅芳芸) founded the Essen-based Polymer DMT seven years ago, seeking to bring together artists and performers from different fields or cultural backgrounds to create dance-based works.
Unsolved was a collaboration with Hamburg-based video artist Hanna Linn Ernst, Swiss musician Patrik Zosso and Germany-based Taiwanese stage designer Cheng Ting-chen (陳成婷), and features Taiwanese hip-hop dancer Chung Chih-wen (鍾志文), along with Cheng and Anna Westphal.
Coproduced with PACT Zollverein Essen and the Taipei Arts Festival, the show premiered in Essen on Sept. 28, and its Taiwan premiere has been funded by the Goethe-Institut, Taipei.
Unsolved is partially autobiographical, inspired by Luo’s questions about her family’s history in Taiwan and conflicting identities in different worlds, set in an old family home, long abandoned.
Luo examines how personal identity and cultural identity are formed within families and the impact on both the individuals and the family as a whole. Unsolved is the first in a planned trilogy on the concepts of identity, home, heritage and tradition from an individual as well as political experience.
‘BLAH, BLAH, BLAH’
The third production this weekend is B.DANCE’s (丞舞製作團隊) Blah Blah Blah, a collaboration by choreographer Benson Tsai (蔡博丞) and Luxembourg-based artist Jill Crovisier, at Taipei National University of the Arts’ Dance Theater.
Blah Blah Blah’s two pieces explore cultural, social, political and gender differences and perspectives of modern society through the eyes of millennials, the conflict between glamor and desolation.
Tsai has been winning awards and accolades across Europe for the past four years, starting with his 10-minute Floating Flowers, a tribute to his late father, which won the Gauthier Dance and Stuttgart Theater Production Award at the 2014 Hannover International Competition for Choreographers, as well as the Audience Prize for Best Choreography at the 20th MASDANZA in Spain. It also spurred him to create his own company that same year.
His 2015 Hugin/Munin took first prize in choreography competitions in New York and Denmark and placed second at the Jerusalem International Dance Week, while the German dance magazine Tanz last year named him as one of the world’s 32 most promising choreographers.
This piece has been updated since it was first published to correct the date and location of the premiere of "Under The Horizon" from Oct. 3 in The Hague to Sept. 21 in Utrecht, Netherlands.
Performance Notes
What: Under The Horizon
When: Tonight, tomorrow and Saturday at 7:30pm, Saturday and Sunday at 2:30pm
Where: Metropolitan Hall (城市舞台), 25 Bade Rd, Sec 3, Taipei (台北市八德路三段25號).
Admission: NT$500 to NT$1,500. Available at NTCH box offices, Eslite ticket desks, online at www.artsticket.com.tw and convenience store ticket kiosks
What: Unsolved
When: Tomorrow and Saturday at 7:30pm, Saturday and Sunday at 2:30pm
Where: Huashan 1914 Creative Park (華山1914文化創意產業園區), Umay Theater (烏梅劇院), 1, Bade Rd Sec 1, Taipei City (台北市八德路一段1號)
Admission: NT$600, available at NTCH box offices, Eslite ticket desks, online at www.artsticket.com.tw and convenience store ticket kiosks
What: Blah Blah Blah
When: Saturday at 7:45pm and Sunday at 2:45pm
Where: Taipei National University of the Arts Dance Theater (國立臺北藝術大學展演藝術中心戲劇廳), 1 Xueyuan Rd, Guandu District, Taipei City (台北市關渡區學園路1號)
Admission: NT$900, NT$1,400 and NT$2,500; available online at www.artsticket.com.tw and convenience store ticket kiosks
In Taiwan there are two economies: the shiny high tech export economy epitomized by Taiwan Semiconductor Manufacturing Co (TSMC, 台積電) and its outsized effect on global supply chains, and the domestic economy, driven by construction and powered by flows of gravel, sand and government contracts. The latter supports the former: we can have an economy without TSMC, but we can’t have one without construction. The labor shortage has heavily impacted public construction in Taiwan. For example, the first phase of the MRT Wanda Line in Taipei, originally slated for next year, has been pushed back to 2027. The government
July 22 to July 28 The Love River’s (愛河) four-decade run as the host of Kaohsiung’s annual dragon boat races came to an abrupt end in 1971 — the once pristine waterway had become too polluted. The 1970 event was infamous for the putrid stench permeating the air, exacerbated by contestants splashing water and sludge onto the shore and even the onlookers. The relocation of the festivities officially marked the “death” of the river, whose condition had rapidly deteriorated during the previous decade. The myriad factories upstream were only partly to blame; as Kaohsiung’s population boomed in the 1960s, all household
Allegations of corruption against three heavyweight politicians from the three major parties are big in the news now. On Wednesday, prosecutors indicted Hsinchu County Commissioner Yang Wen-ke (楊文科) of the Chinese Nationalist Party (KMT), a judgment is expected this week in the case involving Hsinchu Mayor Ann Kao (高虹安) of the Taiwan People’s Party (TPP) and former deputy premier and Taoyuan Mayor Cheng Wen-tsan (鄭文燦) of the Democratic Progressive Party (DPP) is being held incommunicado in prison. Unlike the other two cases, Cheng’s case has generated considerable speculation, rumors, suspicions and conspiracy theories from both the pan-blue and pan-green camps.
Stepping inside Waley Art (水谷藝術) in Taipei’s historic Wanhua District (萬華區) one leaves the motorcycle growl and air-conditioner purr of the street and enters a very different sonic realm. Speakers hiss, machines whir and objects chime from all five floors of the shophouse-turned- contemporary art gallery (including the basement). “It’s a bit of a metaphor, the stacking of gallery floors is like the layering of sounds,” observes Australian conceptual artist Samuel Beilby, whose audio installation HZ & Machinic Paragenesis occupies the ground floor of the gallery space. He’s not wrong. Put ‘em in a Box (我們把它都裝在一個盒子裡), which runs until Aug. 18, invites