Netherlands-based British photographer Eric Kellerman is fascinated by the female form — in the nude, of course — and has a team of female models that he works with. His latest solo exhibition, The Box (箱中的活字版人體結構), is currently on view at Taipei’s 1839 Contemporary Gallery. The exhibition features Kellerman’s signature female nudes, but this time, they are all striking dance, acrobatic and yoga poses inside of boxes. According to his Web site, Kellerman considers his work to be “distant” and “unerotic” — though that’s really up to the viewer to decide, isn’t it?
■ 1839 Contemporary Gallery (當代藝廊), B1, 120 Yanji St, Taipei City (台北市延吉街120號B1), tel: (02) 2778-8458. Open Tuesdays to Sundays from 11am to 8pm
■ Until May 1
Photo courtesy of Aura Gallery
Chiu Chien-jen’s (邱建仁) bleak, mysterious paintings of silhouettes and cityscapes are currently on display at Taipei’s Lin & Lin Gallery. Once I Gaze At (他處) centers around the idea of the omniscient gaze. Chiu favors grayish and deep blue hues, with a dabbling of maroon here and there. The point of view appears to be rather fatalistic, something which is conveyed through the listless motions of Chiu’s subjects. In some instances, people merge into the landscape, becoming one and the same, symbolizing the impermanence of human life.
■ Lin & Lin Gallery (大未來林舍畫廊), 16, Dongfeng St, Taipei City (台北市東豐街16號), tel: (02) 2700-6866. Open Tuesdays to Sundays from 11am to 7pm
■ Until May 1
Photo courtesy of In River Gallery
I’m a native English speaker and I had to look up the word “oneiric.” Apparently, it means “relating to dreams.” Oneiric Subjectivity (夢．主體 ) is Hong Kong-born, Taiwan-based sculptor Lai Chi-man’s (黎志文) latest exhibition. While Lai’s previous work contained hidden political messages, he takes on a more abstract, poetic approach this time, using materials as diverse as marble, lead and iron to create sculptures that are supposed to replicate the feeling of being in a dream-like state. Lai pays careful attention to curvature and movement in his sculptures, which is not an easy feat with the materials he uses. The result is that the reader gets lost in his alternative world where dreams rule supreme.
■ ArtDoor Gallery (藝境畫廊) 639, Ruiguang Rd, Taipei City (台北市瑞光路639號), tel: (02) 2658-5268. Open Tuesdays to Sundays from 11am to 7pm
■ Until May 8
Photo courtesy of In River Gallery
Artist and poet Brigitta Rossetti has an ideal space for inspiration: a converted old barn in the Italian countryside. Her paintings, sculptures and collages all pay tribute to her love of flowers, butterflies and animals but they also allude to the frailty of human life. In fact, Rossetti’s work has a very literary, romantic feel, from the ruffles in the leaves and flower petals to the elongated stems. Her latest solo exhibition, I Fiori e il Sogno (Flowers and Dreams), opens tomorrow at Taipei’s Bluerider Art.
■ Bluerider Art (藍騎士藝術空間), 9F, 25-1, Renai Rd Sec 4, Taipei City (台北市仁愛路四段25-1號9樓), tel: (02) 2752-2238. Open Tuesdays to Saturdays from 9am to 6pm
■ Opens tomorrow. Until May 21
Photo courtesy of In River Gallery
Opening tomorrow at Aura Gallery Taipei is The Essence of Things (靜相), a joint exhibition that explores the dark side of the human subconscious through depictions of flowers, birds and other pretty things. It includes Tainan native Wu Chuan-lun (吳權倫) who uses mixed media — computer generated images, carvings and paintings — to create three-dimensional-like rainbow shapes. Also in the lineup is Chinese artist Yin Zhaoyang (尹朝陽) who is known for his expressionist landscape paintings, as well as South African-based American photographer Roger Ballen whose frightful-looking black-and-white photographs depict marginalized and unstable people. Seriously, why can’t flowers just be pretty things that we all like to look at?
■ Aura Gallery Taipei (亦安畫廊台北), 313, Dunhua N Rd Sec 1, Taipei City (台北市敦化南路一段313號); tel: (02) 2752-7002. Open Tuesdays to Saturdays from 12pm to 7pm
■ Opens tomorrow. Until May 21
Photo courtesy of Aura Gallery
Yet another floral-themed art exhibition is making its debut tomorrow. You would think that galleries would come up with more original themes to mark the beginning of spring, but Blooming in the Orient (花/非花), to be held at Taipei’s In River Gallery, looks promising as it boasts an impressive lineup of Taiwanese artists. Included in the exhibition are Chen San’s (塵三) colorful, tranquil paintings that combine Western impressionism with the finesse and structure of Chinese brush paintings. Chen lives at the foot of the mountains in Taipei and his oil paintings are rich in earthy greens and dreamy violet hues. Chou Chen (周宸) prefers deeper, more evocative hues. The thick, punctuated brush strokes of his oil paintings create a feeling that is at once peaceful and intense, mimicking how one feels when in the presence of untouched nature. Yu Chuan (堉泉) prefers a slightly psychedelic palette to paint his mythical creatures intertwined with flowers and other nature habitats.
■ In River Gallery (穎川畫廊), 2F, 45, Renai Rd Sec 1, Taipei City (台北市仁愛路一段45號2樓), tel: (02) 2357-9900. Open Tuesdays to Sundays from 1pm to 8pm
■ Opens tomorrow. Until June 8
Photo courtesy of Aura Gallery
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
RSS