Neighbors
Mean, nasty, tasteless, gross, lewd and loud are all words that can be applied to the latest comedy from Nicholas Stoller (Forgetting Sarah Marshall) and star Seth Rogen. What it is, nevertheless, is uproariously funny. The gross out jokes come fast and furious, and although the pacing is sometimes a bit wobbly, there is a level of visual inventiveness that makes Neighbors refreshing. With a running time of just 96 minutes, the film is a miracle of tight scripting and editing, and there is a depth to the characters that is unusual in this type of movie. Rogen and Rose Byrne are Mac and Kelly, new parents who go to war against the college fraternity that have moved in next door. They have great chemistry as the thirtysomethings anxious to do right by their daughter, look cool in front of the kids and still get invited to party like they used to. Head of the frat pack is Zac Efron as Teddy, a sweet-natured lunk who just loves to party, and the conflict of prank and counter prank is both amusing and awful, and if you don’t walk out in disgust, you will probably be paralytic with laughter.
Kill Your Darlings
Even if the Beat generation and the poets and intellectuals who led the movement are not your cup of tea, Kill Your Darlings, with its sumptuous presentation of period detail ranging from the clothes to the ideas, is still a hugely appealing adventure. It starts out as a murder mystery, and the fundamentals of a thriller are all in place, but at the same time, it seeks to explore the value of the Beat ideology. Unlike Walter Salles’s recent adaptation of On The Road, it does not take the genius of Allen Ginsberg, Jack Kerouac and William Burroughs for granted. There are some splendid performances, most notably by Daniel Radcliffe as a young Ginsberg, who has well and truly put the world of Harry Potter behind him and shows real fire in creating the character of the idiosyncratic poet. The debut feature by John Krokidas, the film is inclined to flail and trash about in coming to grips with its themes, but the vibrant energy of the story seems to echo the jazz-inflected and freewheeling notes of Beat poetry and transcend the usual biopic limitations to tell a bigger story.
One Minute More (只要一分鐘)
Based on a novel by the Japanese author Harada Maha, One More Minute is the second venture between producer Khan Lee (李崗) and director Chen Weiling (陳慧翎), following on the success of The Moonlight in Jilin (吉林的月光). The duo are perfectly happy with heavily melodramatic material, but while Moonlight had some dramatic heft, here they allow the drama to degenerate into sloppy sentimentalism. The story centers on Wanchen (played by Janine Chang, 張鈞甯), an ambitious editor at a fashion magazine who inadvertently adopts a labrador puppy. The dog takes up more and more of her affection until the opportunity of her dream job brings a sharp jolt of reality. Her relationship with her boyfriend (played by Peter Ho, 何潤東) is tested, and when the dog becomes ill, the filmmakers want the audience to be reaching for the kleenex. Both leads are veterans of TV and film, but the story and treatment are all overly indulgent. The cuteness of the canine might make up for this among animal lovers.
A Lady in Paris
A mousy, middle-aged caretaker travels from the Baltics to Paris to look after a cantankerous old woman in Estonian filmmaker Ilmar Raag’s A Lady in Paris. This intimate film about the relationship between two women, one a prickly, elderly Estonian (Jeanne Moreau) who doesn’t want anyone to look after her in her adopted home country, much less a woman from her long-abandoned place of birth, the other a carer who both transforms herself and her charge during the course of the film (Laine Magi). It has only the thinnest of storylines, and is carried mainly by Moreau’s immense charisma. The two leading ladies build up an interesting chemistry, and Raag maintains a classic formality in the gradual revelations about Moreau’s character, particularly why she seeks a self-imposed exile away from Estonia, but these a too slight to make much impact. Finely crafted, A Lady in Paris can be enjoyed for the technical perfection of its construction, but provides little in the way of dramatic power.
Transcendence
Debut feature by Wally Pfister, a veteran cinematographer who has worked closely with Christopher Nolan and has a track record that includes such groundbreaking work as Batman Begins, The Dark Knight and Inception. Transcendence has echoes of Inception in its blurring of reality and fantasy, though it never quite manages to be as dynamically involving, despite, or because of, an often annoying Johnny Depp and a script that is so mind-bogglingly clunky that even an outstanding supporting cast that includes the likes of Paul Bettany and Morgan Freeman cannot save it. The concept of the film is fascinating, centered on the character of Will Caster (Depp), who is working toward his goal of creating an omniscient, sentient machine and becomes the target of a radical anti-technology organization. Unfortunately, this man vs machine drama feels more mechanical than human.
One of the biggest sore spots in Taiwan’s historical friendship with the US came in 1979 when US president Jimmy Carter broke off formal diplomatic relations with Taiwan’s Republic of China (ROC) government so that the US could establish relations with the People’s Republic of China (PRC). Taiwan’s derecognition came purely at China’s insistence, and the US took the deal. Retired American diplomat John Tkacik, who for almost decade surrounding that schism, from 1974 to 1982, worked in embassies in Taipei and Beijing and at the Taiwan Desk in Washington DC, recently argued in the Taipei Times that “President Carter’s derecognition
JUNE 30 to JULY 6 After being routed by the Japanese in the bloody battle of Baguashan (八卦山), Hsu Hsiang (徐驤) and a handful of surviving Hakka fighters sped toward Tainan. There, he would meet with Liu Yung-fu (劉永福), leader of the Black Flag Army who had assumed control of the resisting Republic of Formosa after its president and vice-president fled to China. Hsu, who had been fighting non-stop for over two months from Taoyuan to Changhua, was reportedly injured and exhausted. As the story goes, Liu advised that Hsu take shelter in China to recover and regroup, but Hsu steadfastly
You can tell a lot about a generation from the contents of their cool box: nowadays the barbecue ice bucket is likely to be filled with hard seltzers, non-alcoholic beers and fluorescent BuzzBallz — a particular favorite among Gen Z. Two decades ago, it was WKD, Bacardi Breezers and the odd Smirnoff Ice bobbing in a puddle of melted ice. And while nostalgia may have brought back some alcopops, the new wave of ready-to-drink (RTD) options look and taste noticeably different. It is not just the drinks that have changed, but drinking habits too, driven in part by more health-conscious consumers and
On Sunday, President William Lai (賴清德) delivered a strategically brilliant speech. It was the first of his “Ten Lectures on National Unity,” (團結國家十講) focusing on the topic of “nation.” Though it has been eclipsed — much to the relief of the opposing Chinese Nationalist Party (KMT) and Taiwan People’s Party (TPP) — by an ill-advised statement in the second speech of the series, the days following Lai’s first speech were illuminating on many fronts, both domestic and internationally, in highlighting the multi-layered success of Lai’s strategic move. “OF COURSE TAIWAN IS A COUNTRY” Never before has a Taiwanese president devoted an entire speech to
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