When Wei Te-sheng (魏德聖), the director of Cape No. 7 and Seediq Bale, heard of a Chiayi high school baseball team that “almost” won the all-Japan Koshien summer tournament in Kobe in 1931, he just knew he had to make a movie about it. So he wrote a script, signed on as producer, asked Umin Boya to direct it, raised a pile of money, hired a cast of Taiwanese actors and extras, and the film, currently in production in Chiayi and other cities, is set to be released in early 2014.
The movie’s working title is “Kano,” the nickname of the old Chiayi Agricultural and Forestry Vocational High School, which no longer exists. The nickname comes from the first two English letters of the two Japanese words “Ka-gi No-rin,” with ‘Kagi’’ being the Japanese word for Chiayi and ‘’No-rin’’ being the Japanese term for agriculture and forestry.
“From time to time, Japanese tourists will stop here,” says Yu Guei-in (余佳蓁), a senior at National Chiayi University (NCYU), who works part-time as a secretary at the museum.
Photo: AFP
“Last summer, a Japanese reporter from the Sankei Shimbun newspaper came here to look around and ask us some questions about the movie, and three French tourists stopped by in August while visiting the city’s temples,” Yu says.
While most people in Chiayi know about the team’s exploits in 1931, few are aware that just a few steps from the modern 15-story glass-paneled city hall there is an old one-story Japanese-era building, hidden behind a long cement wall, that serves as an informal Kano museum for the team.
The building, still sporting sweet-smelling tatami mats and sliding paper doors in the Japanese style, houses the offices of the Kano Alumni Association. Supported by the city and a local university, it has a volunteer staff and is open Monday to Friday for tourists, scholars and history buffs. It’s a quiet place now, but once the movie is released, it could get crowded.
Photo: AFP
Inside the wooden structure, built in the 1920s, there is a library with dozens of copies of the Kano Alumni Association annual magazine, still published in Chinese by National Chiayi University (MCYU), and hundreds of old black-and-white photographs of the 1931 baseball squad. Outside in the courtyard there’s even a statue of one of the original team’s players holding up a bat and seemingly still ready to play ball.
Tourism opportunity
The Chiayi city government sees an opportunity in the 2014 release of the Wei-produced movie, which is said to be a cross between a baseball drama and a love story. Yes, Wei wrote a young woman into the script, and she’ll be the love interest of one of the players. So with expectations high that the movie will attract tourists from across Taiwan and Japan in the future, the city government’s tourism department donated a nice chunk of change — NT$500,000 — to help fund the movie.
Nearby, National Chung Cheng University, just a 30-minute bus ride from Chiayi, is planning to set up a tourist attraction based on the movie, since some of the action scenes will be filmed at Chung Cheng University.
According to Angel Chen (陳廷萱), a graduate student working on her master’s degree in marketing, the movie’s connection to Chiayi and Taiwan’s history during the Japanese Colonial Period (1895-1945) offers a “perfect storm” of public relations and tourism opportunities for all those involved in the movie’s production.
Location, location, location
Location shooting for the movie is going on now, in Chiayi, Taichung, Tainan and Kaohsiung, according to film industry sources. Some sets will be built and many locals have been hired as extras to appear in various crowd scenes. Umin Boya, an Aboriginal actor in his 30s who was in the cast of Seediq Bale, is directing the movie from a script by Wei. The director, who played baseball as a teenager, told reporters earlier this year that he understands the emotions of ball players and is looking forward to the film’s release, not only in Taiwan, but in Japan and other countries in Asia.
Imperial Japan in those days had colonies in Taiwan, Korea and Manchuria, and teams from those regions were invited to Koshien if they made the grade. But only the Kano team from Taiwan was invited to the all-Japan championships, and not just once, according to Masato Fujishima, a Japanese reporter for the Asahi Shimbun in Tokyo, but five times. However, it was only the 1931 team that played their hearts out all the way to the Koshien finals.
stealing the show
According to Fujishima, the 1931 Kano team won the hearts of Japanese baseball fans, and even today, the story has not been forgotten among Japanese. So a feature movie about the team, set in the 1930s and adding a love story to the drama of the final game in Kobe on a hot summer day, should go over well in Japan, too.
The movie will tell the story of a high school baseball team comprised of three ethnic groups — Japanese, Han Chinese and Aboriginal boys — and one tough Japanese coach.
The “Chiayi Norin Gakko’’ team took a boat from Keelung to Japan in the summer of 1931 and turned a lot of heads in Kobe.
By some kind of baseball miracle, the teenage boys from Taiwan surprised the experts in Imperial Japan and came in second. Their earlier run of good luck and the final game is now part of Taiwan lore, but for most people it’s a long forgotten story. Wei hopes to put a new spin on it.
While the Kano team is now history, its “never give up” attitude will be a big part of the movie, according to Umin Boya. And with an unofficial Kano museum and outdoor shrine still standing in the middle of Chiayi today, the building’s staff is getting ready for what might just be a big tourism boom when the film is finally released.
March 24 to March 30 When Yang Bing-yi (楊秉彝) needed a name for his new cooking oil shop in 1958, he first thought of honoring his previous employer, Heng Tai Fung (恆泰豐). The owner, Wang Yi-fu (王伊夫), had taken care of him over the previous 10 years, shortly after the native of Shanxi Province arrived in Taiwan in 1948 as a penniless 21 year old. His oil supplier was called Din Mei (鼎美), so he simply combined the names. Over the next decade, Yang and his wife Lai Pen-mei (賴盆妹) built up a booming business delivering oil to shops and
The Taipei Times last week reported that the Control Yuan said it had been “left with no choice” but to ask the Constitutional Court to rule on the constitutionality of the central government budget, which left it without a budget. Lost in the outrage over the cuts to defense and to the Constitutional Court were the cuts to the Control Yuan, whose operating budget was slashed by 96 percent. It is unable even to pay its utility bills, and in the press conference it convened on the issue, said that its department directors were paying out of pocket for gasoline
On March 13 President William Lai (賴清德) gave a national security speech noting the 20th year since the passing of China’s Anti-Secession Law (反分裂國家法) in March 2005 that laid the legal groundwork for an invasion of Taiwan. That law, and other subsequent ones, are merely political theater created by the Chinese Communist Party (CCP) to have something to point to so they can claim “we have to do it, it is the law.” The president’s speech was somber and said: “By its actions, China already satisfies the definition of a ‘foreign hostile force’ as provided in the Anti-Infiltration Act, which unlike
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
RSS