Reality Impalpable (不確定的真相) is a solo exhibition of works by Chinese artist Li Hui (李暉). Li’s light installations — including one composed of 13,000 LEDs — are meant to serve as a symbol of China’s hectic and rapidly changing society, particularly his hometown of Beijing, which is contrasted with the philosophies of Buddhism and Confucianism.
■ Museum of Contemporary Art, Taipei (MOCA, Taipei), 39 Changan W Rd, Taipei City (台北市長安西路39號), tel: (02) 2552-3720. Open Tuesdays to Sundays from 10am to 6pm. Admission: NT$50
■ Opening reception on Friday at 6pm. Until June 26
Photo courtesy of MOCA, Taipei
Return to the Essence (返本歸真) surveys Taiwan’s abstract painting scene through the work of five artists: Chu Teh-i (曲德益), Lee Shi-chi (李錫奇), Tsong Pu (莊普), Yang Chi-hung (楊識宏) and Hsueh Pao-shia (薛保瑕).
■ Red Gold Fine Art (赤粒藝術), 15, Ln 116, Da-an Rd Sec 1, Taipei City (台北市大安路一段116巷15號), tel: (02) 8772-5887. Open Tuesdays to Sundays from 11am to 7pm
■ Opening reception on Sunday at 3pm. Until May 29
Modigliani and his Circle showcases works by and documents about Italian figurative painter Amedeo Modigliani and some of his friends and contemporaries, including Moise Kisling and Max Jacob. This is the first exhibition dedicated to Modigliani in Asia.
■ Kaohsiung Museum of Fine Arts, 80 Meishuguan Rd, Greater Kaohsiung (高雄市美術館路80號), tel: (07) 555-0331. Open Tuesdays to Sundays from 9am to 5pm. Admission: NT$260
■ Until July 31
Shanghai’s influx of foreign influences toward the end of the 19th century set traditional Chinese ink painting on a new trajectory, as an exhibit of 20 works by 16 artists at 99 Degrees Art Center attempts to show. The pluralistic tradition that evolved from the merging of disparate cultures and artistic styles continues to the present day. The works on exhibit span the past 100 years and include examples by Ren Bonian (任伯年), Wu Changshuo (吳昌碩), Huang Binhong (黃賓虹) and Chang Dai-chien (張大千).
■ 99 Degrees Art Center (99度藝術中心), 5F, 259, Dunhua S Rd Sec 1, Taipei City (台北市敦化南路一段259號5樓), tel: (02) 2700-3099. Open Tuesdays to Sundays from 11am to 6pm
■ Until May 29
The Animal’s Soliloquy (動物的獨白) presents a new series of surrealist and psychedelic paintings of animals by Johnny Leo (廖文彬). Leo’s dreamy paintings address environmental degradation.
■ Butchart Contemporary Art Space (布查當代藝術空間), 155, Linong St Sec 2, Taipei City (台北市立農街二段155號), tel: (02) 2820-9920. Open daily from 11am to 9:30pm
■ Until May 16
Sound Creature (聲音生物) is an exhibition of sound installations featuring environmental sound artist (wind, waves, water) Wang Fu-jui (王福瑞), cassette tape experimenter (classical music) Chang Yung-ta (張永達) and interactive sound installation guru Hiroko Mugibayashi from Japan, among others.
■ Galerie Grand Siecle (新苑藝術), 17, Alley 51, Ln 12, Bade Rd Sec 3, Taipei City (台北市八德路三段12巷51弄17號), tel: (02) 2578-5630. Open Tuesdays to Sundays from 1pm to 6pm.
■ Until May 8
The tropic of cancer bisects the city of Chiayi (嘉義). The morning heat is, predictably, intense. But the sky is blue and hued with promise. Travelers brave the heat to pose for photos outside the carriages lined up at the end of platform one. The pervasive excitement is understandable. HISTORIC RAILWAY The Alishan Forest Railway (阿里山森林鐵路) was engineered by the Japanese to carry timber from the interior to the coast. Construction began in 1906. In 1912, it opened to traffic, although the line has been lengthened several times since. As early as the 1930s, the line had developed a secondary function as
The Democratic Progressive Party (DPP) National Congress tomorrow will potentially be one of the most consequential in the party’s history. Since the founding of the DPP until the late 2000s or early 2010s, the party was riven with factional infighting, at times getting very ugly and very public. For readers curious to know more about the context of the factions and who they are, two previous columns explore them in depth: “The powerful political force that vanished from the English press,” April 23, 2024 and “Introducing the powerful DPP factions,” April 27, 2024. In 2008, a relatively unknown mid-level former
Like many people juggling long hours at work, Chiharu Shimoda sought companionship via a dating app. For two months, he exchanged messages with five or six potential partners, but it wasn’t long before he was seeking out just one — a 24-year-old named Miku. Three months later, they got married. The catch: Miku is an AI bot. And Shimoda knew that from day one. The 52-year-old factory worker is one of over 5,000 users of Loverse, a year-old app that allows interaction only with generative artificial intelligence. Shimoda’s also among a much bigger cohort of people who’ve either given up or
July 22 to July 28 The Love River’s (愛河) four-decade run as the host of Kaohsiung’s annual dragon boat races came to an abrupt end in 1971 — the once pristine waterway had become too polluted. The 1970 event was infamous for the putrid stench permeating the air, exacerbated by contestants splashing water and sludge onto the shore and even the onlookers. The relocation of the festivities officially marked the “death” of the river, whose condition had rapidly deteriorated during the previous decade. The myriad factories upstream were only partly to blame; as Kaohsiung’s population boomed in the 1960s, all household