Initiated by Eslite music stores (誠品音樂館) in 2007, the annual vinyl mart expands to two venues this year.
While Eslite Bookstore in Taichung hosts Vinyl Underground in August, Taipei’s Dunnan branch has already transformed its basement gallery into a showroom packed with some 12,000 records issued by nine music labels.
Compared to previous editions, which included exhibitions, live performances and DJ shows, this year’s focus is more on vinyl records, says Wu Wu-chang (吳武璋), head of Eslite’s record store.
Though classical music makes up the bulk of the collection, rare secondhand Chinese-language albums, many dating back 20 to 30 years, are prominent among this year’s offerings.
“The 1970s and 1980s were the golden age of vinyl records in Taiwan. So [the secondhand collection] is like a review of the Chinese-language music during that time,” Wu said.
Albums by former pop idols Teresa Teng (鄧麗君), Bobby Liu (劉文正) and Tsui Tai-ching (崔苔菁) are among the most collectable in the eyes of their now middle-aged fans.
More recent performers include Julie Su (蘇芮), Taiwan’s pioneering female rocker from the 1980s, erstwhile Mando-pop queens Sarah Chen (陳淑樺) and Tracy Huang (黃鶯鶯), boy band The Little Tigers (小虎隊) and 1990s Hong Kong pop group Grasshopper (草蜢). There are also a few records by The Wynners (溫拿五虎), a popular boy outfit in 1970s Hong Kong that will hold a concert at Taipei Arena ((台北小巨蛋)) on March 13.
One record that particularly caught this reporter’s attention was by a very young and handsome Chow Yun-fat (周潤發) singing the theme tunes from several movies he did in the 1980s.
To vinyl enthusiasts like Wu, the merits of the music format are multifold: LP records not only deliver analog sound superior to most digital recordings, but can be appreciated works of art in their own right.
Some of the records at Vinyl Underground are of historical value, reflecting the values of the times in which they were made.
For example, The Songs of Ching Ching (菁菁之歌), a Mandarin-language record, was produced in the 1970s when all forms of media were closely controlled by the state. The tune entitled Song of Swimming (游泳歌) encourages listeners to go swimming and lead healthy lifestyles so Taiwan can “re-conquer the Mainland (反攻大陸).”
Patriotic sentiments can also be found on retired entertainer and singer Chang Ti’s (張帝) record The Nation (國家), made two years after the US broke diplomatic relations with Taiwan in 1979. A sermon encouraging Taiwanese not to forget their roots, the title track prompted a wave of Taiwanese expatriates to return home, Wu said.
Next year is Kaohsiung’s turn to co-host the fest.
In 2020, a labor attache from the Philippines in Taipei sent a letter to the Ministry of Foreign Affairs demanding that a Filipina worker accused of “cyber-libel” against then-president Rodrigo Duterte be deported. A press release from the Philippines office from the attache accused the woman of “using several social media accounts” to “discredit and malign the President and destabilize the government.” The attache also claimed that the woman had broken Taiwan’s laws. The government responded that she had broken no laws, and that all foreign workers were treated the same as Taiwan citizens and that “their rights are protected,
A white horse stark against a black beach. A family pushes a car through floodwaters in Chiayi County. People play on a beach in Pingtung County, as a nuclear power plant looms in the background. These are just some of the powerful images on display as part of Shen Chao-liang’s (沈昭良) Drifting (Overture) exhibition, currently on display at AKI Gallery in Taipei. For the first time in Shen’s decorated career, his photography seeks to speak to broader, multi-layered issues within the fabric of Taiwanese society. The photographs look towards history, national identity, ecological changes and more to create a collection of images
March 16 to March 22 In just a year, Liu Ching-hsiang (劉清香) went from Taiwanese opera performer to arguably Taiwan’s first pop superstar, pumping out hits that captivated the Japanese colony under the moniker Chun-chun (純純). Last week’s Taiwan in Time explored how the Hoklo (commonly known as Taiwanese) theme song for the Chinese silent movie The Peach Girl (桃花泣血記) unexpectedly became the first smash hit after the film’s Taipei premiere in March 1932, in part due to aggressive promotion on the streets. Seeing an opportunity, Columbia Records’ (affiliated with the US entity) Taiwan director Shojiro Kashino asked Liu, who had
The recent decline in average room rates is undoubtedly bad news for Taiwan’s hoteliers and homestay operators, but this downturn shouldn’t come as a surprise to anyone. According to statistics published by the Tourism Administration (TA) on March 3, the average cost of a one-night stay in a hotel last year was NT$2,960, down 1.17 percent compared to 2023. (At more than three quarters of Taiwan’s hotels, the average room rate is even lower, because high-end properties charging NT$10,000-plus skew the data.) Homestay guests paid an average of NT$2,405, a 4.15-percent drop year on year. The countrywide hotel occupancy rate fell from