Panai (巴奈) A Piece of Blue (那片藍)
Crowd Lu (盧廣仲) 100 Ways of Life (100種生活)
88 Balaz (八十八顆芭樂籽) The 44 Stone Lions (肆十肆隻石獅子)
Wu Bai (伍佰) Spacebomb 太空彈
TC Yang (楊祖珺) A Voice
That Could Not Be Silenced: The TC Yang Collection 1977-2003 (關不住的歌聲—楊祖珺錄音選輯1977-2003)
While politicians bicker endlessly and people eye the economy nervously, Taiwan’s music scene seems like the only thing that’s moving along these days. To be sure, the Mando-pop industry keeps churning out new stars and regurgitating the old ones, but the gems lie in a new generation of independent-minded musicians with a polish and sheen of their own.
If you buy only one CD by a Taiwanese artist this year, make it Panai’s (巴奈) A Piece of Blue (那片藍), a dreamy and sublime collection of acoustic songs spiced with jazz, Brazilian folk and reggae rhythms. This long-awaited second album — inspired by a group of artists in Taitung County’s (台東縣) Dulan Village (都蘭) — shows the 37-year-old singer-songwriter at her best. She naturally draws from her Amis and Puyuma roots, but doesn’t let traditional music dominate her original songs, mostly penned in Mandarin. The various island music grooves sprinkled throughout the album bring a lighter shade to Panai’s melancholy-tinged voice, which sounds both detached and intimate. The result is a beautiful balance: soulful, poetic reflection at a drifting, beachside pace.
There’s a near-magical energy to 23-year-old Crowd Lu (盧廣仲), whose guitar-fueled, sunshine pop is winning the hearts of college kids in the Chinese-speaking world. His full-length debut, 100 Ways of Life (100種生活), sounds as inspired as his personal story: he was in a serious car accident, and while recovering in the hospital he resolved to learn to play guitar. The instrument turned out to be a good match for his agile and highly capable voice; his geek-chic charm and earnest songwriting glued the rest together. Lu’s tunes are about exams, making breakfast and toy robots, which haven’t sounded like so much fun in a long time.
Special mention goes to 88 Balaz (八十八顆芭樂籽), whose solid debut album, The 44 Stone Lions (肆十肆隻石獅子), is full of punk verve and rock ’n’ roll heat, but best of all captures the zany spirit of Taiwanese rock. On the other side of the taike (台客) spectrum is the venerable Wu Bai (伍佰), who has gone into outer space with his latest, Spacebomb (太空彈), a sci-fi concept album that stuffs light social satire into a rock party.
In light of this fall’s Wild Strawberry student protests, TC Yang’s (楊祖珺) retrospective album of folk and protest songs is timely. A Voice That Could Not Be Silenced: The TC Yang Collection 1977-2003 (關不住的歌聲—楊祖珺錄音選輯1977-2003) is a collection of the folk singer-turned-college professor’s recorded output, which includes her renowned version of Formosa (美麗島), a tune that rang throughout various protests by the Dangwai (outside the ruling Chinese Nationalist Party, KMT) movement of the late 1970s and 1980s.
Another of this year’s best albums was Gaga, the first full-length release by 54-year-old Atayal (泰雅) singer Inka Mbing (雲力思), which includes traditional Aboriginal songs as well as original works. The album has an intensity of deeply felt experience, and can be seen and enjoyed as a musical portrait of a people, one that takes in the children’s playground as much as the vast prospects of the mountains which many Atayal call home.
Sodagreen’s third album, Incomparable Beauty (無與倫比的美麗), continues the band’s transition from indie to the pop mainstream without totally selling out its roots. Lead singer Wu Qing-feng’s (吳青峰) voice continues to define the band’s sound, but the album has tight arrangements and good lyrics as well. Sodagreen likes to show its sentimental side, yet never forgoes charm, and often flirts with cute, but is thoughtful enough to avoid insulting the listener’s intelligence.
Last week saw the appearance of another odious screed full of lies from the People’s Republic of China (PRC) Ambassador to Australia, Xiao Qian (肖千), in the Financial Review, a major Australian paper. Xiao’s piece was presented without challenge or caveat. His “Seven truths on why Taiwan always will be China’s” presented a “greatest hits” of the litany of PRC falsehoods. This includes: Taiwan’s indigenous peoples were descended from the people of China 30,000 years ago; a “Chinese” imperial government administrated Taiwan in the 14th century; Koxinga, also known as Cheng Cheng-kung (鄭成功), “recovered” Taiwan for China; the Qing owned
In Taiwan’s politics the party chair is an extremely influential position. Typically this person is the presumed presidential candidate or serving president. In the last presidential election, two of the three candidates were also leaders of their party. Only one party chair race had been planned for this year, but with the Jan. 1 resignation by the currently indicted Ko Wen-je (柯文哲) of the Taiwan People’s Party (TPP) two parties are now in play. If a challenger to acting Chairman Huang Kuo-chang (黃國昌) appears we will examine that race in more depth. Currently their election is set for Feb. 15. EXTREMELY
Jan. 20 to Jan. 26 Taipei was in a jubilant, patriotic mood on the morning of Jan. 25, 1954. Flags hung outside shops and residences, people chanted anti-communist slogans and rousing music blared from loudspeakers. The occasion was the arrival of about 14,000 Chinese prisoners from the Korean War, who had elected to head to Taiwan instead of being repatriated to China. The majority landed in Keelung over three days and were paraded through the capital to great fanfare. Air Force planes dropped colorful flyers, one of which read, “You’re back, you’re finally back. You finally overcame the evil communist bandits and
They increasingly own everything from access to space to how we get news on Earth and now outgoing President Joe Biden warns America’s new breed of Donald Trump-allied oligarchs could gobble up US democracy itself. Biden used his farewell speech to the nation to deliver a shockingly dark message: that a nation which has always revered its entrepreneurs may now be at their mercy. “An oligarchy is taking shape in America of extreme wealth, power and influence that literally threatens our entire democracy, our basic rights and freedoms,” Biden said. He named no names, but his targets were clear: men like Elon Musk
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