Haunting rather than hunting was what foxes were associated with in ancient China, and even occasionally in modern Taiwan, as the detailed analysis offered in The Cult of the Fox abundantly and fascinatingly shows.
Studies of the irrational nature of much traditional life in China are very much the fashion in academic circles. The perusal of the secular, highly organized, Confucian society so admired by 18th century Enlightenment writers such as Voltaire is now out of fashion. Attempts to understand what the ordinary people believed and felt are considered far more important, and popular religion is understandably at the heart of this current scholarly endeavor.
Kang Xiaofei is a young assistant professor in the US, and in 1997 she undertook a research trip back to the land of her forebears to find out what she could about the cult of fox spirits in China ancient and modern. She discovered plenty, and in the center of her fieldwork research, in the Yulin region of northern Shaanxi, bordering Inner Mongolia, even uncovered an only recently deceased shaman called Lei Wu.
This man had practised healing via possession by a fox demon from the late 1940s until his arrest and imprisonment in 1959 during the anti-superstition Socialist Education Campaign. After his release he continued to practice secretly, and according to Kang's informants -- among them a well-educated accountant of 37, an illiterate ceramicist aged 67 and a blind former carpenter who had become the caretaker of the local Buddhist temple -- even administered to some high-level cadres from the regional government. As so often, apparently, the fox shrine was a hidden-away part of a larger and more public temple-complex. In this case it was a small hexagonal room, rarely unlocked and only big enough to hold three kneeling supplicants. "We don't usually open this to public worship," she was told.
The fox, it turns out, was considered by its very nature ambiguous. It was untamable and inedible, yet possessed quasi-human intelligence and itself hunted close to human habitations. Consequently it became a symbol of the marginal and the semi-legal. Its cult was illicit but widely practised. It was believed to be especially appropriate for people with feelings at variance with the official norms. If you loved someone who was already married, for instance, you wouldn't go to the regular deities for assistance, but the fox spirit might prove sympathetic to your plight.
Being a modern academic, Kang has to ask what social function these fox cults served, and she comes to the perhaps predictable, but nevertheless interesting, conclusion that they were an avenue for those not in the upper echelons of the ruling patriarchal system to vent their concerns. Women in general, unhappy wives in particular, and men occupying marginal and relatively powerless social positions were the people most likely to become mediums serving the fox spirits.
This explains well why the cult was periodically suppressed, yet also continued to flourish. The suppression was clearly half-hearted -- appearances had to be kept up, and fox-spirits were not the kind of things Confucians were in the habit of talking about. But the sort of people who resorted to them weren't going to go away, and if getting the fox shaman to cure the boils on their necks or soothe their broken hearts kept them quiet, then there wasn't much harm done. But if the emperor happened to take an interest, then of course the elite had to be able to show they had done what was expected of people in their position.
Needless to say, the attribution of specific characteristics to animals isn't peculiar to China, and even there they had to compete with tigers and monkeys, horses and deer, in popular fear and/or devotion. It was the same in Irish and Welsh folklore, and what are presu-mably shamanistic cave paintings of animals are Europe's oldest surviving artistic representations.
You wouldn't expect Taiwan to feature very prominently in the fox-propitiating phenomenon as the animal isn't found in nature here. Kang, however, has found a couple of instances, even though the cult is associated largely with northern China. One of these, a modern-day cult "with ghostly features" called The Eighteen Lords, is mentioned as being described in a book called Resistance, Chaos and Control: Taiping Rebels, Taiwanese Ghosts and Tiananmen (University of Washington Press, 1994), but unfortunately no details are supplied.
One parallel not pursued is that with aliens in the US today. Both fox-spirits and Martians are arguably part-frightening and part-alluring. Sexual congress is a regular part of both myth clusters, and it can safely be assumed that in both cases the humans involved are rarely members of the educated elite. To have been possessed by a fox-demon or a green Martian is perhaps compensation, then, for not being a Confucian scholar or having a Harvard degree, and an attempt to increase your social standing through the kudos attaching to the reported experience.
Foxes were also associated with foreigners (both smelled), dishonest prison guards, beautiful prostitutes, and the sexually profligate generally -- all types that were less than wholly respectable, but were grudgingly tolerated nonetheless. With only scanty written sources to go on and the fox shrines themselves hidden away in hedges or the dusty corners of temples, Kang has done a good job in ferreting out her material.
There were nine-tailed Chinese fox-demons, just as in Europe the cat has nine lives (and is also associated with magic). But the West generally, with its foxy ladies and 20th century Hollywood conglomerates, can offer only relatively threadbare comparisons. Even so, it's interesting to speculate on whether there's any significance in the fact that when the English were mostly Christians and believed in spirits they hunted down the crafty old carnivore, whereas now that they are mostly unbelievers the pursuit with dogs of the acrid-smelling Reynard is, after many years of campaigning by animal-rights activists, finally in the British Isles actually against the law.
April 14 to April 20 In March 1947, Sising Katadrepan urged the government to drop the “high mountain people” (高山族) designation for Indigenous Taiwanese and refer to them as “Taiwan people” (台灣族). He considered the term derogatory, arguing that it made them sound like animals. The Taiwan Provincial Government agreed to stop using the term, stating that Indigenous Taiwanese suffered all sorts of discrimination and oppression under the Japanese and were forced to live in the mountains as outsiders to society. Now, under the new regime, they would be seen as equals, thus they should be henceforth
Last week, the the National Immigration Agency (NIA) told the legislature that more than 10,000 naturalized Taiwanese citizens from the People’s Republic of China (PRC) risked having their citizenship revoked if they failed to provide proof that they had renounced their Chinese household registration within the next three months. Renunciation is required under the Act Governing Relations Between the People of the Taiwan Area and the Mainland Area (臺灣地區與大陸地區人民關係條例), as amended in 2004, though it was only a legal requirement after 2000. Prior to that, it had been only an administrative requirement since the Nationality Act (國籍法) was established in
With over 80 works on display, this is Louise Bourgeois’ first solo show in Taiwan. Visitors are invited to traverse her world of love and hate, vengeance and acceptance, trauma and reconciliation. Dominating the entrance, the nine-foot-tall Crouching Spider (2003) greets visitors. The creature looms behind the glass facade, symbolic protector and gatekeeper to the intimate journey ahead. Bourgeois, best known for her giant spider sculptures, is one of the most influential artist of the twentieth century. Blending vulnerability and defiance through themes of sexuality, trauma and identity, her work reshaped the landscape of contemporary art with fearless honesty. “People are influenced by
The remains of this Japanese-era trail designed to protect the camphor industry make for a scenic day-hike, a fascinating overnight hike or a challenging multi-day adventure Maolin District (茂林) in Kaohsiung is well known for beautiful roadside scenery, waterfalls, the annual butterfly migration and indigenous culture. A lesser known but worthwhile destination here lies along the very top of the valley: the Liugui Security Path (六龜警備道). This relic of the Japanese era once isolated the Maolin valley from the outside world but now serves to draw tourists in. The path originally ran for about 50km, but not all of this trail is still easily walkable. The nicest section for a simple day hike is the heavily trafficked southern section above Maolin and Wanshan (萬山) villages. Remains of