I'm a Barbie girl, in a Barbie world. Life is plastic. It's fantastic!"
Twenty years ago, Lin Ah-ching (
From 1967 to 1987, Taishan was home to the flagship factory of Mattel Ltd, producing Barbie dolls for the world. Each day the factory produced 50,000 to 60,000 doll heads. Lin was one of the 8,000 workers who worked in this small semi-industrial township.
PHOTO: YU SEN-LUN, TAIPEI TIMES
Following the opening of Taiwan's first Doll Museum last month, the little-known past of Taishan has come into the spotlight again.
"Look, this part of her body is made by the revolving machine. And for the hair, we had to sew the hair circles then use ovens to make [the hair] curl," Lin said, pointing to a doll in the museum and recounting her 20 years of making Barbies.
Lin said she originally worked in a clothing factory in Taoyuan and in 1967, Mattel set up and she moved to Taishan to become one of the earliest employees in the factory.
The business soon took off and peaked in the 1980s. The factory was divided into many departments that included body-shaping, spray-painting, hair-implants and sewing.
"For example,
Barbie's eyes, eyebrows, cheeks and lips, and also Ken's hair, are all made by spray paint," Lin said.
Teng Cheng-ming (
Mattel in Taiwan was a joint venture between Mattel and Hua-hsia Plastic (
"In the beginning, it was very primitive. There was no machine for us to curl the hair. We had to use chopsticks and wire to roll up the hair and use rice cookers to steam it. But you could not steam too much or it would damage and blur the paint for the doll's eyes," Lin said.
The factory became so busy, the work needed to be contracted out to workers outside of the factory. Thousands of housewives took up the piece-work jobs, doing knots, sewing buttons and laces, or putting on little shoes and earrings for the dolls.
Ku Tsuei-eh (
Ku said she if worked hard, she earned NT$360 a day. At that time, Lin Ah-ching's salary was NT$700 a month. A Barbie doll, however, cost NT$1,200. In today's NT dollars, that works out to more than the price of a Louis Vuitton bag.
Factory community
It was, therefore, common for the employees to take home a Barbie doll. "People would think you were weird if you didn't take one home," Lin said.
Some would hide the doll in their bell-bottomed pants. Others took hands and legs in their underwear to assemble at home.
This made the company hire security. "Whenever security showed up, workers would give signals to each other and some had to throw away the dolls out into the rice fields. Sometimes they threw them into people's houses," Ku said.
Of course, workers caught carrying a doll home were sacked immediately. Generally, according to Teng, also a labor-union member at Mattel, the company treated its employees fairly well.
"The company put in plenty of employee-welfare funds. We ate well and had parties in the factory. It was like a big family. We dated the girls and got married here," said Teng, whose wife was also a Mattel employee.
In 1984, employees were informed that the factory would move its operations to Indonesia and China and the factory closed in 1987. There were no disputes or fights from the labor side, as the union negotiated a severance fee with the management.
Each worker was paid between NT$100,000 and NT$200,000. But the local economy suffered.
Ku Tsuei-eh now serves in the Taishan Township Office and Community Rebuilding Team. He was one of those behind the setting up of the doll museum. The museum now displays 400 differently clad Barbie dolls, as well as antiques and photos of the history of Mattel in Taiwan.
"The doll-making was a major part of Taishan Township. So we want to restore doll-making culture in this town," Ku said.
In the past five years of preparing the doll museum, the team set up workshops for Taishan residents to learn designing and making clothes for Barbie dolls. The workshop also invited old employees, such as Lin and Teng, to talk about their experiences.
Recounting her days at Mattel, Lin Ah-ching feels that living in Barbie's world was accidental but nice.
"It was all about making a living. I was never a big fan of dolls and I never had the luxury of collecting them. But I know how to make a perfect doll," she said.
For your information :
Taishan Doll Museum: 26, Lane 26 Fengchiang Road, Taishan, Taipei County (
Telephone: (02) 8531 1406
Nov. 11 to Nov. 17 People may call Taipei a “living hell for pedestrians,” but back in the 1960s and 1970s, citizens were even discouraged from crossing major roads on foot. And there weren’t crosswalks or pedestrian signals at busy intersections. A 1978 editorial in the China Times (中國時報) reflected the government’s car-centric attitude: “Pedestrians too often risk their lives to compete with vehicles over road use instead of using an overpass. If they get hit by a car, who can they blame?” Taipei’s car traffic was growing exponentially during the 1960s, and along with it the frequency of accidents. The policy
What first caught my eye when I entered the 921 Earthquake Museum was a yellow band running at an angle across the floor toward a pile of exposed soil. This marks the line where, in the early morning hours of Sept. 21, 1999, a massive magnitude 7.3 earthquake raised the earth over two meters along one side of the Chelungpu Fault (車籠埔斷層). The museum’s first gallery, named after this fault, takes visitors on a journey along its length, from the spot right in front of them, where the uplift is visible in the exposed soil, all the way to the farthest
While Americans face the upcoming second Donald Trump presidency with bright optimism/existential dread in Taiwan there are also varying opinions on what the impact will be here. Regardless of what one thinks of Trump personally and his first administration, US-Taiwan relations blossomed. Relative to the previous Obama administration, arms sales rocketed from US$14 billion during Obama’s eight years to US$18 billion in four years under Trump. High-profile visits by administration officials, bipartisan Congressional delegations, more and higher-level government-to-government direct contacts were all increased under Trump, setting the stage and example for the Biden administration to follow. However, Trump administration secretary
The room glows vibrant pink, the floor flooded with hundreds of tiny pink marbles. As I approach the two chairs and a plush baroque sofa of matching fuchsia, what at first appears to be a scene of domestic bliss reveals itself to be anything but as gnarled metal nails and sharp spikes protrude from the cushions. An eerie cutout of a woman recoils into the armrest. This mixed-media installation captures generations of female anguish in Yun Suknam’s native South Korea, reflecting her observations and lived experience of the subjugated and serviceable housewife. The marbles are the mother’s sweat and tears,