No Halloween trickery is involved in this announcement: The Little Vampire is a treat.
Not often does a family film come along that is literate, clever, mischievous and just plain fun. Directed by Uli Edel Christiane F and Last Exit to Brooklyn) and based on the popular Little Vampire novels by Angela Sommer-Bodenburg, this delightful juvenile adventure upsets the all-too-familiar autumn applecart in various ways.
First of all, the vampires, though tormented, are sweet. They'd really rather be humans, and rather than sup on their own previous species, they turn to cows, though not for the milk. This preference leads to scenes in which some hefty bovines, having joined the undead, spurn the sunlight of the field and choose the darkness of the barn, where they hang head down from the rafters, much to the bemusement of Farmer Mclaughlin (Jake D'Arcy).
PHOTO COURTESY OF HUACHAN
And what fun it is to hear Anna (Anna Popplewell), a pouty-lipped little vampire, tell Tony Thompson (Jonathan Lipnicki), a nine-year-old human, "If you ever need me, just whistle. You know how to whistle, don't you?"
And to hear Anna's brother Rudolph (Rollo Weeks) speak the king's English when he bids Tony goodbye, saying, "I suppose I must take my leave."
Anyway, pleasures of all sorts are to be found in The Little Vampire, which revolves around Tony, uprooted from his home in San Diego to move with his parents to Scotland, where his father is designing a golfing resort for Lord Mcashton (John Wood), whose family has a few secrets. Tony, played with un-self-conscious charm by the actor who portrayed Rene Zellweger's little boy in Jerry Maguire, has been having repeated nightmares about a cliffside vampire ceremony involving a comet, an amulet, an incantation and the untimely intervention of a vampire killer. In the manner of adults, his parents (Pamela Gidley and Tommy Hinkley) are concerned but dismissive. To make Tony's life more difficult, Lord Mcashton's grandsons are bullying him.
PHOTO COURTESY OF HUACHAN
But Tony's dreams are portents of reality, and soon he has encountered and been befriended by Rudolph. And through Rudolph, he meets Rudolph's parents, Frederick and Freda, played with stylish comic spirit by Richard E. Grant and Alice Krige.
With the comet set to reappear, the time is ripe for Frederick to restore his vast clan to human form. But with the vampire killer Rookery (Jim Carter) lurking in the darkness and the amulet still missing after hundreds of years, it will be up to Tony to save the day. Sorry. Save the night.
It is barely 10am and the queue outside Onigiri Bongo already stretches around the block. Some of the 30 or so early-bird diners sit on stools, sipping green tea and poring over laminated menus. Further back it is standing-room only. “It’s always like this,” says Yumiko Ukon, who has run this modest rice ball shop and restaurant in the Otsuka neighbourhood of Tokyo for almost half a century. “But we never run out of rice,” she adds, seated in her office near a wall clock in the shape of a rice ball with a bite taken out. Bongo, opened in 1960 by
Common sense is not that common: a recent study from the University of Pennsylvania concludes the concept is “somewhat illusory.” Researchers collected statements from various sources that had been described as “common sense” and put them to test subjects. The mixed bag of results suggested there was “little evidence that more than a small fraction of beliefs is common to more than a small fraction of people.” It’s no surprise that there are few universally shared notions of what stands to reason. People took a horse worming drug to cure COVID! They think low-traffic neighborhoods are a communist plot and call
Over the years, whole libraries of pro-People’s Republic of China (PRC) texts have been issued by commentators on “the Taiwan problem,” or the PRC’s desire to annex Taiwan. These documents have a number of features in common. They isolate Taiwan from other areas and issues of PRC expansion. They blame Taiwan’s rhetoric or behavior for PRC actions, particularly pro-Taiwan leadership and behavior. They present the brutal authoritarian state across the Taiwan Strait as conciliatory and rational. Even their historical frames are PRC propaganda. All of this, and more, colors the latest “analysis” and recommendations from the International Crisis Group, “The Widening
From a nadir following the 2020 national elections, two successive chairs of the Chinese Nationalist Party (KMT), Johnny Chiang (江啟臣) and Eric Chu (朱立倫), tried to reform and reinvigorate the old-fashioned Leninist-structured party to revive their fortunes electorally. As examined in “Donovan’s Deep Dives: How Eric Chu revived the KMT,” Chu in particular made some savvy moves that made the party viable electorally again, if not to their full powerhouse status prior to the 2014 Sunflower movement. However, while Chu has made some progress, there remain two truly enormous problems facing the KMT: the party is in financial ruin and