Dressed in bright red, Michelle Yeoh (
Yeoh should be happy. For the past two weeks she and her boyfriend and co-producer, Thomas Chung, have been touring China's major cities from Beijing to Wuhan and Chengdu, promoting the film. The result looks satisfying. In the two weeks after its release in China, the film reached a box office tally of 17 million renminbi, which surpassed the Chinese box office sales of Spiderman and Star Wars: Episode II.
"My feelings shifted from being extremely nervous to excited and now I feel really happy and relaxed," Yeoh said at a press conference on Wednesday.
PHOTO: SHEN CHAO-LIANG, TAIPEI TIMES
Standing beside her, Pater Pau (
"She was the typical Chinese woman in Crouching Tiger, repressing her feelings towards her beloved and her anger towards her enemy," Pau said. "In Tomorrow Never Dies, she was too cool and serious." So in The Touch, Pau said the audience will see the true Michelle Yeoh, who likes to laugh and make jokes. There are also kisses with Ben Chaplin in the film.
The Touch is one of the few Hong Kong-produced films with a budget over US$20 million. Investors in the film include Hong Kong, Japan and Taiwan. "Chinese filmmaking is now beginning to change its face from small-budget kung fu films to bigger and bigger productions," Pau said. "Touch is among the first ones to make this change," he added.
Helen Huang (黃寶雲), chairperson of Pandasia Entertainment, is the film's Taiwanese investor. Her company put up nearly one-third of the film's budget. "Enterprises in Taiwan do have the willingness and the vision to invest in films with international appeal," she said. "The film is a good example of this."
The Touch sees many former Crouching Tiger actors and crew members, including late Taiwanese actor Lung Sihung (郎雄), who came to fame playing the father figure in most of Ang Lee's (李安) films. The Touch was Lung's last film and perhaps his most difficult as, at age 72, he had to memorize his lines in English. He plays a Tibetan monk in the film.
In 1990, Amy Chen (陳怡美) was beginning third grade in Calhoun County, Texas, as the youngest of six and the only one in her family of Taiwanese immigrants to be born in the US. She recalls, “my father gave me a stack of typed manuscript pages and a pen and asked me to find typos, missing punctuation, and extra spaces.” The manuscript was for an English-learning book to be sold in Taiwan. “I was copy editing as a child,” she says. Now a 42-year-old freelance writer in Santa Barbara, California, Amy Chen has only recently realized that her father, Chen Po-jung (陳伯榕), who
When nature calls, Masana Izawa has followed the same routine for more than 50 years: heading out to the woods in Japan, dropping his pants and doing as bears do. “We survive by eating other living things. But you can give faeces back to nature so that organisms in the soil can decompose them,” the 74-year-old said. “This means you are giving life back. What could be a more sublime act?” “Fundo-shi” (“poop-soil master”) Izawa is something of a celebrity in Japan, publishing books, delivering lectures and appearing in a documentary. People flock to his “Poopland” and centuries-old wooden “Fundo-an” (“poop-soil house”) in
For anyone on board the train looking out the window, it must have been a strange sight. The same foreigner stood outside waving at them four different times within ten minutes, three times on the left and once on the right, his face getting redder and sweatier each time. At this unique location, it’s actually possible to beat the train up the mountain on foot, though only with extreme effort. For the average hiker, the Dulishan Trail is still a great place to get some exercise and see the train — at least once — as it makes its way
Jan 13 to Jan 19 Yang Jen-huang (楊仁煌) recalls being slapped by his father when he asked about their Sakizaya heritage, telling him to never mention it otherwise they’ll be killed. “Only then did I start learning about the Karewan Incident,” he tells Mayaw Kilang in “The social culture and ethnic identification of the Sakizaya” (撒奇萊雅族的社會文化與民族認定). “Many of our elders are reluctant to call themselves Sakizaya, and are accustomed to living in Amis (Pangcah) society. Therefore, it’s up to the younger generation to push for official recognition, because there’s still a taboo with the older people.” Although the Sakizaya became Taiwan’s 13th
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