At the Golden Horse Awards (金馬獎) on Saturday night, Taiwanese cinema seemed ready to celebrate an early victory as local productions dominated in almost all the categories that had Taiwanese nominees. Cape No. 7 (海角七號) was undoubtedly leading the way.
The film ended up taking home top honors in five categories, including best supporting actor and outstanding Taiwanese film of the year.
But things took an unexpected turn 10 minutes before the ceremony ended, with Hong Kong’s Peter Ho-Sun Chan (陳可辛) and his big-budget costume drama The Warlords (投名狀) walking away with awards for best feature film and best director.
BASICS
The Taipei Times caught a few jury members and festival chairwoman Peggy Chiao (焦雄屏) at the after-party and asked them their views on this year’s Golden Horse.
“I think before we can talk about the award result, we should first have the jury system under review,” said Wang Keng-yu (王耿瑜), a film producer, film and music festival curator.
The judging process is divided into two stages: the preliminary, with 20 judges, and the final, with seven. In the first stage, discussions and meetings were broken into groups because each member of the jury is responsible for the nominations in several award categories, rather than all the jurors working together.
“As a result, the nomination list is not a general agreement among all jury members but a consensus within the groups,” Wang sad. “We turned in our grades and read the nomination list on the newspaper.”
“The final scores are reached combining the grades we made and those made by the jury in the second stage. None of the jury members knew the results before they were announced,” Wang said. “It’s a consensus all right. But is it a fair and credible consensus? There is still room for improvement.”
Wu Mi-sen (吳米森), a film director, said that Taiwanese movies had done well.
“As a jury member, I felt no pressure to be patriotic this year. I cast each vote with confidence and assurance, knowing that I wasn’t rooting for the film just because it was made in Taiwan.”
“Personally, I think Kelly Lin (林熙蕾) and Takeshi Kaneshiro (金城武) have made great progress — from pretty-faced pop-idols to serious actors. Their works haven’t been recognized partially because people still see them as idols rather than actors,” he said.
Chang Chang-yen (張昌彥), a veteran film critic and scholar, said: “As a juror in the first stage, I am not satisfied with the results. Many Taiwanese movies were left out.”
“As far as the jury system goes, there is still a lot of room for improvement. Unlike the Oscars, which have 3,000 film professionals at its disposal, there are only 30 of us, so that each member is assigned to a certain number of award categories,” he said. “It causes problems when, say, a cinematographer needs to be the judge for editing or a specialized field he or she is not familiar with. It can easily lead to a situation where the one who knows the field leads the discussion and forms a consensus.”
BATTLE
Chiao said that the competition in the best feature film and best director categories was a battle between film industries.
“Behind the productions from Hong Kong and China are colossal amounts of money, rich resources and mega stars. Taiwanese movies are comparatively low-budget and human drama-driven. We may yet grow stronger in the industry contest. But this year’s Taiwanese films definitely surpassed others in content and artistry,” Chiao said.
In related news, some Internet users in Taiwan said they were irritated by Chan’s remark that Cape No. 7 was the “hope for Chinese movie industry.”
“I don’t have much to say about the results, but I have something to say to director Peter Chan,” Internet user “Asmmilk” posted. “Sorry, but Cape No. 7 is not a Chinese movie.”
However, an Internet user nicknamed “Perry680606” defended Chan, saying in a posting that Chan probably didn’t do it on purpose.
“He has long been making movies in China, so it would be reasonable that he just used the phrase ‘Chinese movie’ without even thinking about it,” he wrote..
ADDITIONAL REPORTING BY LOA IOK-SIN
‘DENIAL DEFENSE’: The US would increase its military presence with uncrewed ships, and submarines, while boosting defense in the Indo-Pacific, a Pete Hegseth memo said The US is reorienting its military strategy to focus primarily on deterring a potential Chinese invasion of Taiwan, a memo signed by US Secretary of Defense Pete Hegseth showed. The memo also called on Taiwan to increase its defense spending. The document, known as the “Interim National Defense Strategic Guidance,” was distributed this month and detailed the national defense plans of US President Donald Trump’s administration, an article in the Washington Post said on Saturday. It outlines how the US can prepare for a potential war with China and defend itself from threats in the “near abroad,” including Greenland and the Panama
The High Prosecutors’ Office yesterday withdrew an appeal against the acquittal of a former bank manager 22 years after his death, marking Taiwan’s first instance of prosecutors rendering posthumous justice to a wrongfully convicted defendant. Chu Ching-en (諸慶恩) — formerly a manager at the Taipei branch of BNP Paribas — was in 1999 accused by Weng Mao-chung (翁茂鍾), then-president of Chia Her Industrial Co, of forging a request for a fixed deposit of US$10 million by I-Hwa Industrial Co, a subsidiary of Chia Her, which was used as collateral. Chu was ruled not guilty in the first trial, but was found guilty
A wild live dugong was found in Taiwan for the first time in 88 years, after it was accidentally caught by a fisher’s net on Tuesday in Yilan County’s Fenniaolin (粉鳥林). This is the first sighting of the species in Taiwan since 1937, having already been considered “extinct” in the country and considered as “vulnerable” by the International Union for Conservation of Nature. A fisher surnamed Chen (陳) went to Fenniaolin to collect the fish in his netting, but instead caught a 3m long, 500kg dugong. The fisher released the animal back into the wild, not realizing it was an endangered species at
DEADLOCK: As the commission is unable to forum a quorum to review license renewal applications, the channel operators are not at fault and can air past their license date The National Communications Commission (NCC) yesterday said that the Public Television Service (PTS) and 36 other television and radio broadcasters could continue airing, despite the commission’s inability to meet a quorum to review their license renewal applications. The licenses of PTS and the other channels are set to expire between this month and June. The National Communications Commission Organization Act (國家通訊傳播委員會組織法) stipulates that the commission must meet the mandated quorum of four to hold a valid meeting. The seven-member commission currently has only three commissioners. “We have informed the channel operators of the progress we have made in reviewing their license renewal applications, and
RSS