Two men pivot and slide in a forest clearing, their bodies weaving before a handful of spectators in what could be a graceful dance except that each waves a machete, blades glinting in tropical sunlight.
The barefoot men are father and son, Alfred and Roland Avril, and are farmers by trade in southern Haiti. However, their passion is machete fencing, an obscure martial art with roots in the Caribbean country’s history of slavery and rebellion.
In the smoky, greenish light under the trees of his property, 70-year-old Alfred, a master of machete fencing, moves back and forth in fluid, trance-like steps. He explains later that his skills have been honed through decades of practice and mystical visions.
“At the moment I am about to fight with the machete, I can see it all unfold in a dream,” he said without further explanation on a recent morning.
This obscure practice that emerged around the Caribbean in the colonial period is gaining new attention thanks to the very modern phenomenon known as Reddit. Videos showing the elder Avril instructing students were posted on the popular Internet site, catching the attention of a Miami-based writer and filmmaker who was quickly hooked by the menacing beauty of the fencing.
“When I found out that there was an actual martial art using the machete and that somehow it was wrapped up in the history of the Haitian revolution, I knew I had to go to Haiti to train,” said Jason Jeffers, one of the founders of the Haitian Machete Fencing Project, which seeks to promote and preserve a vanishing practice that is part sport, part art.
Jeffers is putting the finishing touches on a short, crowd-sourced documentary about Avril called Papa Machete that he is hoping to get into film festivals. He is in early planning stages for a full film, perhaps featuring other machete masters in Haiti’s central Artibonite region, where the tradition is most common. Other project members are organizing summer training sessions with Avril in the southern beach village of Jacmel.
Experts say machete-based martial arts can also be found among people of African descent in other countries, including Colombia and Cuba. Related styles of fighting include “stick-licking” in Barbados and kalenda in Trinidad and Tobago. However, the Haitian tradition is a unique fusion of traditional African stick-fighting and European saber fencing that researchers say can be traced back to the earliest days of Haiti’s slave revolution at the end of the 1700s.
T.J. Desch-Obi, an associate professor of history at New York’s Baruch College who has researched machete fencing, said the art is rooted in combat methods used by the slaves who rose up against their French oppressors in the Haitian revolution of 1791-1804.
“Haiti’s revolution really started with just machetes in the early days of the war when they didn’t have much access to firearms,” said Desch-Obi, author of a 2008 book Fighting for Honor: The History of African Martial Art Traditions in the Atlantic World, which suggests that expertise in machete combat contributed to the success of the slave revolution.
In the 20th century, Haiti’s machete-fighting tradition was kept alive by secret societies that required initiates to learn the art, Desch-Obi said. Over the years he has met about 10 machete masters in Haiti, but the exact number in the country is unknown.
It is imbued, at least in Avril’s version, with some of the esoteric ideas of Voodoo, a blend of West African religions created by slaves during the colonial period. The martial art served mostly as a means of self-defense among people living in the Haitian countryside, where the handy agricultural tool is used for nearly every purpose under the sun.
Michael Rogers, founder of the Haitian Machete Fencing Project, hopes that showcasing the tradition for visitors will help his aging teacher and preserve what remains of the practice passed down through generations. Although Avril lives close to Jacmel, a coastal town that draws tourists, it tends to be practiced by people in communities deep in the countryside.
“I’m also hoping that other masters in other parts of Haiti will come out and show their stuff,” Rogers said in a telephone interview from Britain.
Historically, the rural tradition of machete fencing has been shrouded in secrecy. Initially, Rogers said, Avril would only instruct him behind a wall of woven coconut fronds.
Trying to bring the secretive, rural Haitian martial art to foreigners involves certain trade-offs, but Avril is now eager to share his machete-fighting expertise with anyone who is interested. The former Haitian army drill instructor trained his sons, grandsons and neighbors to carry on his school.
Avril says he has so far instructed about a dozen people from abroad. Novices are instructed on machetes carved out of wood. Students say it takes weeks to graduate to a real machete.
One of Avril’s veteran students is local bar owner Reginald Turnier, who was raised in New York by Haitian parents. He feels like he is unlocking the fighting techniques of his ancestors, and has several small scars on his hands and scalp from early lessons.
“There’s definitely a martial lineage I feel I’m connecting to,” he said.
Taiwan’s Hsieh Su-wei and partner Jelena Ostapenko of Latvia yesterday advanced to the women’s doubles final at the Australian Open after defeating New Zealand’s Erin Routliffe and Gabriela Dabrowski of Canada 7-6 (7/3), 3-6, 6-3 in their semi-final. Hsieh has won nine Grand Slam doubles titles and has a shot at a 10th tomorrow, when the Latvian-Taiwanese duo are to play Taylor Townsend of the US and Katerina Siniakova of the Czech Republic in the championship match at the A$96.5 million (US$61 million) outdoor hard court tournament at Melbourne Park. Townsend and Siniakova eliminated Russian pair Diana Shnaider and Mirra Andreeva 6-7
The San Francisco Giants signed 18-year-old Taiwanese pitcher Yang Nien-hsi (陽念希) to a contract worth a total of US$500,000 (NT $16.39 million). At a press event in Taipei on Wednesday, Jan. 22, the Giants’ Pacific Rim Area scout Evan Hsueh (薛奕煌) presented Yang with a Giants jersey to celebrate the signing. The deal consisted of a contract worth US$450,000 plus a US$50,000 scholarship bonus. Yang, who stands at 188 centimeters tall and weighs 85 kilograms, is of Indigenous Amis descent. With his fastest pitch clocking in at 150 kilometers per hour, Yang had been on Hsueh’s radar since playing in the HuaNan Cup
Taiwan’s Hsieh Su-wei yesterday advanced to the semi-finals of the women’s doubles at the Australian Open, while Coco Gauff’s dreams of a first women’s singles title in Melbourne were crushed in the quarter-finals by Paula Badosa. World No. 2 Alexander Zverev was ruffled by a stray feather in his men’s singles quarter-final, but he refocused to beat 12th seed Tommy Paul and reach the semi-finals. Third seeds Hsieh and Jelena Ostapenko of Latvia defeated Elena-Gabriela Ruse of Romania and Marta Kostyuk of Ukraine 6-2, 5-7, 7-5 in 2 hours, 20 minutes to advance the semi-finals. Hsieh and Ostapenko converted eight of 14 break
Things are somewhat out of control at the Australian Open this year, and that has only a little to do with the results on the courts. Yes, there were some upsets, including Madison Keys eliminating No. 2 Iga Swiatek in the women’s singles semi-finals on Thursday. It also was the first time since 1990 that three teenagers beat top-10 men’s seeds at a Grand Slam tennis tournament. The loser of one of those matches, Daniil Medvedev, got fined US$76,000 for behaving badly. Last year’s women’s singles runner-up exited in the first round. However, the real fuss is happening elsewhere. The rowdy fans, for one