Tsao Yan-hao (曹彥豪) and indie-electronica group KbN (凱比鳥) want to alleviate the stresses of everyday life.
Their artistic panacea is a collaborative exhibition that utilizes video projections of nightlife scenes from around the world.
“People go inside and listen to the music and dance on the dance floor,” Tsao said in a telephone interview.
The installation is one of roughly 20 on display as part of [Room19] Shake Your Mind!, a group exhibition at the Kuandu Museum of Fine Arts (台北藝術大學關渡美術館).
The exhibit’s theme is a response to Doris Lessing’s short story To Room Nineteen, a work about a woman who embarks on a journey of self-discovery after learning that her husband is having an affair. But whereas the story reflects on the dreariness of life, the exhibition is a celebration.
In Lessing’s melancholic musings on love, the hotel room is a symbol of oppression, but in [Room19] the nightclub is a space of freedom and individuality where people can express themselves without reservation.
Curated by Wu Dar-kuen (吳達坤), the exhibition brings together some of Taiwan’s finest contemporary musicians and visual artists, including Akibo Lee (李明道), New York-based Taiwanese photographer Daniel Lee (李小鏡) and expressionist Lee Ming-chung (李民中), in collaborations that have produced a variety of light, sound and image installations (often a combination of all three) that are designed to lift visitors out of their daily blahs.
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During the Japanese colonial era, remote mountain villages were almost exclusively populated by indigenous residents. Deep in the mountains of Chiayi County, however, was a settlement of Hakka families who braved the harsh living conditions and relative isolation to eke out a living processing camphor. As the industry declined, the village’s homes and offices were abandoned one by one, leaving us with a glimpse of a lifestyle that no longer exists. Even today, it takes between four and six hours to walk in to Baisyue Village (白雪村), and the village is so far up in the Chiayi mountains that it’s actually
These days, CJ Chen (陳崇仁) can be found driving a taxi in and around Hualien. As a way to earn a living, it’s not his first choice. He’d rather be taking tourists to the region’s attractions, but after a 7.4-magnitude earthquake struck the region on April 3, demand for driver-guides collapsed. In the eight months since the quake, the number of overseas tourists visiting Hualien has declined by “at least 90 percent, because most of them come for Taroko Gorge, not for the east coast or the East Longitudinal Valley,” he says. Chen estimates the drop in domestic sightseers after the
US Indo-Pacific Commander Admiral Samuel Paparo, speaking at the Reagan Defense Forum last week, said the US is confident it can defeat the People’s Republic of China (PRC) in the Pacific, though its advantage is shrinking. Paparo warned that the PRC might launch a “war of necessity” even if it thinks it could not win, a wise observation. As I write, the PRC is carrying out naval and air exercises off its coast that are aimed at Taiwan and other nations threatened by PRC expansionism. A local defense official said that China’s military activity on Monday formed two “walls” east
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