Hong Kong’s economy may be feeling the strain from months of frequent protests, but Taiwan should not think of replacing the financial hub’s role in Asia’s art market.
Instead, Taiwan should “positively determine” its own strengths and “identify the reasons why Taipei makes sense” as a destination for international art galleries and buyers.
That’s what Magnus Renfrew, founding director of Taipei Dangdai, wants to tell players in the local arts scene.
Photo: Davina Tham, Taipei Times
The Hong Kong-based Briton was in town last week to announce the gallery roster for the second edition of the contemporary art fair, which will take place from Jan. 17 to 19 next year. He previously served as founding director of Art Basel in Hong Kong, one of the region’s most prominent art events.
“The reasons for doing a fair in Taipei cannot be problems elsewhere,” Renfrew told the Taipei Times, referring to speculation that the unrest in Hong Kong could open a window of opportunity for Taiwan.
He said Taiwan would benefit more by concentrating on its own advantages, including the presence of important collectors and Taipei’s attractiveness as a travel destination.
With more than 28,000 visitors and sales of individual artworks that reached into the millions of US dollars, the organizers of the first Taipei Dangdai in January this year have hailed its debut as a success.
Renfrew and newly-appointed co-director Robin Peckham said it has been exciting to play a part in raising the profile of local artists, and to see the international art world galvanize around Asia.
“We’ve all known for a long time that Taiwan’s art infrastructure and content [are] virtually second to none,” said Peckham, a Taipei-based American curator and writer. “In terms of the balance between museums, private collections, commercial galleries, non-profit curatorial spaces and artists’ production, they’re all extremely strong.”
Renfrew said that Taipei Dangdai does not see itself as being “directly in competition” with art fairs in other major cities in the region. But when asked how Taiwan could help the art market along, he said that simplifying the tax structure for artwork transactions, or even doing away with such taxes altogether, would be the best way.
“The auction market has a happy home in Hong Kong” because its relaxed tax and export policies make it “a very beneficial place to transact,” he added.
The second edition of Taipei Dangdai in January next year will feature 97 galleries, up from 90 this year. The list includes leading international galleries like Scai the Bathhouse, Kaikai Kiki, Artinformal, Levy Gorvy, Eva Presenhuber and Kamel Mennour.
Taiwan’s art scene will be represented by 22 home-grown galleries and showcases of several local artists, including the late abstract artist Li Yuan-chia (李元佳) and digital art collective Luxury Logico.
Visitors can also look forward to more public programming, as Taipei Dangdai explores ways to get art “out of the halls and into the city,” Renfrew said.
“Primarily, collectors will be driven by the quality of the gallery list, but what makes them have the best time is when they have the opportunity to discover... the cultural offerings of the city,” he added.
March 24 to March 30 When Yang Bing-yi (楊秉彝) needed a name for his new cooking oil shop in 1958, he first thought of honoring his previous employer, Heng Tai Fung (恆泰豐). The owner, Wang Yi-fu (王伊夫), had taken care of him over the previous 10 years, shortly after the native of Shanxi Province arrived in Taiwan in 1948 as a penniless 21 year old. His oil supplier was called Din Mei (鼎美), so he simply combined the names. Over the next decade, Yang and his wife Lai Pen-mei (賴盆妹) built up a booming business delivering oil to shops and
The Taipei Times last week reported that the Control Yuan said it had been “left with no choice” but to ask the Constitutional Court to rule on the constitutionality of the central government budget, which left it without a budget. Lost in the outrage over the cuts to defense and to the Constitutional Court were the cuts to the Control Yuan, whose operating budget was slashed by 96 percent. It is unable even to pay its utility bills, and in the press conference it convened on the issue, said that its department directors were paying out of pocket for gasoline
On March 13 President William Lai (賴清德) gave a national security speech noting the 20th year since the passing of China’s Anti-Secession Law (反分裂國家法) in March 2005 that laid the legal groundwork for an invasion of Taiwan. That law, and other subsequent ones, are merely political theater created by the Chinese Communist Party (CCP) to have something to point to so they can claim “we have to do it, it is the law.” The president’s speech was somber and said: “By its actions, China already satisfies the definition of a ‘foreign hostile force’ as provided in the Anti-Infiltration Act, which unlike
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
RSS