Oct. 8 to Oct. 14
Armed with a powerful voice, the 19-year-old Aboriginal girl stepped into a Taipei television studio for the first time in mid-1992. After her stunning performance, she became the latest sensation of the popular singing competition, the Five Lights Award (五燈獎), knocking off four opponents to reach the final round.
However, she had caught a cold on the day of the final competition and was unable to focus, forgetting the lyrics and losing the contest. At her father’s encouragement, she would return two years later and finally claim the throne.
Photo courtesy of TTV
Today, this singer is known throughout Taiwan and beyond as pop megastar Chang Hui-mei (張惠妹), or A-mei, one of many celebrities who launched their careers through the Five Lights Award, the longest-running television program in Taiwanese history outside of the news.
PHARMACEUTICAL BEGINNING
The show was launched on Oct. 9, 1965 on Taiwan Television (台視, TTV) by Taiwan Tanabe Seiyaku Co Ltd, a subsidiary of a Japanese pharmaceutical firm. The show’s idea was born after the company president watched a similar amateur talent show in Okinawa. The “five lights” idea came from the company’s logo, which consisted of five red circles.
Photo courtesy of YouTube
In the beginning, the program was called Tanabe Club — Weekend Theater (田邊俱樂部—周末劇場) and was produced by a local advertising firm. It went through many early iterations until settling on the final name of Five Lights Award in 1978.
The show settled on its classic format that year as well: two performers would compete against each other, with the winner staying on for the next show, where he or she would face a new challenger. Participants who lasted five shows would win the grand prize of NT$50,000, which was later upped to NT$100,000. The performers could earn up to a maximum of 25 points, which corresponded to the lights — for example, a score between 18 and 22 would result in four lights.
An 1993 CommonWealth magazine article described a typical backstage scene: “You won’t find any stars here. A little girl who had just put on makeup is tugging on her mother’s sleeve, whining that she needs to use the bathroom; a young woman in hot pants is concentrating on her dance moves while her grandmother watches; in another corner, the staff is instructing participants on their stage presence and reminding everyone to remember their lines.”
Photo courtesy of SET TV
Award-winning bamboo flute player Chen Chung-shen (陳中申) was the first participant to reach the full marks of 25 points in 1979. But he’s probably better remembered for getting married on the episode he took home the grand prize, reportedly sending out wedding invitations beforehand that read, “We’re getting married. On July 1, 1979 at 7pm, if you have time, please tune in to TTV’s Five Lights Award to watch the ceremony and give us your blessings!”
In addition to A-mei, the show also saw an 18-year-old Jacky Wu (吳宗憲), who is now 56 and considered one of Taiwan’s top variety show hosts. Early 1990s boy band L.A.Boyz also got their start on the Five Lights stage.
TEARY FAREWELL
The CommonWealth article, published in the show’s 27th year, explored the program’s longevity, noting that most Taiwanese variety shows would only last about five or six years.
First of all, it was one of the first shows that could make the audience feel they were participating — the article notes that people would typically give their own ratings in front of the television. The show’s format was simple and easy to digest, but it also took on different themes to add flavor — such as having having contestants sing only in Hoklo (also known as Taiwanese), Japanese or even sign language, and put on special programs that limited contestants to twins, fathers, hairdressers, foreigners, Aborigines and so on.
Of course, they didn’t let just anybody appear on stage — the audition process often took between two and three months, guaranteeing the quality of the performances. The show continued to diversify over the years, even adding sports challenges and other non-singing competitions. At one point, it invited famous stars to perform between breaks.
“In an increasingly competitive media industry, can the Five Lights Award persevere for another 27 years?” the article asks in the end.
It didn’t. By the late 1990s, the show could no longer compete with China Television’s (中視) Dalu Xunqi (大陸尋奇) program exploring cultural oddities in China, or the wildly popular Japanese anime Detective Conan on Chinese Television System (華視), both of which aired at the same time as Five Lights Award.
On July 19, 1998, many alumni returned to the TTV studio for the 1,701st and final episode. Golden Melody-winning singer Tsai Hsiao-hu (蔡小虎) even pushed back his flight to Japan to attend, shedding tears in front of the camera.
Longtime producer Yang Jui-hsing (楊瑞興) told the press that the show had been losing money for quite a while, and that he felt stuck between staying true to the old format to retain his loyal fans or innovating to keep up with the trends. He announced that this was just a hiatus, and he would bring forth a new program soon — whether it featured five lights or not.
Two months later, Yang launched Taiwan Very Super (台灣非常SUPER), but it only lasted two months before it was canceled due to massive losses.
“I’m old, and I can’t keep up with the times anymore,” Yang said in an interview with the China Times (中國時報) newspaper. “It’s time to retire.”
Taiwan in Time, a column about Taiwan’s history that is published every Sunday, spotlights important or interesting events around the nation that have anniversaries this week.
July 1 to July 7 Huang Ching-an (黃慶安) couldn’t help but notice Imelita Masongsong during a company party in the Philippines. With paler skin and more East Asian features, she did not look like the other locals. On top of his job duties, Huang had another mission in the country, given by his mother: to track down his cousin, who was deployed to the Philippines by the Japanese during World War II and never returned. Although it had been more than three decades, the family was still hoping to find him. Perhaps Imelita could provide some clues. Huang never found the cousin;
Once again, we are listening to the government talk about bringing in foreign workers to help local manufacturing. Speaking at an investment summit in Washington DC, the Minister of Economic Affairs, J.W. Kuo (郭智輝), said that the nation must attract about 400,000 to 500,000 skilled foreign workers for high end manufacturing by 2040 to offset the falling population. That’s roughly 15 years from now. Using the lower number, Taiwan would have to import over 25,000 foreigners a year for these positions to reach that goal. The government has no idea what this sounds like to outsiders and to foreigners already living here.
Lines on a map once meant little to India’s Tibetan herders of the high Himalayas, expertly guiding their goats through even the harshest winters to pastures on age-old seasonal routes. That stopped in 2020, after troops from nuclear-armed rivals India and China clashed in bitter hand-to-hand combat in the contested high-altitude border lands of Ladakh. Swaths of grazing lands became demilitarized “buffer zones” to keep rival forces apart. For 57-year-old herder Morup Namgyal, like thousands of other semi-nomadic goat and yak herders from the Changpa pastoralist people, it meant traditional lands were closed off. “The Indian army stops us from going there,” Namgyal said,
A tourist plaque outside the Chenghuang Temple (都城隍廟) lists it as one of the “Top 100 Religious Scenes in Taiwan.” It is easy to see why when you step inside the Main Hall to be confronted with what amounts to an imperial stamp of approval — a dragon-framed, golden protection board gifted to the temple by the Guangxu Emperor that reads, “Protected by Guardians.” Some say the plaque was given to the temple after local prayers to the City God (城隍爺) miraculously ended a drought. Another version of events tells of how the emperor’s son was lost at sea and rescued