For most of their long history of habitation, the group of islands collectively known as Matsu (馬祖, just off Chinese-controlled Fujian Province) have remained a quiet, largely forgotten backwater. For a brief but turbulent period in the 1950s, Matsu (along with Kinmen) became a potent worldwide symbol of the bitter fight against communism, but even before the cold war finally wound down in the late 1980s, Matsu was forgotten once more, and remained an unknown quantity to outsiders until after the islands were opened to civilians in the mid-1990s.
The fact that Matsu opened to tourism only about 20 years ago is, of course, one of its great attractions for the curious traveler, together with the hilly, richly scenic landscapes, impressive coastal scenery, traditional buildings that blend harmoniously with the landscape and friendly Hoklo-speaking (also known as Taiwanese) islanders.
Photo by Richard Saunders
The largest island in the Matsu group, Nangan (南竿), has the best transport connections with Taiwan, with planes from Taipei and a fun overnight ferry service from Keelung. Arriving from either city is quite a surprise, as the island seems to exist in a time-warp, lagging 20 or 30 years behind the rest of the country. In reality, Nangan is by some way the most developed and most densely populated island (take the short ferry ride to neighboring Beigan (北竿), and you’ll immediately feel the difference), but with the widest range of natural, cultural and military sights of the seven accessible Matsu islands, Nangan deserves at least a day of your time.
Most visitors arrive by airplane at the airport on the east coast of the island, close to the island’s main village, Shanlung (山隴), which sprawls downhill from a distillery to the coast and an attractive small bay. Beside the road on the way from the airport to the village is Tunnel 88 (八八坑道), originally cut for military use, but now used by Matsu Liquor Factory to age its kaoliang spirit.
Head west from the airport along the main road crossing the hilly spine of the island, rather grandly known as Central Boulevard (中央大道), and follow the signs to Nangan’s biggest tourist attraction, Beihai Tunnel (北海坑道). This is the largest and most impressive of the three flooded subterranean tunnels in Matsu, and a compulsory stop for all visitors, especially since the other two — on Beigan and Dongyin (東引) islands — are now both closed to visitors.
This series of four crisscrossing tunnels took four battalions nearly three-and-a-half years to dig, are about 18m high, 10m wide and 700m long; the water is eight meters deep at high tide. A raised walkway goes right round the outside edge of the four tunnels (a 20-minute stroll), but a more fun way to explore them is by canoe, which can be rented (NT$300 per person for thirty minutes) from a booth at the tunnel’s entrance.
Nearby is the entrance to Dahan Stronghold (大漢據點), a network of (dry) tunnels emerging as gun turrets in the cliffs that command wonderful views over the ocean. Unfortunately they’re much less atmospheric these days, since some bright spark thought fit to supplement the original dim lighting inside with disco-style light strings that now run the length of each tunnel.
West of Beihai Tunnel the coast road narrows and begins to round the island’s southwest, one of the most secluded and scenic areas of Nangan. On the left in a few hundred meters a small parking place beside the road marks the start of the path down the cliffs to the Iron Fort (鐵堡), one of Nangan’s smaller military relics, but also one of the finest, mainly because of its remarkably scenic setting. Most of the fort is burrowed into the rock, and a long passageway connects a kitchen, sleeping quarters, a small shrine dedicated to Sun Yat-sen (孫逸仙) and several tanks for storing fresh drinking water. The unit had its own pet dog, which curiously held the rank of officer, and had his own kennel up on top of the rock.
Continuing along the coast past pretty Jinsha village (津沙), there’s a succession of lovely views over the ocean all the way to Magang (馬港), once the main gateway to Matsu for ships from Taiwan. All ships now land at Fuao Harbor (福澳港) on the north coast of the island instead, and the village has declined in importance; the main reason to linger is to visit Magang Matsu Temple (馬港天后宮), revered as the tomb of the Goddess of Fishermen.
Locals believe that the body of Lin Mu-niang (林默娘), the Fujianese girl who became Matsu after her death, was washed up on the beach here. The tomb lies beneath the floor, under a large plate of glass in front of the altar. This corner of the island is dominated by the huge, gleaming white statue of Matsu, which can be seen from miles away. The great statue, built in 2009, was trumpeted as the tallest statue of Matsu in the world, at 28m tall.
Nangan’s northern coast is blighted a bit by the island’s power station, and by Fuao Harbor, the main hub for sea transport to and around the Matsu islands. If you take the overnight ferry to Matsu from Keelung, you’ll arrive here just after dawn, to be greeted by a large statue of Chiang Kai-shek (蔣介石), and by one of Nangan island’s most famous sights, the huge Always on the Alert wall (福山照壁). This conspicuous white rectangular building is inscribed with the Chinese characters for “Sleeping on Spears, Awaiting the Dawn,” a pointed reminder that Matsu was once a far less soporific place to live than today.
Richard Saunders is a classical pianist and writer who has lived in Taiwan since 1993. He’s the founder of a local hiking group, Taipei Hikers, and is the author of six books about Taiwan, including Taiwan 101 and Taipei Escapes. Visit his Web site at www.taiwanoffthebeatentrack.com.
In 2020, a labor attache from the Philippines in Taipei sent a letter to the Ministry of Foreign Affairs demanding that a Filipina worker accused of “cyber-libel” against then-president Rodrigo Duterte be deported. A press release from the Philippines office from the attache accused the woman of “using several social media accounts” to “discredit and malign the President and destabilize the government.” The attache also claimed that the woman had broken Taiwan’s laws. The government responded that she had broken no laws, and that all foreign workers were treated the same as Taiwan citizens and that “their rights are protected,
A white horse stark against a black beach. A family pushes a car through floodwaters in Chiayi County. People play on a beach in Pingtung County, as a nuclear power plant looms in the background. These are just some of the powerful images on display as part of Shen Chao-liang’s (沈昭良) Drifting (Overture) exhibition, currently on display at AKI Gallery in Taipei. For the first time in Shen’s decorated career, his photography seeks to speak to broader, multi-layered issues within the fabric of Taiwanese society. The photographs look towards history, national identity, ecological changes and more to create a collection of images
The recent decline in average room rates is undoubtedly bad news for Taiwan’s hoteliers and homestay operators, but this downturn shouldn’t come as a surprise to anyone. According to statistics published by the Tourism Administration (TA) on March 3, the average cost of a one-night stay in a hotel last year was NT$2,960, down 1.17 percent compared to 2023. (At more than three quarters of Taiwan’s hotels, the average room rate is even lower, because high-end properties charging NT$10,000-plus skew the data.) Homestay guests paid an average of NT$2,405, a 4.15-percent drop year on year. The countrywide hotel occupancy rate fell from
March 16 to March 22 In just a year, Liu Ching-hsiang (劉清香) went from Taiwanese opera performer to arguably Taiwan’s first pop superstar, pumping out hits that captivated the Japanese colony under the moniker Chun-chun (純純). Last week’s Taiwan in Time explored how the Hoklo (commonly known as Taiwanese) theme song for the Chinese silent movie The Peach Girl (桃花泣血記) unexpectedly became the first smash hit after the film’s Taipei premiere in March 1932, in part due to aggressive promotion on the streets. Seeing an opportunity, Columbia Records’ (affiliated with the US entity) Taiwan director Shojiro Kashino asked Liu, who had
RSS