June 5 to June11
It was the late 1930s and Teng Yu-hsien (鄧雨賢) was unhappy with what the Japanese colonial government had done to his hit Hoklo (commonly known as Taiwanese) songs Flowers in a Rainy Night (雨夜花), Yearning for Spring (望春風) and Sadness in a Moonlit Night (月夜愁). It had only been a few years since he shot to fame as one of Taiwan’s top four Hoklo pop composers as an in-house musician for the Japanese-run, Taipei-based Columbia Records.
The Hoklo music scene was thriving before the government launched its Japanization policy around 1937. But after the policy shift, not only was Teng stifled creatively, his top three hits had been rewritten into the Japanese military marching songs Calling of the Earth, The Honorable Soldier and The Soldier’s Wife, respectively. It wasn’t just the lyrics, as no trace of the original wistful and romantic arrangement was left.
Photo courtesy of Wikimedia Commons
In addition, during the early 1930s, Teng had spent considerable time traveling throughout Taiwan, doing field research on traditional folk music that he had hoped to incorporate into his work. With strict regulations on melody and lyrics under the new rules, all his effort was for naught.
A frustrated Teng quit his job in 1940 and moved his family to what is today’s rural Hsinchu County to teach at an elementary school. He continued to write music, organized a local band and helped with student performances during school fairs. But as the war went on and resources dwindled, Teng’s health worsened, leading to his premature death at age 38.
MUSIC FOR THE MASSES
Photo: Wang Wen-lin, Taipei Times
Teng was born in 1906 to a scholarly Hakka family that followed an ancestral motto: Do not practice medicine, do not serve the government. As a result, Teng, like many in his family, became a teacher. Although he was Hakka, Teng grew up in Taipei, and became fluent in Japanese and Hoklo.
Having been fascinated with music since he was a child, Teng had other aspirations. At the age of 24, he quit his respected teaching post and went to Japan to study music. Although he studied Western music, he wanted to write Hoklo pop songs to appeal to the masses.
“I feel that not only musicians, but painters and writers as well, often feel that art only belongs to themselves,” he said during a conference in 1936. “They distance themselves from the general public and may even look down on them. If possible, I hope that artists can move closer to the people, as it is what they are meant to do.”
Photo courtesy of Wikimedia Commons
“Currently, art in Taiwan has become entertainment for just a portion of white-collar workers. This needs to improve,” he added.
Teng was wary about promoting Western music in Taiwan, as he believed that people were not sophisticated enough to appreciate it.
“We should improve the melodies and lyrics of existing Taiwanese music, such as Taiwanese opera. I’ve been working on this for four or five years already,” he said.
Photos courtesy of Wikimedia Commons
In 1932, he penned the promotional song for the Chinese movie Peach Blossom Weeps Tears of Blood (桃花泣血記), which is widely considered Taiwan’s first Hoklo hit. His other famous tunes were produced in the next few years, and it’s easy to imagine that he would have accomplished much if his life had not been cut short.
LASTING LEGACY
Japan’s defeat in 1945 did not revive Teng’s work. Bent on eradicating Hoklo and Japanese influences and promoting Mandarin, the Chinese Nationalist Party (KMT) banned his songs along with countless others throughout the White Terror period. Still, the songs persisted and never disappeared. A notable event took place during the 1979 Kaoshiung Incident, when Chiu Chui-chen (邱垂貞), a musician and politician who sought to use Hoklo folk songs in his opposition against KMT rule, sang Yearning For Spring during the political protest that turned violent and landed him in jail for four years.
Teng’s name, however, was largely forgotten. According to a report in the Liberty Times (the Taipei Times’ sister newspaper), even in 1996, when Changhua High School named a building “Yu-hsien Hall,” many people questioned why they would choose a “non-famous person.” A music teacher even asked, “Who is Teng Yu-hsien?”
When Teng’s name was finally revived, he was no longer a pop wunderkind. He was instead honored as the “Father of Taiwanese Folk Songs.” In 2006, National Central University’s Lulin Observatory named an asteroid its staff discovered after Teng. His pop songs are now classics that are still frequently covered by modern artists in many languages.
Taiwan in Time, a column about Taiwan’s history that is published every Sunday, spotlights important or interesting events around the nation that have anniversaries this week.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
President William Lai’s (賴清德) March 13 national security speech marked a turning point. He signaled that the government was finally getting serious about a whole-of-society approach to defending the nation. The presidential office summarized his speech succinctly: “President Lai introduced 17 major strategies to respond to five major national security and united front threats Taiwan now faces: China’s threat to national sovereignty, its threats from infiltration and espionage activities targeting Taiwan’s military, its threats aimed at obscuring the national identity of the people of Taiwan, its threats from united front infiltration into Taiwanese society through cross-strait exchanges, and its threats from
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
RSS