Dutch national theater company Toneelgroep Amsterdam (TGA) is returning to Taipei this weekend after a two-year hiatus to close the Taipei International Arts Festival.
The troupe, led by its avant-garde artistic director Ivo van Hove, is to perform its thought-provoking, four-hour-long production adapted by Koen Tachelet from the novel The Fountainhead by controversial American author and philosopher Ayn Rand.
A play containing grand ideas about society and the relationship between the individual and the collective, the story follows Howard Roark, played by poet, actor and former Dutch “poet of the fatherland” Ramsey Nasr, who for this production learned to sketch architectural designs in the style of US architect Frank Lloyd Wright.
Photo courtesy of Jan Versweyveld and TGA
An ambitious and virtuous architect, Roark is willing to bear the ultimate sacrifice for his ideas: To forgo friendship and love, to be rejected by society and, ultimately, to destroy his own creation for the integrity of his architectural ideal.
This lonely process acquires another dimension when the protagonist meets Dominique Francon, powerfully played by lead actress Halina Reijn, who manifests herself as a kindred spirit as well as a formidable opponent in a relationship that is alternately creative and destructive — and which receives much attention in this stage rendering.
Since her breakthrough with The Fountainhead in 1943, Rand and her following have been a force to reckon with, where the author — who preached a philosophy of extreme rational self-interest dubbed Objectivism and reportedly features prominently on the reading shelves of US President Donald Trump and Speaker of the House of Representatives Paul Ryan — is in equal measures admired and reviled.
However, no such politically laden history of controversy exists in the Netherlands, where TGA staged the novel, which is not as widely read in Europe, but has inspired generations of architects and artists.
This has allowed the director to approach the material with fresh eyes, resulting in a play that conveys the full emotional depth of the story, but does not eschew giving Rand’s ideas full stage, whether through archetypal characters that personify the ideas at war in the story or a powerfully rendered double monologue that receives full stage, a flourish that, contrary to the novelist’s original, gives equal voice to both sides of the ethical dilemma facing the architect.
Dutch daily NRC Handelsblad said Van Hove has managed to keep a precariously balanced perspective, “cautiously guiding Rand past the abyss of her own ideology.”
The production is designed by Jan Versweyveld, who has cooperated with Van Hove on a series of high profile plays in recent years. While grand-scale designs do not always benefit a play’s intimacy, Versweyveld’s visually rich multimedia approach and spectacular stage are ideally suited to a story that combines ideas, intrigue and architectural design.
Live music is performed onstage and scenes are projected on a large screen, allowing the audience to follow the process of architectural creation.
The play is performed in Dutch, with English and Chinese surtitles, runs for four hours with an intermission and includes “adult content” — nudity, smoking and blood scenes.
Pre-talks are held 30 minutes before every performance in the theater’s lobby, with a post-show talk after the matinee on Sunday.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Last week the Democratic Progressive Party (DPP) said that the budget cuts voted for by the China-aligned parties in the legislature, are intended to force the DPP to hike electricity rates. The public would then blame it for the rate hike. It’s fairly clear that the first part of that is correct. Slashing the budget of state-run Taiwan Power Co (Taipower, 台電) is a move intended to cause discontent with the DPP when electricity rates go up. Taipower’s debt, NT$422.9 billion (US$12.78 billion), is one of the numerous permanent crises created by the nation’s construction-industrial state and the developmentalist mentality it
Experts say that the devastating earthquake in Myanmar on Friday was likely the strongest to hit the country in decades, with disaster modeling suggesting thousands could be dead. Automatic assessments from the US Geological Survey (USGS) said the shallow 7.7-magnitude quake northwest of the central Myanmar city of Sagaing triggered a red alert for shaking-related fatalities and economic losses. “High casualties and extensive damage are probable and the disaster is likely widespread,” it said, locating the epicentre near the central Myanmar city of Mandalay, home to more than a million people. Myanmar’s ruling junta said on Saturday morning that the number killed had