It is not often that a local dance company gets to restage one of its original productions, a situation that reflects both market forces and the government’s cultural subsidy system. This is a great loss, both for audiences and a company’s performers because it robs them of a chance to revisit a work and have new dancers tackle the roles.
Building a repertoire is crucial for a company’s development and something that Tainan-born choreographer Allen Yu (余能盛) feels very strongly about.
“Taiwanese are always throwing things away ... you need a repertoire for dancers and the public. Some of my pieces are in the repertories [of companies] in Germany, the Czech Republic, but no other company keeps a repertoire in Taiwan outside of Cloud Gate [Dance Theater (雲門舞集)],” Yu said in a telephone interview last week.
Photo Courtesy of Sandy Ouyang
So Yu jumped at the chance to revise one of his works for the Tainan Municipal Cultural Center, which named Yu its first artistic director last year.
The center wanted him to do a big ballet this year, but he told them he did not have the time to create two new ballets, having organized the Museum Night, Opera Highlights (博物館之夜‧歌劇選粹) concerts in June for the Tainan Arts Festival and the Chimei Museum, which included two short dances.
So center officials picked Yu’s 2010 production, The Door (門), for the Chamber Ballet Taipei (台北室內芭蕾), which was renamed Formosa Ballet (福爾摩沙芭蕾舞團) last year.
Photo Courtesy of Sandy Ouyang
Yu said reviving The Door gave him a chance to “clean it up” and expand the cast to 30 dancers, including a larger contingent of males.
“It is one of my personal favorites of the about 30 big ballets that I have done so far,” he said. “I’m still not 100 percent satisfied, I can’t say that, but I’m happy. I really enjoy doing this piece.”
Yu brought back dancers Bogdan Canila and Cristina Dijmaru, soloists with the Bucharest National Opera Ballet who were so memorable in Yu’s 2013 Swan Lake, for the leading roles.
“Christine, she is great. She is younger than Nadja Saidakova from Deutsch Oper Berlin [who starred in the 2010 show], who was in her 40s, so I changed the choreography in the solo for her. Christine has beautiful technique, beautiful feet. She got married last year, I told her she is now different, really a woman,” Yu said.
One of the hallmarks of Yu’s productions is the use of live music. The Evergreen Symphony Orchestra (長榮交響樂團) will be led by German conductor Gernot Schmalfuss, but Yu warned that audiences this weekend will not enjoy the full effect of the music — Italian composer Nino Rota’s La Strada suite and Sergei Rachmaninoff’s Symphonic Dances — because the New Taipei City Arts Center’s theater is so small.
“With a double timpani and a piano, the space is so tight, so we had to go with a smaller, upright piano [instead of a grand piano]. However, the Hsinchu and Tainan theaters have more space,” Yu said. “I hope next year I can get a bigger place in Taipei to do a show.”
A two-act ballet, divided by both the extremely different scores and styles of choreography, The Door is about the doorways of our lives and what they lead to: jobs, love, tragedy, happiness. They serve as the turning points that frame our lives.
A collection of 12 large moveable door frames make up the starkly simple set, their strong clean lines providing a visual and a physical counterpoint to the dancers’ pliable bodies.
Performance notes
WHAT: The Door
WHEN: Tomorrow at 7:30pm, Sunday at 3pm
WHERE: New Taipei City Arts Center (新北市藝文中心演藝廳), 62 Jhuangjing Rd, Banciao District, New Taipei City (新北市板橋區莊敬路62號)
ADMISSION: NT$400 to NT$2,000; tickets available online at www.artsticket.com.tw, convenience store ticketing kiosks and at the door
ADDITIONAL PERFORMANCES: Tuesday at 7:30pm at the Performance Hall of the Hsinchu County Cultural Affairs Bureau (新竹縣文化局演藝廳), 146 Siancheng 9th Rd, Jhubei City, Hsinchu County (新竹縣竹北市縣政九路146號); Aug. 13 at 7:30pm at the Taichung Chungshan Hall (台中中山堂), 98 Hsuehshi Rd, Taichung City (台中市學士路98號); and Aug. 20 at 7:30 and Aug. 21 at 3pm at the Tainan Municipal Cultural Center (臺南文化中心演藝廳), 332, Chunghua East Rd Sec 3, Greater Tainan (臺南市中華東路3段332號). Ticket prices and purchase points as above.
This month Taiwan received a brutal Christmas present as the Chinese Nationalist Party (KMT) passed all three of its desired amendments, making recalls of elected officials more difficult, gutting the Constitutional Court and altering the budgetary allocations to local governments. The nation at present has no ultimate authority to determine the constitutionality of government actions, and the local governments, largely controlled by the KMT, have much greater funding. We are staring into an abyss of chaos. The amendments to the Act Governing the Allocation of Government Revenues and Expenditures (財政收支劃分法), if they become law (as of this writing President William Lai
When the weather is too cold to enjoy the white beaches and blue waters of Pingtung County’s Kenting (墾丁), it’s the perfect time to head up into the hills and enjoy a different part of the national park. In the highlands above the bustling beach resorts, a simple set of trails treats visitors to lush forest, rocky peaks, billowing grassland and a spectacular bird’s-eye view of the coast. The rolling hills beyond Hengchun Township (恆春) in Pingtung County offer a two-hour through-hike of sweeping views from the mighty peak of Dajianshih Mountain (大尖石山) to Eluanbi Lighthouse (鵝鑾鼻燈塔) on the coast, or
Charges have formally been brought in Taiwan People’s Party (TPP) Chairman Ko Wen-je’s (柯文哲) bribery, corruption and embezzling of campaign funds cases. Ko was briefly released on bail by the Taipei District Court on Friday, but the High Court on Sunday reversed the decision. Then, the Taipei District Court on the same day granted him bail again. The ball is in dueling courts. While preparing for a “year ahead” column and reviewing a Formosa poll from last month, it’s clear that the TPP’s demographics are shifting, and there are some indications of where support for the party is heading. YOUNG, MALE
Something strange happened in former president Tsai Ing-wen’s (蔡英文) second term: She remained popular. According to My-Formosa.com polling at the time, she scored high on trustworthiness and satisfaction with her governance spiked at the beginning of her second term, then in the remaining three years stabilized into a range of the upper forties to mid-fifties. This is especially remarkable since her second term was marred by several scandals, which resulted in an electoral drubbing for the Democratic Progressive Party (DPP) in the 2022 local elections — the worst result since the party’s founding. Most politicians around the world would salivate
RSS