One would think that a film opening on New Year weekend would be at least watchable to compete with big holiday blockbuster movies. It is not the case with We Are Family (我們全家不太熟), a college comedy revolving around a group of pals who suddenly break into song and dance in polka-dot costumes.
Writer and director Wang Chuan-tsung (王傳宗) actually fields a solid cast of promising talents and old hands, but even the brilliant Sandrine Pinna (張榕容) cannot save her boring role.
Pinna plays Kaka, an attractive young woman who quits school and returns home from a trip to Australia with a baby boy. The bulk of the story fixates on Kaka trying to hide her illegitimate son from her grandfather (Chen Sung-yung, 陳松勇), who raised Kaka alone. As preposterous as the story is, Kaka enlists help from her old classmates Willy (Chang Shu-hao, 張書豪), Fatty (Hao Shao-wen, 郝劭文) and Yaya (Daniel Chen, 陳大天), who are staying at her grandfather’s apartment.
Photo courtesy of Double Edge Entertainment
The three college buddies, whose world has hitherto been all about skipping classes and playing computer games, now face the seemingly insurmountable challenge of babysitting. This is where the movie tries to be funny, pulling out all the comic stops, including a couple of music numbers, but none of it works. The cameos by seasoned comedians Hsu Hsiao-shun (許效舜) and Lin Mei-hsiu (林美秀) as a loudmouthed couple are embarrassingly dull. Acclaimed thespian Wu Peng-fong (吳朋奉) is thrown into the plot as a self-help instructor for no apparent reason.
Later, when the baby’s biological father comes into the picture the story quickly turns into a bad soap opera, culminating in an ending that will leave people wondering why they came to see the movie in the first place.
On a hillside overlooking Taichung are the remains of a village that never was. Half-formed houses abandoned by investors are slowly succumbing to the elements. Empty, save for the occasional explorer. Taiwan is full of these places. Factories, malls, hospitals, amusement parks, breweries, housing — all facing an unplanned but inevitable obsolescence. Urbex, short for urban exploration, is the practice of exploring and often photographing abandoned and derelict buildings. Many urban explorers choose not to disclose the locations of the sites, as a way of preserving the structures and preventing vandalism or looting. For artist and professor at NTNU and Taipei
March 10 to March 16 Although it failed to become popular, March of the Black Cats (烏貓進行曲) was the first Taiwanese record to have “pop song” printed on the label. Released in March 1929 under Eagle Records, a subsidiary of the Japanese-owned Columbia Records, the Hoklo (commonly known as Taiwanese) lyrics followed the traditional seven characters per verse of Taiwanese opera, but the instrumentation was Western, performed by Eagle’s in-house orchestra. The singer was entertainer Chiu-chan (秋蟾). In fact, a cover of a Xiamen folk song by Chiu-chan released around the same time, Plum Widow Missing Her Husband (雪梅思君), enjoyed more
Last week Elbridge Colby, US President Donald Trump’s nominee for under secretary of defense for policy, a key advisory position, said in his Senate confirmation hearing that Taiwan defense spending should be 10 percent of GDP “at least something in that ballpark, really focused on their defense.” He added: “So we need to properly incentivize them.” Much commentary focused on the 10 percent figure, and rightly so. Colby is not wrong in one respect — Taiwan does need to spend more. But the steady escalation in the proportion of GDP from 3 percent to 5 percent to 10 percent that advocates
From insomniacs to party-goers, doting couples, tired paramedics and Johannesburg’s golden youth, The Pantry, a petrol station doubling as a gourmet deli, has become unmissable on the nightlife scene of South Africa’s biggest city. Open 24 hours a day, the establishment which opened three years ago is a haven for revelers looking for a midnight snack to sober up after the bars and nightclubs close at 2am or 5am. “Believe me, we see it all here,” sighs a cashier. Before the curtains open on Johannesburg’s infamous party scene, the evening gets off to a gentle start. On a Friday at around 6pm,