Featuring pop idol Ella Chen (陳嘉樺) as a betel nut beauty (檳榔西施) falling for a younger man, The Missing Piece (缺角一族) is fortunately more than the usual soap opera schlock. For his second feature, veteran TV director Chiang Fong-hung (江豐宏) produces a romantic, light-hearted comedy which balances the youthful love story with a look into the characters’ self-seeking quests. The movie boasts a finely tuned cast, comprising veteran thespian Tsai Chen-nan (蔡振南), young talent Austin Lin (林柏宏) and Chen.
At the center of the lively drama is Daofeng (Lin), a bashful college student who breaks from his humdrum city life and plans to hitchhike to a tropical town called Sunshine Village.
Along his trek, Daofeng meets Shasha (Chen), a jovial betel nut girl who wears flamboyant costumes in her transparent booth surrounded by vast, sun-baked grassland.
Photo courtesy of Three Giant Production
Another daily commuter is Uncle Tin Can (Tsai), who lives alone in a big house by the sea and spends his time recycling abandoned things. Uncle Tin Can and Daofeng become friends. Yet another encounter brings Daofeng to local villager Auntie Haichu (played by Lin Mei-chao, 林美照), who likes to eat her lunchbox in front of a tall chimney of a defunct sugar factory.
Daofeng’s new friends make him feel right at home. But the more he comes to know them, the more he realizes that underneath their blithe appearances, they are hurt and lost inside, longing for reconciliation with themselves and others. Meanwhile, Daofeng’s affection toward Shasha gradually grows.
Despite a fair amount of narrative untidiness, Chiang’s second feature is a feel-good movie that strikes a chord with the audience through universal themes of love, regret and reconciliation. Known for his life-long collaboration with film maestro Tsai Ming-liang (蔡明亮), cinematographer Liao Pen-jung (廖本榕) injects buoyant exuberance. Bathed in vibrant hues, even the roadside betel-nut stand brings to mind a quaint cottage from a fairy tale.
Chiang’s decades-long career as a TV drama director gives him a keen eye for choosing the right actor for the role. Lin and Chen complement each other well as a couple with contrasting personalities. But the most noticeable performance is delivered by Tsai who effortlessly brings to life the many facets of his character, swinging from idiosyncrasy to graciousness.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Last week the Democratic Progressive Party (DPP) said that the budget cuts voted for by the China-aligned parties in the legislature, are intended to force the DPP to hike electricity rates. The public would then blame it for the rate hike. It’s fairly clear that the first part of that is correct. Slashing the budget of state-run Taiwan Power Co (Taipower, 台電) is a move intended to cause discontent with the DPP when electricity rates go up. Taipower’s debt, NT$422.9 billion (US$12.78 billion), is one of the numerous permanent crises created by the nation’s construction-industrial state and the developmentalist mentality it
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