What can you accomplish in 14 weeks? In idle hands, a season can easily pass in aimless fun. In the case of Mitch, he learns to love again.
Tuesdays With Morrie (最後14堂星期二的課), Godot Theater’s Chinese-language adaptation of Mitch Albom’s 1997 best-selling novel, is being performed at Taipei’s Metropolitan Hall (台北市社教館城市舞台) until March 11, before moving to the Taichung Chungshan Hall (台中市中山堂) on March 17 and March 18.
Since its premiere last month, the popular tear-jerker has clocked up more than 40 shows, and this is its fifth revival.
Photo Courtesy of Godot Theater
The production will move to Shanghai after its Taiwan run.
Directed by Daniel Yang (楊世彭), the production boasts theater thespian Chin Shih-chieh (金士傑) and popular TV actor Pu Hsueh-liang (卜學亮) in the leads.
Adapted from Albom’s autobiographical novel, the play follows the hotshot journalist Mitch as he reconnects with his college mentor Morrie.
Because Morrie is dying from amyotrophic lateral sclerosis, a progressive disease of the nerve cells in the brain and spinal cord that control voluntary muscle movement, Mitch opts to meet him every Tuesday for heart-to-heart conversations for 14 weeks.
The book has sold 14 million copies worldwide and was turned into an Emmy-winning TV movie by Oprah Winfrey in 2000. The book’s Chinese edition has sold more than 700,000 copies in Taiwan.
“This production has been an unexpected hit,” Yang told the Taipei Times in an interview on Thursday last week. “I approached Godot Theater about this heart-moving play and said it might lose money, but it actually became a crowd drawer.”
As the latest mentor/protege heart-warmer in the vein of Good Will Hunting and Finding Forrester, this inspirational play’s unflinching depiction of death tackles the taboo surrounding the topic.
“The story covers marriage, family, father-and-son relationships and friendship,” Yang said. “Everyone will find something to relate to. The audiences really react to the performance and the story.”
At the heart of the story is the long series of candid chats on topics ranging from life to love. Because of its empowering theme, the play has been dubbed “chicken soup” theater in China.
“Most audiences have read or heard about this book and they come expecting an elevating experience,” Yang said. “The lessons between Mitch and Morrie are over, but our lessons with the audiences continue.”
In 2020, a labor attache from the Philippines in Taipei sent a letter to the Ministry of Foreign Affairs demanding that a Filipina worker accused of “cyber-libel” against then-president Rodrigo Duterte be deported. A press release from the Philippines office from the attache accused the woman of “using several social media accounts” to “discredit and malign the President and destabilize the government.” The attache also claimed that the woman had broken Taiwan’s laws. The government responded that she had broken no laws, and that all foreign workers were treated the same as Taiwan citizens and that “their rights are protected,
A white horse stark against a black beach. A family pushes a car through floodwaters in Chiayi County. People play on a beach in Pingtung County, as a nuclear power plant looms in the background. These are just some of the powerful images on display as part of Shen Chao-liang’s (沈昭良) Drifting (Overture) exhibition, currently on display at AKI Gallery in Taipei. For the first time in Shen’s decorated career, his photography seeks to speak to broader, multi-layered issues within the fabric of Taiwanese society. The photographs look towards history, national identity, ecological changes and more to create a collection of images
March 16 to March 22 In just a year, Liu Ching-hsiang (劉清香) went from Taiwanese opera performer to arguably Taiwan’s first pop superstar, pumping out hits that captivated the Japanese colony under the moniker Chun-chun (純純). Last week’s Taiwan in Time explored how the Hoklo (commonly known as Taiwanese) theme song for the Chinese silent movie The Peach Girl (桃花泣血記) unexpectedly became the first smash hit after the film’s Taipei premiere in March 1932, in part due to aggressive promotion on the streets. Seeing an opportunity, Columbia Records’ (affiliated with the US entity) Taiwan director Shojiro Kashino asked Liu, who had
A series of dramatic news items dropped last month that shed light on Chinese Communist Party (CCP) attitudes towards three candidates for last year’s presidential election: Taiwan People’s Party (TPP) founder Ko Wen-je (柯文哲), Terry Gou (郭台銘), founder of Hon Hai Precision Industry Co (鴻海精密), also known as Foxconn Technology Group (富士康科技集團), and New Taipei City Mayor Hou You-yi (侯友宜) of the Chinese Nationalist Party (KMT). It also revealed deep blue support for Ko and Gou from inside the KMT, how they interacted with the CCP and alleged election interference involving NT$100 million (US$3.05 million) or more raised by the