Need a crash course on Taiwan’s best indie rock bands? The Megaport Music Festival (大港開唱) has got it covered this weekend.
The annual event, which takes place tomorrow and Sunday at Kaohsiung Harbor’s Pier 2 Art District (高雄駁二藝術特區), has a lineup of 46 bands that features the nation’s cream-of-the-crop indie artists, as well as several acts from Japan.
Organizers say the outdoor festival saw 15,000 visitors last year, and, with a few mainstream pop acts scheduled to appear, this edition should be no different. Sodagreen (蘇打綠) headlines the main stage tomorrow night, and celebrity model and singer Amber An (安心亞) performs a set of techno-pop tomorrow.
Photo Courtesy of The Wall
But the festival’s spread of non-mainstream artists with large followings will also attract crowds. Metal heroes Chthonic (閃靈) and beloved nakashi (那卡西) punk rock group Loh Tsui Kweh Commune (濁水溪公社, LTK) perform tomorrow, while indie-pop veterans Tizzy Bac and Aboriginal reggae rockers Matzka appear on Sunday.
Taipei live music venue The Wall (這牆) started Megaport in 2006 to encourage and develop a live music scene outside of the capital. Beloved pop-punks Fire Ex (滅火器), who play on Sunday, are a hometown favorite, and the festival offers a stage to up-and-coming bands such as the punk outfit The Locals (草地人), also from Kaohsiung, and Taichung hardcore metal band Flesh Juicer (血肉果汁機).
Megaport, which has bands playing on three outdoor stages and one indoor stage, is also putting on activities that are free to the public, including a skateboarding contest and a market selling arts and crafts and food.
Photo Courtesy of The Wall
One new addition to this year’s event is the NGO Village, a set of booths run by representatives from organizations that include Greenpeace and Amnesty International. There will also be booths manned by aid groups helping victims of the March 11 earthquake and tsunami that devastated Japan last year, the first anniversary of which falls on Sunday.
A full schedule for the festival can be viewed at www.megaport.com.tw.
Megaport 2012 — performers to catch
Omnipotent Youth Society (萬能青年旅店)
Artsy folk/blues rock band from China’s Hebei Province
Tomorrow, 1:50pm, Sea Dragon King Stage (海龍王舞台)
Enno Cheng (鄭宜農)
Indie-folk songstress and film actress with a pristine voice
Tomorrow, 5:50pm, Kamomai Stage (卡魔麥舞台)
Lin Sheng-xiang (林生祥)
Hakka folk singer and highly admired songwriter among many Taiwanese indie musicians for his grassroots ethos
Tomorrow, 7pm, Kamomai Stage (卡魔麥舞台)
The Novembers
High-energy Japanese alt-rock band that balances heavy guitars and pop smoothness
Tomorrow, 3:10pm, Sea Dragon King Stage (海龍王舞台)
Pay Money to My Pain
Japanese nu-metal/alt-rock band that sings in English
Tomorrow, 6:20pm, Sea Dragon King Stage (海龍王舞台)
Sodagreen (蘇打綠)
Intelligent pop from college students-turned-stars
Tomorrow, 8pm, Sea Dragon King Stage (海龍王舞台)
Loh Tsui Kweh Commune (濁水溪公社, LTK)
Kings of irreverent, satirical rock
Tomorrow, 9:10pm, Sea Dragon King Stage (海龍王舞台)
The Telephones
Electro/disco punk rockers from Japan
Sunday, 6:50pm, Sea Dragon King Stage (海龍王舞台)
Toe
Math rock/post-rock outfit from Japan
Sunday, 8:30pm, Sea Dragon King Stage (海龍王舞台)
Dog-G (大支)
Taiwan’s smoothest rapper in Hoklo [commonly known as Taiwanese]
Sunday, 6:10pm, Sea Dragon King Stage (海龍王舞台)
Windmill (風籟坊)
Slow-core rock a la Pavement, sung in Hoklo
Sunday, 3:30pm, Kamomai Stage (卡魔麥舞台)
Sugar Plum Ferry (甜梅號)
Post-rock heroes from Taipei
Sunday, 2:50pm, Sea Dragon King Stage (海龍王舞台)
Matzka
Reggae rock, Taiwan Aboriginal style
Sunday, 4:10pm, Sea Dragon King Stage (海龍王舞台)
Tizzy Bac
Enchanting piano rock
Sunday, 7:40pm, Dragon Goddess Stage (女神龍舞台)
In 2020, a labor attache from the Philippines in Taipei sent a letter to the Ministry of Foreign Affairs demanding that a Filipina worker accused of “cyber-libel” against then-president Rodrigo Duterte be deported. A press release from the Philippines office from the attache accused the woman of “using several social media accounts” to “discredit and malign the President and destabilize the government.” The attache also claimed that the woman had broken Taiwan’s laws. The government responded that she had broken no laws, and that all foreign workers were treated the same as Taiwan citizens and that “their rights are protected,
A white horse stark against a black beach. A family pushes a car through floodwaters in Chiayi County. People play on a beach in Pingtung County, as a nuclear power plant looms in the background. These are just some of the powerful images on display as part of Shen Chao-liang’s (沈昭良) Drifting (Overture) exhibition, currently on display at AKI Gallery in Taipei. For the first time in Shen’s decorated career, his photography seeks to speak to broader, multi-layered issues within the fabric of Taiwanese society. The photographs look towards history, national identity, ecological changes and more to create a collection of images
The recent decline in average room rates is undoubtedly bad news for Taiwan’s hoteliers and homestay operators, but this downturn shouldn’t come as a surprise to anyone. According to statistics published by the Tourism Administration (TA) on March 3, the average cost of a one-night stay in a hotel last year was NT$2,960, down 1.17 percent compared to 2023. (At more than three quarters of Taiwan’s hotels, the average room rate is even lower, because high-end properties charging NT$10,000-plus skew the data.) Homestay guests paid an average of NT$2,405, a 4.15-percent drop year on year. The countrywide hotel occupancy rate fell from
March 16 to March 22 In just a year, Liu Ching-hsiang (劉清香) went from Taiwanese opera performer to arguably Taiwan’s first pop superstar, pumping out hits that captivated the Japanese colony under the moniker Chun-chun (純純). Last week’s Taiwan in Time explored how the Hoklo (commonly known as Taiwanese) theme song for the Chinese silent movie The Peach Girl (桃花泣血記) unexpectedly became the first smash hit after the film’s Taipei premiere in March 1932, in part due to aggressive promotion on the streets. Seeing an opportunity, Columbia Records’ (affiliated with the US entity) Taiwan director Shojiro Kashino asked Liu, who had