Django Reinhardt is not a household name in popular music, but the late Belgian-born gypsy guitarist is often cited as a hero by a long list of “guitar gods” today, from Eric Clapton and Jimmy Page to Carlos Santana and BB King.
During the 1930s and 1940s, Reinhardt led the legendary Parisian group the Quintet of the Hot Club of France, and by the time of his death in 1953, he was already considered a pioneer of jazz guitar.
Reinhardt, whose style is instantly recognizable for its lightning quick riffs and emotive playing, remains the inspiration behind what is known today as gypsy jazz. Today, he is regarded as a deity among gypsy guitar players and his music continues to command a large number of devotees around the world, including Canadian guitarist Denis Chang.
Photo: Benjamin Wong, Courtesy of Denis Chang
The 29-year-old Montreal native, who performs on Thursday and Friday next week in Taipei with the local group Dark Eyes Gypsy Jazz Band, is regarded as an established talent in gypsy jazz circles.
Since 2003, Chang has been shuttling back and forth between Canada and Europe, attending festivals devoted to the genre and studying with well-known gypsy players such as Fapy Lafertin of Belgium and Ritary Gaguenetti of France. He has also shared the stage with other acclaimed musicians such as French virtuoso Stephane Wrembel and the Dutch gypsy group the Rosenberg Trio.
Chang has a degree in music from McGill University, but says his most valuable lessons as a performer came from befriending gypsy players in Europe.
“I did go to music school, but as far as playing music goes, that didn’t help me,” Chang said. “What really helped me a lot was just hanging out with these guys because a lot of these people there, they don’t know anything about formal training or music theory.”
INSTINCT
Yet gypsy jazz requires a high degree of technical skill, with long melodic lines played at dizzying speeds and “hot,” fast-pulsing rhythms.
In this sense, Chang said that gypsy jazz is “a very strong aural tradition that really focuses on playing by ear and playing by instinct. And that was the biggest lesson for me.”
Chang also discovered he had a knack for teaching. He says he has been able to establish a close rapport with European gypsy players because he is fluent in French and German. He drew from that experience and produced a set of instructional DVDs titled Jazz Manouche that is popular among gypsy jazz enthusiasts.
Although he works full-time as a performer and producer, Chang says his interests are starting to shift to music education, and he is getting ready to launch a Web site devoted to teaching different styles of music.
LEARNING THE ROPES
He attributes this “lifelong passion” for education, as well as his language skills, to his late Taiwanese father, Chang Wei-penn (張維邦), a well-known independence activist and scholar of economics and European studies.
Chang will also be teaching a workshop for guitarists interested in learning gypsy jazz on Dec. 18 at the National Taiwan University Student Activity Center No. 2 (臺灣大學第二學生活動中心).
With gypsy jazz, “there’s something for everyone,” said Chang, who notes the genre attracts some heavy metal guitarists because it’s “full of energy” and allows for displays of technical virtuosity.
“So the heavy metal guys are happy, and it borrows a lot from classical music, because Django was heavily influenced by classical music,” he said.
But at the end of the day, gypsy jazz does what jazz is supposed to do: It swings.
“[It’s] music that makes you want to dance, makes you want to tap your toes,” Chang said. “It’s joyous, it’s happy.”
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
RSS