Dance and choreography are often described in terms of liquidity or fluidity of movement. This afternoon a group of young Taiwanese dancers will use their bodies to focus attention on the most precious fluid of all — water — and the need for safe drinking water for everyone, as part of a 24-hour worldwide event, Global Water Dances.
The project is the brainchild of 11 Laban Movement analysts who were inspired by a dance and the environment conference they attended in England in 2009. (Labanotation and Laban Movement Analysis were first developed by Rudolf Laban in the early 20th century as a way of describing, notating and recording human movement used by dancers, physical therapists and others.) The 11 all had experience with Laban’s idea of Movement Choirs, which are events aimed at creating social cohesion through community dances. Planning for tomorrow’s event began last year with the creation of a Web site and networking.
Global Water Dances begins in Pacific Rim nations and travels westward around the world, involving dancers, musicians and other artists in 60 cities. It can be followed online at globalwaterdances.org.
Photo Courtesy of Chen Yi-shu, Dancecology
The Taiwanese portion has been organized by a two-year-old troupe called Dancecology (舞蹈生態系創意團隊), founded and directed by Peng Hsiao-yin (彭筱茵), a former member of the Neo-Classical Dance Company (新古典舞團) who received her MFA from the Graduate Institute of Choreography at Taipei National University of the Arts (TNUA). She wanted to move beyond the traditional limits of stage-bound performance to focus on environmental theater, hence the thinking behind the troupe’s name — dance plus ecology, or Dancecology.
Since the group’s founding, it has performed at the 2009 Kuandu Arts Festival, the Taipei Fine Arts Museum, Juming Museum and, earlier this year, at the Taipei International Flora Expo. It was selected as the 2009-2010 artist-in-residence at the TNUA KD Art Culture Industry Innovation Incubation Center. The company joined the Global Water Dances lineup at the end of last year.
Peng’s work is usually site specific and today’s show will take place in the viewing area in front of Zhuwei Wharf (竹圍碼頭) in Tamsui, which is a short walk along the bikeway from the Zhuwei MRT Station (竹圍捷運站). It is also the site of Plum Tree Creek (樹梅坑溪), which was the inspiration for Peng’s portion of the program.
Photo Courtesy of Chen Yi-shu, Dancecology
In her program notes Peng said the creek, a branch of the Tamsui River, was once the only source of fresh water in the Zhuwei area, but rapid development has left it little more than a gutter. Starting last year, several historians, artists and local residents banded together to draw awareness to the creek’s plight and push for its restoration.
Eight dancers and two musicians will be performing this afternoon, joined by children from Zhuwei Elementary School for sections three and four (“The Water Dance” and “Confluence”), which are the global collective portions of the program.
Peng choreographed the first two sections: “Flowing with Water,” which she said will gather the energy of participants and flow along with the Plum Tree Creek, and “The Story of Plum Tree Creek,” telling how humans change and damage nature.
To encourage people to get involved in helping to save the creek and protect Taiwan’s environment, audience members will be invited to join the dancers at several points during the show. For example, when the dancers who are portraying the creek are being polluted by the dancers who are playing the role of garbage, “we’ll invite the audience to save them,” Peng said. In “Confluence,” the troupe’s dancers will lead the audience in a group dance. In “The Water Dance,” dancers and volunteers will perform the same moves that are being danced around the world today.
In addition, after the show audience members will be invited to take a pledge to treasure water resources and reduce daily water pollution. Those who do will be invited to add their handprints to a long roll of paper.
The idea is to turn the paper into a “river of hands,” Peng said.
Dancecology notified us after the paper went to press that because of the advent of Typhoon Meari, their performance will be postponed until next Saturday, July 2, at 5pm at the same location.
The Democratic Progressive Party (DPP), Chinese Nationalist Party (KMT), and the country’s other political groups dare not offend religious groups, says Chen Lih-ming (陳立民), founder of the Taiwan Anti-Religion Alliance (台灣反宗教者聯盟). “It’s the same in other democracies, of course, but because political struggles in Taiwan are extraordinarily fierce, you’ll see candidates visiting several temples each day ahead of elections. That adds impetus to religion here,” says the retired college lecturer. In Japan’s most recent election, the Liberal Democratic Party lost many votes because of its ties to the Unification Church (“the Moonies”). Chen contrasts the progress made by anti-religion movements in
Taiwan doesn’t have a lot of railways, but its network has plenty of history. The government-owned entity that last year became the Taiwan Railway Corp (TRC) has been operating trains since 1891. During the 1895-1945 period of Japanese rule, the colonial government made huge investments in rail infrastructure. The northern port city of Keelung was connected to Kaohsiung in the south. New lines appeared in Pingtung, Yilan and the Hualien-Taitung region. Railway enthusiasts exploring Taiwan will find plenty to amuse themselves. Taipei will soon gain its second rail-themed museum. Elsewhere there’s a number of endearing branch lines and rolling-stock collections, some
This was not supposed to be an election year. The local media is billing it as the “2025 great recall era” (2025大罷免時代) or the “2025 great recall wave” (2025大罷免潮), with many now just shortening it to “great recall.” As of this writing the number of campaigns that have submitted the requisite one percent of eligible voters signatures in legislative districts is 51 — 35 targeting Chinese Nationalist Party (KMT) caucus lawmakers and 16 targeting Democratic Progressive Party (DPP) lawmakers. The pan-green side has more as they started earlier. Many recall campaigns are billing themselves as “Winter Bluebirds” after the “Bluebird Action”
Feb 24 to March 2 It’s said that the entire nation came to a standstill every time The Scholar Swordsman (雲州大儒俠) appeared on television. Children skipped school, farmers left the fields and workers went home to watch their hero Shih Yen-wen (史艷文) rid the world of evil in the 30-minute daily glove puppetry show. Even those who didn’t speak Hoklo (commonly known as Taiwanese) were hooked. Running from March 2, 1970 until the government banned it in 1974, the show made Shih a household name and breathed new life into the faltering traditional puppetry industry. It wasn’t the first