Now in its 11th year, the Urban Nomad Film Festival rolls into town on Thursday next week.
This year’s theme is “art, creativity and design” and the event’s roster of 11 feature-length documentaries and films focus on topics ranging from an ornery RV salesman to the world’s best-known sans serif typeface. Four to six independent short films selected from a pool of about 300 submissions will also be screened each night. Two nights focus on Chinese artist Ai Weiwei (艾未未). The festival was planned well before Ai’s detainment by Chinese authorities earlier this month, but his arrest makes the two documentaries that will be screened especially topical.
The organizers of Urban Nomad decided on this year’s theme in part because of the Taiwanese government’s increasing focus on the “cultural and creative” industries.
Photo Courtesy of URBAN NOMAD
“The number of art and design students here is enormous. We know that because we get a lot of their films for our program,” founder David Frazier told the Taipei Times. “But nobody has ever really done a focused segment on films about contemporary art and design.”
The festival kicks off on Thursday next week with Oddsac, a “visual album” by video artist Danny Perez and experimental rock band Animal Collective. Perez will be on hand to answer questions after the 54-minute-long film, which pairs 13 songs with mesmerizing visuals.
Along with a performance by Brooklyn-based tribal-freakout band I.U.D., Perez will deejay at Urban Nomad’s Video Mindfuck party on April 30 at Huashan 1914 Culture Park.
Photo Courtesy of URBAN NOMAD
The festival’s official opening film is 2009’s Winnebago Man, a documentary directed by Ben Steinbauer about one of the first viral videos ever made. Outtakes from a 1988 RV commercial shoot featuring a foul-mouthed salesman with a short fuse circulated on VHS tapes before eventually enjoying a second life online. Obsessed with the clips, Steinbauer tracked down salesman Jack Rebney at his California home. The film will have its Taiwanese premiere at Urban Nomad on April 29.
“It was a viral video before the Internet and it’s kind of impossible to say that technology does not influence art right now,” Frazier says.
Viewers can get insight into Ai’s work as a political activist on May 1 with Why Are These Flowers Red? (花兒為什麼這樣紅) by activist, professor and director Ai Xiaoming (艾曉明). The film documents the beating that Ai received from police during a trip to Sichuan Province to testify at the trial of fellow activist Tan Zuoren (譚作人), who was arrested for subversion after setting up a database of children who died in the 2008 Sichuan Earthquake.
hoto Courtesy of URBAN NOMAD
On May 8, Ai’s own account of his confrontation with government authorities in Sichuan Province, Lao Mao Ti Hua (老媽蹄花) will be shown. A video conference with Ai was originally scheduled to follow the screening; Urban Nomad now plans to have a chat with a member of Ai’s studio instead.
“Ai’s activism is very much in a different direction from a lot of his art or a lot of what is exhibited in museums,” Frazier says. “With the solo show [of Ai’s work] scheduled to be held at the Taipei Fine Arts Museum at the end of this year, we felt it was important to show these films in Taiwan so his political content would not be whitewashed or left out.”
Other films about artists in Urban Nomad include In a Dream about American folk artist Isaiah Zagar; Olafur Eliasson: Space is Process, which follows the Danish contemporary artist to extreme environments like Arctic glaciers; and Beautiful Losers, which is about the NYC artists collective that incubated talents like Shepard Fairey and Twist (real name Barry McGee). Helvetica, a 2007 film by Gary Hustwit, focuses on the ubiquitous sans serif font and its impact on graphic design.
Photo Courtesy of URBAN NOMAD
Other topics include Roskilde, northern Europe’s largest rock music festival whose combustive mixture of rock ’n’ roll, drugs, sex and mud is chronicled in the documentary of the same name, and skateboarding, represented by Macho Taildrop, which is about an amateur skateboarder whose dreams of turning pro are stymied by cutthroat competition and training.
Urban Nomad closes on May 8 with Aaron Hose’s Voices in the Clouds. Released last year, the film tells the story of Tony Coolidge, who was born in the US to a Taiwanese woman and an American GI father he never met. After his mother’s death, Coolidge traveled to Taiwan, where he discovered that his family members were members of the Atayal Aboriginal tribe. The film not only documents Coolidge’s self-discovery but also offers an up-close look at the Atayal’s culture and struggles with oppression.
Photo Courtesy of URBAN NOMAD
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
The Taipei Times last week reported that the Control Yuan said it had been “left with no choice” but to ask the Constitutional Court to rule on the constitutionality of the central government budget, which left it without a budget. Lost in the outrage over the cuts to defense and to the Constitutional Court were the cuts to the Control Yuan, whose operating budget was slashed by 96 percent. It is unable even to pay its utility bills, and in the press conference it convened on the issue, said that its department directors were paying out of pocket for gasoline
On March 13 President William Lai (賴清德) gave a national security speech noting the 20th year since the passing of China’s Anti-Secession Law (反分裂國家法) in March 2005 that laid the legal groundwork for an invasion of Taiwan. That law, and other subsequent ones, are merely political theater created by the Chinese Communist Party (CCP) to have something to point to so they can claim “we have to do it, it is the law.” The president’s speech was somber and said: “By its actions, China already satisfies the definition of a ‘foreign hostile force’ as provided in the Anti-Infiltration Act, which unlike
RSS