Director Chang Tso-chi’s (張作驥) cinematic world is usually populated by social underdogs, gangsters and men trapped in vicious cycles of violence. But in When Love Comes (當愛來的時候), his newest film, females take center stage in a tale that follows the road to reconciliation and understanding that the members of an extended family travel down.
Chang’s latest drama begins with 16-year-old Laichun (Li Yi-chieh, 李亦捷) walking through a bustling eatery in a traditional market. We quickly learn it’s a family business and the voice and thoughts of the teenage girl transport us into her hectic family life.
Her father, Dark Face (Lin Yu-shun, 林郁順), comes from a poor family in Kinmen and married Xue Feng (Lu Xue-feng, 呂雪鳳), whose wealthy family lacks a male heir. Xue Feng is infertile and allows Dark Face to keep his childhood lover Zhihua (He Zi-hua, 何子華), who bears him two daughters (Laichun and Lairi) and a boy, as a concubine. They all live together under one roof, but home life is far from easygoing.
Photo courtesy of Swallow Wings
Jie, Dark Face’s autistic younger brother, moves in with the family, causing yet more squabbles. Domestic quarrels soon turn into a full-blown crisis when Laichun becomes pregnant and her boyfriend disappears.
The family’s females- — its powerful matriarch, dutiful mistress and teenager struggling to come to terms with the abrupt end to her adolescence — dominate the house. Dark Face is meek but thoughtful, a henpecked figure dissimilar to any of the father characters in Chang’s previous works, which include drunks, gamblers and irresponsible men who abandon their families.
Chang’s trademark fatalism mellows when toward the end of the film tragedy strikes and the women band together, offering each other solace.
Photo courtesy of Swallow Wings
The director imbues his characters with warmth and humor and constructs an authentic family setting that could easily have veered off into the melodramatic in less talented hands.
Known for his cold treatment of the world in films like The Best of Times (美麗時光, 2002) and Soul of a Demon (蝴蝶, 2008), and giving his desperate protagonists magical moments that allow them to temporarily escape the cruelty of their lives, with When Love Comes the director seems to have broken many of his filmmaking habits.
Photo courtesy of Swallow Wings
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern