This week’s tabloids were dominated by rumors of romantic reunions and new affaires d’amour. On home turf, Jay Chou (周杰倫) and Jolin Tsai (蔡依林) continue to make headlines after their sultry duet at the end of the Mando-pop king’s Taipei concert on June 13. Local tabloids have since generated plenty of titillating content for gossip hounds to chew on. One story that seems to have gained the most traction involves a diamond ring from a well-known luxury brand and an alleged marital proposal from Chou to Tsai after the concert.
Fans have greeted the Double-Js’ (雙-J) rumored reunion with great enthusiasm. A composite photo showing the pair cuddling together circulated on the Internet and was quickly picked up by the Liberty Times (the Taipei Times’ sister newspaper) and the Apple Daily.
Both Tsai and Chou say the reports are rubbish. According to the Liberty Times, Chou responded to the question of why he chose to perform with Tsai by saying, “I just wanted to freak everyone out.” Meanwhile, Tsai was quoted as saying: “Getting back together? Thanks, but I’m not crazy.”
One man who is surely freaked out by the possibility of the two getting back together is Tsai’s agent Chen Tse-shan (陳澤杉). The Warner Music (華納音樂) impresario has not been on good terms with the Chairman after the two bickered over a chart-rigging controversy last year. Chen risks losing his cash cow to Chou’s record company, JVR Music (杰威爾音樂), if the Double-Js get really friendly with each other.
Having recovered from two year’s of depression and found Jesus, erstwhile Hong Kong pop diva Sammi Cheng (鄭秀文) is making a comeback with a Mandarin-language gospel album, Faith (信). Chinese-language media outlets also report that Cheng’s old flame Andy Hui (許志安) is back in the 38-year-old star’s life.
A series of snapshots and a chart published by the Liberty Times last Friday detailed Hui and Cheng’s itineraries in Taipei last week, which involved them staying at the same hotel, shooting music videos at the same studio and flying back to Hong Kong on the same plane. But according to their agents, the two are just good friends.
In other celebrity romance news, Chinese heartthrob Huang Xiaoming (黃曉明) and 21-year-old model Angelababy have become the hottest new item on the tabloids’ front pages after Huang publicly acknowledged their relationship in front of the media in Shanghai last week.
Hailed as Hong Kong’s new “sex goddess” (性感女神), Angelababy, whose real name is Yang Ying (楊穎), has quickly risen to stardom in the last couple of years based on nothing more than her looks.
A widely circulated batch of photos seems to indicate that Yang Ying had to go through plenty of revamping before she became the Angelababy we know now. But this has done nothing to dim Huang’s ardor. His public confession of love included an admission that he pampers his woman “as if she were a princess.” China’s most bankable actor is also reported to have introduced his sweetheart to Hong Kong entertainment mogul Peter Lam (林建岳), who, according to rumors, is planning to make Angelababy the next Cecilia Cheung (張柏芝).
After being arrested on drug-related charges for the third time, Taiwanese entertainer Da Bing (大炳), real name Yu Bing-hsian
(余炳賢), was baptized at the Home of Christ church in Taipei last Saturday. The disgraced entertainer said he wants to find inner strength through God’s love.
But will his sexual orientation get between him and God? Da Bing was quoted by the Apple Daily as saying, “That’s between God and me.”
In Pop Stop’s opinion, the quickest way for Da Bing to resolve this issue is to join the Tong-Kwang Light House Presbyterian Church (同光同志長老教會), Taiwan’s first church for gays and lesbians.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
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