Yen-j (嚴爵) is that rare newcomer to the Mando-pop scene who possesses both good looks and talent in spades.
The singer/songwriter and producer’s debut album Thanks Your Greatness (謝謝你的美好) brilliantly combines jazzy flourishes and catchy pop for ebullient musical musings on romance and other meaningful pursuits. It peaked at No. 2 on G-Music’s Mandarin album chart after its release last month and has been lauded by veteran entertainers Dee Hsu (徐熙娣), better known as Little S (小S), and Wang Lee-hom (王力宏). Two tracks became theme songs for TV soap dramas My Queen (敗犬女王) and P.S. Man (偷心大聖PS男).
“I spent 20 months recording this album,” said Yen-j, whose concert tomorrow night at Riverside Cafe (河岸留言) has already sold out. “I went through a period in which I wrote one song per day and I must have accumulated a hundred songs.”
“My label trusts me enough to allow me to produce my own album the first time out. In order to come up with the best result, I re-recorded all the songs numerous times.”
Yen-j performs two sets at Riverside Cafe tomorrow night in an evening titled Yen-j “I Like … No, I Love Yen-j” Concert (嚴爵“我喜歡…不,我愛嚴爵”演唱會) as a warm-up for his first stadium gig, Yen-j 「Endless Beauty Version」 Concert (嚴爵“無限美好版”演唱會), at National Taiwan University’s Sports Center (台大綜合體育館) on July 18. At Riverside, Yen-j will spend one set performing unplugged versions of songs from his album and the next set paying tribute to his idols, who include Jay Chou (周杰倫), Wang Lee-hom, Khalil Fong (方大同) and Stevie Wonder.
A native of Kaohsiung, Yen-j moved to the US to attend school at the age of 10. He took up piano and trombone early on and started performing in San Francisco’s jazz bars with his high school teachers.
“I did not have the typical high school years because I was busy performing,” Yen-j said in an interview earlier this week. “I was lucky to have that opportunity to perform, though.”
After high school, he moved to Los Angeles to study music at the University of Southern California. Already a prolific songwriter with a demo in hand, he made the unusual decision to withdraw from USC after his first semester and move back to Taiwan.
“I figured I would only steer away from the opportunity of becoming a [career] singer if I stay for four years in college,” Yen-j, now 22, explained. “My father was understanding enough to support my decision.”
It took Yen-j only three months to land a record contract. In January this year, he released the EP Trapped in Taipei (困在台北) and embarked on a 44-gig live-house tour throughout the country to cultivate audiences and get used to performing live alone.
“I was a jazz instrumentalist in the beginning and learned to sing later on,” Yen-j said. “Performing live wasn’t that enjoyable in the beginning because I was just learning the ropes. Gradually,
I learned to enjoy it and interact with the audiences.”
Yen-j continues writing songs every day as a way to relieve stress, even during his current hectic promotional schedule.
“Either the beat, some lyrics or a segment of melody would appear, and I continue to finish the song,” he said.
“I have accumulated a whole bunch of songs for the subsequent albums,”
he laughed. “But the label says they won’t listen to the new songs until I finish the promotion and concert [for] the current album.”
June 24 to June 30 A curious article titled “Taiwan’s earliest UFO photo taken 29 years ago?” appeared in the Liberty Times (sister paper of the Taipei Times) on May 5, 1996. “That flying saucer was multi-colored,” read the pull quote. The black-and-white photo in question was taken in Taipei by Tsai Chang-hung (蔡章鴻) on June 28, 1967, but he says he never publicized it because he wasn’t sure what it was and worried about being ridiculed. With the establishment of the Taiwan Ufology Society (TUFOS, 台灣飛碟學會) in 1993 and increased reported sightings in the mid-1990s, Tsai felt that it was finally
Two news items over the past few days got only limited traction in the news media either locally or internationally, but to long-time Taiwan observers both were attention-grabbing. Connecting the dots, I came to the conclusion that though seemingly unrelated, the two very much are and signal a sharp escalation of a diplomatic war between China and a group of American-led nations over the status of Taiwan that has been building in intensity for some time now. Though there is a chance that the surfacing of a People’s Liberation Army Navy (PLAN) Type 094 Jin class nuclear-powered ballistic missile submarine
The latest round of escalation by the People’s Republic of China (PRC) in its conflict with the Philippines illuminates its plans for its numerous other territorial claims. Swallowing most of the South China Sea, annexing more than a tenth of Bhutan, grayzoning the Diaoyutai Islands (釣魚台), known as the Senkaku Islands in Japan, these activities differ only in the specifics of their methods, the major factor being the presence or absence of the US. The US factor is the least predictable. The violence against Filipino vessels resupplying a Filipino ship in a Philippines EEZ, which surely must constitute piracy on the
President William Lai (賴清德) campaigned on continuity with the two terms of his predecessor Tsai Ing-wen (蔡英文). In government, he has kept his word, and has continued her policies and picked some familiar faces from the Tsai administration to be in the new cabinet. While he may be carefully preserving her legacy in government, he has taken a torch to one of her key legacies inside the Democratic Progressive Party (DPP) that could potentially destabilize the party. In the previous two columns we looked at how individually, Lai’s cabinet picks are mostly worthy people. However, when looked at in aggregate,