hen Chou Huei (周蕙) released her first album a decade ago, she was widely expected to become one of the four lesser “Queens of Heaven” (四小天后) of the Chinese-language music scene along with Jolin Tsai (蔡依林), Stefanie Sun (孫燕姿) and Elva Hsiao (蕭亞軒).
Dubbed the “bel canto diva” (美聲天后), Chou — who performs every Tuesday this month at Brown Sugar — is a talented singer with a voice that can take on many colors. Even her most conventional Mando-pop ballads have a degree of controlled elegance that can be quite appealing in contrast to the overblown sentimentality of the genre as a whole. But in 2003 a contract dispute derailed her career and forced her to take a four-year hiatus from the music industry.
“Had I followed up on the success of my first album and released an album every year for the past decade, I would have become a really egocentric person,” Chou said. “I was forced to take a break ... it’s allowed me to become a better singer because I understand the kind of frustrations the average person has to deal with.”
Chou spent 2004 traveling around the globe and returned with a new perspective on life, one that is reflected in her choice of album titles. Her 2002 release is called Lonely City (寂寞城市). Her 2007 album is titled Blossom (綻放).
Chou’s four-part “mini concert” at Brown Sugar is called Listen With Your Heart Chou Huei (醉心聆聽周蕙). Each Tuesday night she will choose 14 songs from a list of 20 to perform. The set includes some of her own hit ballads; two Shanghai-era oldies, Barbecued Pork Bun (叉燒包) and I Want Your Love (我要你的愛); Lady Gaga’s Bad Romance and Kylie Minogue’s Can’t Get You Out of My Head.
“These two [Shanghai] oldies are naughty and lively songs. I chose Lady Gaga and Kylie Minogue’s songs because I personally listen to dance songs,” Chou said during a rehearsal last week. “I think it’s important to change the mood for the audience a few times during the evening.”
Chou achieved fame overnight with an animated music video of her delivering a crystalline cover of Hong Kong pop diva Faye Wong’s (王菲) Promise (約定), but she did not show her face on an album cover until her fifth album of original material, which was released last year.
Contrary to her shy and introspective public persona, however, in private Chou is upbeat and even mischievous at times.
“I once fell off the stage while performing in China. My agent’s face totally turned green,” she said. “I just laughed and climbed back on the stage.”
Chou says she listens to an eclectic range of music including dance, rock and trip pop. “I listen to Lady Gaga to study her,” she said. “Many people see her as an entertainer who’s famous because of her bizarre antics, but I see her as an entertainer with substance who is worth emulating.”
Chou is now her own producer and is currently screening songs for her next album.
“I want to show my quirky side more on the next album,” she said. “It will be an album based on the theme of city life.”
The 1990s were a turbulent time for the Chinese Nationalist Party’s (KMT) patronage factions. For a look at how they formed, check out the March 2 “Deep Dives.” In the boom years of the 1980s and 1990s the factions amassed fortunes from corruption, access to the levers of local government and prime access to property. They also moved into industries like construction and the gravel business, devastating river ecosystems while the governments they controlled looked the other way. By this period, the factions had largely carved out geographical feifdoms in the local jurisdictions the national KMT restrained them to. For example,
The remains of this Japanese-era trail designed to protect the camphor industry make for a scenic day-hike, a fascinating overnight hike or a challenging multi-day adventure Maolin District (茂林) in Kaohsiung is well known for beautiful roadside scenery, waterfalls, the annual butterfly migration and indigenous culture. A lesser known but worthwhile destination here lies along the very top of the valley: the Liugui Security Path (六龜警備道). This relic of the Japanese era once isolated the Maolin valley from the outside world but now serves to draw tourists in. The path originally ran for about 50km, but not all of this trail is still easily walkable. The nicest section for a simple day hike is the heavily trafficked southern section above Maolin and Wanshan (萬山) villages. Remains of
With over 100 works on display, this is Louise Bourgeois’ first solo show in Taiwan. Visitors are invited to traverse her world of love and hate, vengeance and acceptance, trauma and reconciliation. Dominating the entrance, the nine-foot-tall Crouching Spider (2003) greets visitors. The creature looms behind the glass facade, symbolic protector and gatekeeper to the intimate journey ahead. Bourgeois, best known for her giant spider sculptures, is one of the most influential artist of the twentieth century. Blending vulnerability and defiance through themes of sexuality, trauma and identity, her work reshaped the landscape of contemporary art with fearless honesty. “People are influenced by
Ten years ago, English National Ballet (ENB) premiered Akram Khan’s reimagining of Giselle. It quickly became recognized as a 21st-century masterpiece. Next month, local audiences get their chance to experience it when the company embark on a three-week tour of Taiwan. Former ENB artistic director Tamara Rojo, who commissioned the ballet, believes firmly that if ballet is to remain alive, works have to be revisited and made relevant to audiences of today. Even so, Khan was a bold choice of choreographer. While one of Britain’s foremost choreographers, he had never previously tackled a reimagining of a classical ballet, so Giselle was