After a three-month hiatus, the National Palace Museum’s New Melody (故宮新韻) series of performances is back, this time with an innovative offering from the Comedians Workshop (相聲瓦舍) showcasing the Chinese art of cross-talk (相聲), a type of stand-up comedy. Titled Another Village: Comedians Workshop’s Treasure Trove (又一村：瓦舍多寶閣), the program is divided into two sections, the first an adaptation of the workshop’s established repertoire, the second an original work created for New Melody.
Another Village follows performances of a condensed version of The Palace of Eternal Youth (長生殿) by Lanting Kun Opera Company (蘭庭崑劇團) and episodes from Journey to the West (西遊記) by Li-Yuan Peking Opera Theatre (台北新劇團), both of which received positive responses from audiences, said Josephine Chu (朱惠良), director of the museum’s Department of Education Programs (教育展資處).
The Comedians Workshop’s program departs from the series’ theatrical format, and while the new approach has many advantages, including versatility, not to mention reduced costs, the lack of a theatrical spectacle is a risk.
With its emphasis on verbal dexterity, jokes and improvisations on topical events, the art of cross-talk developed out of storytelling traditions, and deserves to stand alongside opera as one of Chinese culture’s great achievements. It does, nevertheless, provide very little to look at, lacking the elaborate costumes or intricate movements of opera.
This paper praised the museum for providing subtitles of a reasonable quality that gave a level of accessibility not normally available to foreign audiences of Chinese opera for the previous two productions in the series. In Another Village, as with all cross-talk performances, the complexity and speed of the dialogue reduces the effectiveness of subtitles. An introduction to the performance in English and Japanese is provided in a brochure.
Comedians Workshop founder Feng Yi-gang (馮翊綱) said the National Palace Museum performances are a first for the 20-year-old troupe. The show was written specifically for the museum with broadening cross-talk’s appeal in mind. The second segment, which relates the Japanese story of Rashomon, includes some fancy dress elements.
One of New Melody’s provisos is that all the performances should relate in some way to items held in the museum’s collection. In the case of The Palace of Eternal Youth it was a painting; for Journey to the West an illustrated book. For an Aboriginal performance scheduled for July, it will be the collection of Qing Dynasty documents relating to Aboriginal peoples in Taiwan.
With cross-talk, the reference to the collection is more direct, but as of the first show, shoehorning these references into the comic dialogue was often labored.
Feng said that the troupe was still honing its production to meet the unique needs of the New Melody series. The versatility of the format will allow the show to reference any variety of items that the museum has on display, which makes realizing the educational goal of the series a little easier.
“These shows are part of a much larger educational program,” Chu said. “People can see the shows, and then perhaps look at the actual items related to the show, or participate in the many related activities that we host, whether it be serious lectures or family DIY workshops.”
Another Village: Comedians Workshops’ Treasure Trove takes place at the National Palace Museum Auditorium (行政大樓文會堂) every Wednesday from 2:30pm to 4pm until June 23. Admission is free. Online reservations for places at the performance, lectures and workshops can be made at tech2.npm.gov.tw/signup/frontend/index.asp.
The Democratic Progressive Party (DPP), Chinese Nationalist Party (KMT), and the country’s other political groups dare not offend religious groups, says Chen Lih-ming (陳立民), founder of the Taiwan Anti-Religion Alliance (台灣反宗教者聯盟). “It’s the same in other democracies, of course, but because political struggles in Taiwan are extraordinarily fierce, you’ll see candidates visiting several temples each day ahead of elections. That adds impetus to religion here,” says the retired college lecturer. In Japan’s most recent election, the Liberal Democratic Party lost many votes because of its ties to the Unification Church (“the Moonies”). Chen contrasts the progress made by anti-religion movements in
Taiwan doesn’t have a lot of railways, but its network has plenty of history. The government-owned entity that last year became the Taiwan Railway Corp (TRC) has been operating trains since 1891. During the 1895-1945 period of Japanese rule, the colonial government made huge investments in rail infrastructure. The northern port city of Keelung was connected to Kaohsiung in the south. New lines appeared in Pingtung, Yilan and the Hualien-Taitung region. Railway enthusiasts exploring Taiwan will find plenty to amuse themselves. Taipei will soon gain its second rail-themed museum. Elsewhere there’s a number of endearing branch lines and rolling-stock collections, some
Last week the State Department made several small changes to its Web information on Taiwan. First, it removed a statement saying that the US “does not support Taiwan independence.” The current statement now reads: “We oppose any unilateral changes to the status quo from either side. We expect cross-strait differences to be resolved by peaceful means, free from coercion, in a manner acceptable to the people on both sides of the Strait.” In 2022 the administration of Joe Biden also removed that verbiage, but after a month of pressure from the People’s Republic of China (PRC), reinstated it. The American
Chinese Nationalist Party (KMT) legislative caucus convener Fu Kun-chi (傅?萁) and some in the deep blue camp seem determined to ensure many of the recall campaigns against their lawmakers succeed. Widely known as the “King of Hualien,” Fu also appears to have become the king of the KMT. In theory, Legislative Speaker Han Kuo-yu (韓國瑜) outranks him, but Han is supposed to be even-handed in negotiations between party caucuses — the Democratic Progressive Party (DPP) says he is not — and Fu has been outright ignoring Han. Party Chairman Eric Chu (朱立倫) isn’t taking the lead on anything while Fu
RSS