When documentary filmmakers Henri Li (林文龍) and Chang Shu-man (張淑滿) first asked the children of a Rukai (魯凱族) tribal village in Maolin Township (茂林鄉), Kaohsiung County, about Typhoon Morakot, which devastated their community in August, the youngsters didn’t show any signs of trauma.
Only after Li and Chang devised art courses that encouraged self-expression through painting and taught the children how to make clay animation and shadow puppets did their inner thoughts and feelings emerge: mudslides became monsters and rescue helicopters turned into hovering shadows.
The resulting short film, Rainbow Over Troubled Water (大雨過後的美勞課), is part of the four-part documentary Bye-Bye Monster Morakot (Bye-Bye莫拉克), which features young survivors of the calamity recounting their own tales. The documentary is being screened in its entirety at the Taiwan International Children’s Film Festival (台灣國際兒童影展).
Bye-Bye Monster Morakot was initiated by the festival within a week of Morakot smashing into southern Taiwan, and took six months to complete.
“It’s [the festival’s] first self-produced project. Rather than just showing films from other countries, we thought we should make our own works that address local issues and problems, especially as there are very few local movies made for children,” said festival curator Wang Chiung-wen (王瓊文), who is also the documentary project’s producer.
Set up by the Public Television Service in 2004, this year’s
10-day edition of the biennial festival comprises film screenings, an art exhibition and workshops, and ends Sunday.
Among the movies showing at Vie Show Cinema and Eslite Xinyi Store in Taipei, the animation, documentary and fiction films in the Kids as Directors segment saw children from Norway, Italy, Belgium, Ethiopia, Kenya and Taiwan take over the filmmaking process.
Under this year’s theme, listening and understanding, the festival highlights works that encourage young minds to probe the wider world.
Apart from Bye-Bye Monster Morakot, featured documentaries include Katrina’s Children and Syawal Was Very Scared ... , which respectively reveal the stories of young survivors of Hurricane Katrina and the catastrophic Indian Ocean tsunami of 2005.
On a lighter note, The Magic Tree, an immensely popular television series-turned-film from Poland, tells the tale of two children who chance upon a chair made from a magical oak tree that fulfils the wishes of anyone who sits on it, while Little Nicholas, the festival’s closing film, brings the children’s literature classic Le Petit Nicolas (Little Nicholas) to the bring screen.
The workshops to be held at Juming Museum (朱銘美術館) this coming weekend include a class on stop-motion animation using edible materials such as cookies and candy.
For more information on the workshops, call (02) 2633-2000 or (02) 2498-9940.
Festival picks
A Beautiful Tragedy
David Kinsella’s documentary follows one girl’s struggle to become a prima ballerina. Perfection doesn’t come easy for 15-year-old Oksanna, who has spent the last nine years studying at a prestigious ballet school in Russia. The students are permitted to only see their parents twice a year, and are subjected to immense pressure in the quest for physical and artistic excellence.
Antoine
Antoine is a blind five-year-old boy of Vietnamese origin who leads a happy school life at a regular school in Montreal, Canada. Director Laura Bari doesn’t just follow Antoine and his schoolmates with her camera; she devises games, plays with the children and examines how they interact with each other. The students argue, laugh, fight and cry, but being blind, or not, is never a problem.
A Light in the Darkness
Professor Satoshi Fukushima is the first deaf-blind person to pass Japan’s university entrance exam. In A Light in the Darkness, part of the Tell Us About Your Life series produced by Japan’s NHK, he returns to his former elementary school to share his world with its students. After an exercise that simulates blindness, one child says what he fears most is the feeling of absolute solitude. The professor cries, and says that that was also his biggest fear.
Esterhazy
Our hero Esterhazy, a young, diminutive rabbit of the Esterhazy dynasty, is sent by the head of his family to find a large wife in divided Berlin, circa 1989. After several setbacks, he discovers rabbit Eden and Mimi, the love of his life. But the Berlin Wall falls and Esterhazy and his new friends get caught up in the politics of the day. Human history as seen through bunny eyes.
Knitting for Human Rights
What would a group of 13-year-olds make of The Universal Declaration of Human Rights? In this stop-motion animation short made by Italian teenagers, the concept of human rights is envisioned as a hand and cotton thread that try to discover ways to stay together.
For a Moment, Freedom
Movie about the plight of Iranian refugees who flee to Europe. Three groups are stuck in Turkey’s capital, Ankara, grinding through the asylum application process. Two of the refugees, youngsters Asy and Arman, try to join their parents, who are in Austria, but can’t help wondering why they can’t just stay home and play with their friends.
Hudud
Hudud, a short animation film made by 12 young Palestinians from Bethlehem and the Dheisheh Refugee Camp in the West Bank, shows how everyday life for teenagers living in the Palestinian territories involves curfews, heavily guarded check points and violence. A Palestinian song plays as the end credits roll: “Enough of the promises and lies! Now we want the truth. Enough dreams. Time to wake up … We are hungry for freedom.”
The Crocodiles
The Crocodiles is the coolest gang that every kid wants to join. Ten-year-old Hannes and his wheelchair-bound friend Kai are no exception. After a burglary takes place, the two friends join The Crocodiles to solve the case and get to take on a real criminal gang along the way. This well-crafted teen adventure movie is based on Max von der Grun’s novel of the same title. Actor Nick Romeo Reimann, who plays Hannes, is in Taipei for the festival.
The Way I Miss You
The story of Yu-mi, a young girl from Siaolin Village (小林村), Kaohsiung County, which was completely wiped out by Typhoon Morakot in August. Out of the 78 students at Siaolin elementary school, which she attended, 46 died in the disaster. The film forms one segment of Bye-Bye Monster Morakot (Bye-Bye莫拉克), a four-part documentary that tells the tales of young survivors of the typhoon.
The Democratic Progressive Party (DPP), Chinese Nationalist Party (KMT), and the country’s other political groups dare not offend religious groups, says Chen Lih-ming (陳立民), founder of the Taiwan Anti-Religion Alliance (台灣反宗教者聯盟). “It’s the same in other democracies, of course, but because political struggles in Taiwan are extraordinarily fierce, you’ll see candidates visiting several temples each day ahead of elections. That adds impetus to religion here,” says the retired college lecturer. In Japan’s most recent election, the Liberal Democratic Party lost many votes because of its ties to the Unification Church (“the Moonies”). Chen contrasts the progress made by anti-religion movements in
Taiwan doesn’t have a lot of railways, but its network has plenty of history. The government-owned entity that last year became the Taiwan Railway Corp (TRC) has been operating trains since 1891. During the 1895-1945 period of Japanese rule, the colonial government made huge investments in rail infrastructure. The northern port city of Keelung was connected to Kaohsiung in the south. New lines appeared in Pingtung, Yilan and the Hualien-Taitung region. Railway enthusiasts exploring Taiwan will find plenty to amuse themselves. Taipei will soon gain its second rail-themed museum. Elsewhere there’s a number of endearing branch lines and rolling-stock collections, some
Last week the State Department made several small changes to its Web information on Taiwan. First, it removed a statement saying that the US “does not support Taiwan independence.” The current statement now reads: “We oppose any unilateral changes to the status quo from either side. We expect cross-strait differences to be resolved by peaceful means, free from coercion, in a manner acceptable to the people on both sides of the Strait.” In 2022 the administration of Joe Biden also removed that verbiage, but after a month of pressure from the People’s Republic of China (PRC), reinstated it. The American
Chinese Nationalist Party (KMT) legislative caucus convener Fu Kun-chi (傅?萁) and some in the deep blue camp seem determined to ensure many of the recall campaigns against their lawmakers succeed. Widely known as the “King of Hualien,” Fu also appears to have become the king of the KMT. In theory, Legislative Speaker Han Kuo-yu (韓國瑜) outranks him, but Han is supposed to be even-handed in negotiations between party caucuses — the Democratic Progressive Party (DPP) says he is not — and Fu has been outright ignoring Han. Party Chairman Eric Chu (朱立倫) isn’t taking the lead on anything while Fu
RSS