Saw VI
Jigsaw is back — and he’s still dead. Never mind; there are plenty of flashbacks to keep the ghostly Tobin Bell cast as the moralist from hell for another year. This time he or his acolytes are after a deserving chap who deals in health insurance, and assorted other victims. Reliable reviewers thought this one stacked up pretty well given that the series is running out of scope and room for plot twists. Even so, it was ambushed at the US box office by a long-delayed, Blair Witch-style horror movie called Paranormal Activity. That film is due for release on Dec. 11.
The Devil’s Tomb
Cuba Gooding Jr, Ron Perlman and Ray Winstone head the cast of this underground action movie in which Cuba and badass military mercenary colleagues set out to rescue a group of archeologists from a most sinister location — and begin suffering hallucinations, Event Horizon-style, when they run into something not of this Earth. Not for the discerning film buff, perhaps, but it does star Henry Rollins as a priest and Bill Moseley (The Texas Chainsaw Massacre 2, The Devil’s Rejects) as an oddball professor. This directorial debut of actor Jason Connery (son of Sean) went straight to DVD in the US.
Old Fish (千鈞一髮)
An unusual Chinese police drama, to say the least. A Harbin cop is forced — and able — to defuse a time bomb thanks to his engineering background, only to find that more and more explosives are being planted in the area, and his superiors want him to keep doing the dirty work. Is Dennis Hopper on the loose? Ma Guowei (馬國偉) plays “Old Fish,” the put-upon policeman, in an award-winning turn. Directed by Gao Qunshu (高群書), who co-directed The Message (風聲), which is currently on release.
Plastic City (蕩寇)
A Chinese crook (Anthony Wong, 黃秋生) and his cooler-than-cool adopted Japanese son struggle to keep their enterprise afloat in Sao Paulo, Brazil, when rivals and the authorities turn on them, including a Taiwanese entrepreneur. Critics said the fascinating idea behind the film and its visual distinctiveness were undercut by avoidable technical problems (dubbing, for starters) and a stereotypically art house divergence from coherent narrative — not to mention stylistic lapses that verge on the silly.
Vengeance (復仇)
Johnnie To (杜琪峰) is a Hong Kong director who has kept pumping out solid action flicks over the years. He probably doesn’t have as much international exposure as he should, but this film may help to change that. The lead actor is legendary French singer Johnny Hallyday, who arrives in Macau after his daughter is nearly killed in a triad hit (the rest of her family is wiped out). Hallyday, now a chef, must draw on his unsavory past to accomplish his vengeful mission — but that past is disappearing as an old injury accelerates his amnesia. Co-stars include the formidable Anthony Wong (黃秋生) as a criminal (again) and Simon Yam (任達華) as a triad boss.
Chef’s Special
Chef’s Special throws together a bunch of funny characters centered around a restaurant in Spain whose chef is struggling to cope with life’s challenges, though vengeance plays no role this time. It’s a comedy, so things can only get more chaotic; in this case, the chef finds himself in a relationship with his new neighbor despite the fact that one of his female employees wants the man for herself — and that’s only one plot line. Vibrant and amusing, this is a crowd-pleaser that stands out in a busy week of releases.
The Song of Sparrows
Iranian filmmakers regularly deliver outstanding product, and while this award-winning drama from last year may not be in the top tier, it should please fans of Middle East cinema. A worker at an ostrich farm loses his job and travels to Tehran, where he struggles to maintain his sense of self as the urban environment closes in around him, leading to a tragedy — or so it seems. Salon.com called this visually handsome film “leisurely and lovely.” Directed by Majid Majidi, who has built a solid reputation over the years.
Where Are We Going?
The Japan Times praised this unusual romantic drama in which a taciturn, mistreated young gay man falls in love with a transsexual. Murder is the result, but the film violates any number of moralistic film conventions by being firmly on the side of the protagonists. Starts tomorrow at the Baixue theater in Ximending as part of a promotion for its DVD release.
Angels on a Pin (針尖上的天使)
Finally, a quick mention for a short (17-minute) film by Taiwanese director Wu Mi-sen (吳米森) at the Spot theater in Taipei. The three screenings have been changed from the original calendar to late tonight and early tomorrow and Sunday evening. Entry is free; tickets will be available on a first-come, first-served basis an hour before each session.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
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