Three years after a Vienna museum had to restore five Klimt paintings stolen by the Nazis to their Jewish owners, the city’s art museum fears the same fate for a piece by Vermeer.
Austria’s culture ministry revealed at the weekend that it had received a request for the restitution of The Art of Painting by 17th-century Flemish artist Johannes Vermeer, which has been on display at the Kunsthistorisches Museum since 1946.
The painting was bought in 1940 by Adolf Hitler for his planned museum in the northern Austrian city of Linz.
It would be a “painful loss,” Kunst-historisches Museum director Sabine Haag said of a potential restitution.
“It’s an absolute jewel,” she added about the painting, noting that it was still too early to even consider giving it back.
Under a 1998 restitution law, Austria has already returned to their rightful owners some 10,000 artworks stolen by the Nazis after they annexed Austria in 1938.
In the latest case in April, the city of Linz returned a painting by Viennese master Gustav Klimt to the Jewish family that was robbed of it under the Third Reich.
In 2006, Vienna’s Belvedere Museum had to restore five major paintings by the artist to the descendants of the previous owner.
The Vermeer piece however is more debatable, according to experts.
The painting, which had belonged to the Czernin family since the 19th century, was officially sold to Hitler in 1940 by Jaromir Czernin for 1.65 million Reichsmark.
Requests to have it returned to the family in the 1960s were rejected on the grounds that the sale had been voluntary and the price had been adequate.
But a new report commissioned by the family has concluded that the sale was made under duress.
“[Jaromir] Czernin had no choice: he had to sell in order to guarantee
his family’s safety,” the family’s
lawyer Andreas Theiss told Der
Standard newspaper.
The brother-in-law of chancellor Kurt von Schuschnigg, who ruled Austria with an iron fist from 1934 to 1938 and attempted to oppose Hitler’s annexation of his country, Czernin was also married to a woman of Jewish descent.
However, Eva Blimlinger, scientific head of the Austrian commission studying the origins of artworks, concluded after examining the new expert’s report that it contained “no new documents” from 40 years ago, according to Der Standard.
Opposition Green deputy Wolfgang Zinggl, who has pushed for the restitution of artworks in Austria, meanwhile said: “This case threatens to overshadow others that are more obvious and have already been delayed too long.”
The Israeli community, for instance, has long considered stolen over a dozen works at Vienna’s Leopold Museum, including seven by Austrian artist Egon Schiele.
But unlike most of the country’s art museums, the Leopold is a private institution and as such not subject to the 1998 law.
“As far as public collections are concerned however, museums follow the commission’s recommendations quickly and without challenging them,” said Zinggl.
The commission, whose recommendations are always followed by the ministry, systematically examines the origin of each piece that has entered public collections since the Third Reich.
Given that less than 40 paintings
by Vermeer exist in the world, The
Art of Painting could easily fetch a similar price.
In 2004, a small Vermeer was
sold by auction house Sotheby’s for US$180 million.
Taiwanese chip-making giant Taiwan Semiconductor Manufacturing Co (TSMC) plans to invest a whopping US$100 billion in the US, after US President Donald Trump threatened to slap tariffs on overseas-made chips. TSMC is the world’s biggest maker of the critical technology that has become the lifeblood of the global economy. This week’s announcement takes the total amount TSMC has pledged to invest in the US to US$165 billion, which the company says is the “largest single foreign direct investment in US history.” It follows Trump’s accusations that Taiwan stole the US chip industry and his threats to impose tariffs of up to 100 percent
On a hillside overlooking Taichung are the remains of a village that never was. Half-formed houses abandoned by investors are slowly succumbing to the elements. Empty, save for the occasional explorer. Taiwan is full of these places. Factories, malls, hospitals, amusement parks, breweries, housing — all facing an unplanned but inevitable obsolescence. Urbex, short for urban exploration, is the practice of exploring and often photographing abandoned and derelict buildings. Many urban explorers choose not to disclose the locations of the sites, as a way of preserving the structures and preventing vandalism or looting. For artist and professor at NTNU and Taipei
March 10 to March 16 Although it failed to become popular, March of the Black Cats (烏貓進行曲) was the first Taiwanese record to have “pop song” printed on the label. Released in March 1929 under Eagle Records, a subsidiary of the Japanese-owned Columbia Records, the Hoklo (commonly known as Taiwanese) lyrics followed the traditional seven characters per verse of Taiwanese opera, but the instrumentation was Western, performed by Eagle’s in-house orchestra. The singer was entertainer Chiu-chan (秋蟾). In fact, a cover of a Xiamen folk song by Chiu-chan released around the same time, Plum Widow Missing Her Husband (雪梅思君), enjoyed more
From insomniacs to party-goers, doting couples, tired paramedics and Johannesburg’s golden youth, The Pantry, a petrol station doubling as a gourmet deli, has become unmissable on the nightlife scene of South Africa’s biggest city. Open 24 hours a day, the establishment which opened three years ago is a haven for revelers looking for a midnight snack to sober up after the bars and nightclubs close at 2am or 5am. “Believe me, we see it all here,” sighs a cashier. Before the curtains open on Johannesburg’s infamous party scene, the evening gets off to a gentle start. On a Friday at around 6pm,