Yellow Sheep River (黃羊川)
This unorthodox Taiwanese documentary about remote Chinese rural villages is screening until next Friday at Cinema7 (formerly known as Spring Cinema Galaxy) in Ximending after earning a good reputation at the Taipei Film Festival. Impressionistic rather than narrative-driven, the director has assembled a series of vignettes of humanity and geographical beauty — all linked together by a wandering blind musician. Screening without subtitles in any language, the politics of it all, if any, is in the eye of the beholder.
G.I. Joe: The Rise of Cobra
For most kids growing up decades ago, G.I. Joe was a straightforward action figure. The protagonist of this effects-laden sequel seems to bear little resemblance to the macho grunt, though there’s still plenty of action and plenty of macho traipsing around, even if the futuristic setting dilutes the classic Rambo aesthetic. In this one, our heroes are intercepted by agents belonging to Quantum, er, “Cobra,” as they transport powerful weapons from A to B. Anyone still reeling from the Transformers sequel (whose action figures are owned by the same company that peddles G.I. Joe and friends) might want to pass on this one, but if you’re into watching French national landmarks bite the dust and can’t get enough of the sandy expanses of Egypt, then this is the film for you. From the director of The Mummy.
Mia and the Migou
Mia is a little girl who must battle dastardly developers with their eyes on prime forest and rescue her father from a mining accident. Never fear: There is a strange creature — a migou — that will help her in her quest. This animated film from a pro-environment French film studio was apparently six years in the making, and some may wonder where all the time and money was spent. The migou, by the way, appears to be a European take on the yeti, or Abominable Snowman.
Doraemon: Nobita and the Green Giant Legend
Our best blue friend returns in this entry that was released in Japan early last year. Doraemon’s buddy Nobita manages to turn a sapling into a smart little boy, which is splendid for all the family — until a threat to all Earth’s trees emerges from another planet. There’s more credible action than the G.I. Joe sequel, more environmental credibility than Mia and the Migou and, for kids, more laughs than Bruno.
7eventy 5ive
The tired gimmicks start with the alphanumeric title and continue with a weirdo offing a bunch of “college students” who look even older than the balding lechers of Porky’s Revenge. Dork graduate friends think prank calls are a fun way of wasting time until one of the recipients turns out to have a psychopathic urge. Cue the domino effect of “teen” slaughter. That fine Dutch actor Rutger Hauer, who must have needed the work, is not even top billed here as a cop who cleans up after some messy conversations. Starts tomorrow.
Pixar: 20 Years of Animation
Last week, one of animation studio Pixar’s best offerings, Up, opened in Taipei. From today, the Taipei Fine Arts Museum hosts a traveling exhibition devoted to the history of Pixar, including drawings, digital paintings, sculptures, sketches, installations and — of course — short films. This is a treat for kids and movie/animation lovers of all ages — and a milestone in the history of a studio that set new standards for not just animation but movies in general. For more details see the museum’s Web site at www.tfam.museum, and don’t miss Noah Buchan’s article in Thursday’s edition of the Taipei Times, which includes an interview with the exhibition’s curator, Elyse Klaidman.
Cobalt Blue
This beautifully titled and filmed Japanese feature crept into a single Taipei theater last week with no fanfare. Set in Okinawa, this is the story of three friends who grow up together, only for the dynamics between them to change when romance enters the frame. If you loved Cape No. 7, then this one might be of interest.
If you are a Western and especially a white foreign resident of Taiwan, you’ve undoubtedly had the experience of Taiwanese assuming you to be an English teacher. There are cultural and economic reasons for this, but one of the greatest determinants is the narrow range of work permit categories that exist for Taiwan’s foreign residents, which has in turn created an unofficial caste system for foreigners. Until recently, laowai (老外) — the Mandarin term for “foreigners,” which also implies citizenship in a rich, Western country and distinguishable from brown-skinned, southeast Asian migrant laborers, or wailao (外勞) — could only ever
Sept. 23 to Sept. 29 The construction of the Babao Irrigation Canal (八堡圳) was not going well. Large-scale irrigation structures were almost unheard of in Taiwan in 1709, but Shih Shih-pang (施世榜) was determined to divert water from the Jhuoshuei River (濁水溪) to the Changhua plain, where he owned land, to promote wet rice cultivation. According to legend, a mysterious old man only known as Mr. Lin (林先生) appeared and taught Shih how to use woven conical baskets filled with rocks called shigou (石笱) to control water diversion, as well as other techniques such as surveying terrain by observing shadows during
In recent weeks news outlets have been reporting on rising rents. Last year they hit a 27 year high. It seems only a matter of time before they become a serious political issue. Fortunately, there is a whole political party that is laser focused on this issue, the Taiwan Statebuilding Party (TSP). They could have had a seat or two in the legislature, or at least, be large enough to attract media attention to the rent issue from time to time. Unfortunately, in the last election, Taiwan People’s Party (TPP) Chairman Ko Wen-je (柯文哲) acted as a vote sink for
This is a film about two “fools,” according to the official synopsis. But admirable ones. In his late thirties, A-jen quits his high-paying tech job and buys a plot of land in the countryside, hoping to use municipal trash to revitalize the soil that has been contaminated by decades of pesticide and chemical fertilizer use. Brother An-ho, in his 60s, on the other hand, began using organic methods to revive the dead soil on his land 30 years ago despite the ridicule of his peers, methodically picking each pest off his produce by hand without killing them out of respect