Clive Arrowsmith snaps pictures of film directors Cheng Wen-tang (鄭文堂) and Wu Mi-sen (吳米森) standing in the middle of a Taipei photo studio forming a “T” with their hands. The shutter on the high-end Hasselblad camera clicks with each shot, the captured images showing up instantly on a large computer monitor in the corner of the room.
The renowned London-based fashion photographer spent a week in Taiwan in May to take pictures for a Free Tibet awareness campaign organized by Guts United, Taiwan, which culminates with a concert today in Taipei. Arrowsmith was also the photographer for the “T for Tibet” campaign during last year’s Summer Olympics
“To have Clive ... be the official photographer of all the campaign ... it means a lot,” says the organizer of Free Tibet, Freddy Lim (林昶佐), also the front man of the death metal band, Chthonic (閃靈). Having the same photographer for both, Lim says, links the drive for Tibetan freedom in Taiwan with the larger global effort.
Some of the other celebrities photographed by Arrowsmith for Free Tibet are singer-actress Enno Cheng (鄭宜農), writer Wu Yin-ning (吳音寧), SET-TV news chief editor and anchor Chen Ya-lin (陳雅琳), folk singer Panai (巴奈), and Chthonic, Aphasia (阿飛西雅), Kook (庫克), LTK Commune (濁水溪公社) and FireEx (滅火器).
Arrowsmith’s photos for the campaign have since been posted around Taipei, with a large Free Tibet poster featuring Lim and his bandmate and wife Doris Yeh (葉湘怡) displayed at the Vieshow Cinema Square in Xinyi. The images have been broadcast on platform monitors at Taipei’s MRT stations.
Arrowsmith is one of the few photographers who take portraits of the Dalai Lama in an official capacity. He’s also taken portraits of countless other celebrities over the past three decades. A longtime photographer for British Vogue magazine, he shot the Pirelli calendars for 1991 and 1992. A quick flip through a draft of his soon-to-be published book is like going through a who’s who of the entertainment world.
Just a sampling shows actors Michael
Caine and Helena Bonham Carter, musicians George Harrison and David Bowie, writers Hunter S. Thompson and Roald Dahl, naturalist David Attenborough and cooking show host Nigella Lawson.
Behind each of the photographs, Arrowsmith has a story to tell that illuminates the lives and personalities of his subjects.
He detailed the time he was commissioned to snap Prince Charles for his 50th birthday. Arrowsmith remembers putting on a lot of cologne because he was very nervous, causing Prince Charles to say to him, “That cologne you’re wearing ... isn’t it what old Italian playboys wear?” He said they had a laugh over that.
And the time he took a portrait of a smiling Yoko Ono in London. Arrowsmith said when he first started shooting she was just standing still. To loosen her up, he asked her to sing a song. She started singing The Beatles’ When I’m Sixty-Four because, she told him, she turned 64 that year.
Or the time he took a photo of Liv Tyler wearing a diamond necklace for DeBeers. Arrowsmith says the company paid her in diamonds for the shoot.
Arrowsmith counts many of his celebrity subjects as his friends. He regularly plays guitar with Richard Gere and Paul McCartney calls him “Spike.”
At the photo shoot in Taipei, it’s clear Arrowsmith is efficient. He doesn’t take long with each subject. Arrowsmith says it’s all about capturing a moment when the picture, the person and the camera all gel together. He says it’s also about trying to put the subject at ease because if a photographer imposes his or her will on someone, “you can see the stress in their face.”
And when asked what difference photographs make, Arrowsmith, a practicing Buddhist, gets passionate. He says he got a friend to sneak some of his photographs of the Dalai Lama into Tibet to distribute to monks and the photos are treasured. “Absolutely photographs make a difference in peoples lives,” he said.
For more information about today’s The 50th Spring: Tibetan Freedom Concert (西藏自由音樂會) in Taipei, visit the Web site www.freetibet.tw.
July 1 to July 7 Huang Ching-an (黃慶安) couldn’t help but notice Imelita Masongsong during a company party in the Philippines. With paler skin and more East Asian features, she did not look like the other locals. On top of his job duties, Huang had another mission in the country, given by his mother: to track down his cousin, who was deployed to the Philippines by the Japanese during World War II and never returned. Although it had been more than three decades, the family was still hoping to find him. Perhaps Imelita could provide some clues. Huang never found the cousin;
Once again, we are listening to the government talk about bringing in foreign workers to help local manufacturing. Speaking at an investment summit in Washington DC, the Minister of Economic Affairs, J.W. Kuo (郭智輝), said that the nation must attract about 400,000 to 500,000 skilled foreign workers for high end manufacturing by 2040 to offset the falling population. That’s roughly 15 years from now. Using the lower number, Taiwan would have to import over 25,000 foreigners a year for these positions to reach that goal. The government has no idea what this sounds like to outsiders and to foreigners already living here.
Lines on a map once meant little to India’s Tibetan herders of the high Himalayas, expertly guiding their goats through even the harshest winters to pastures on age-old seasonal routes. That stopped in 2020, after troops from nuclear-armed rivals India and China clashed in bitter hand-to-hand combat in the contested high-altitude border lands of Ladakh. Swaths of grazing lands became demilitarized “buffer zones” to keep rival forces apart. For 57-year-old herder Morup Namgyal, like thousands of other semi-nomadic goat and yak herders from the Changpa pastoralist people, it meant traditional lands were closed off. “The Indian army stops us from going there,” Namgyal said,
A tourist plaque outside the Chenghuang Temple (都城隍廟) lists it as one of the “Top 100 Religious Scenes in Taiwan.” It is easy to see why when you step inside the Main Hall to be confronted with what amounts to an imperial stamp of approval — a dragon-framed, golden protection board gifted to the temple by the Guangxu Emperor that reads, “Protected by Guardians.” Some say the plaque was given to the temple after local prayers to the City God (城隍爺) miraculously ended a drought. Another version of events tells of how the emperor’s son was lost at sea and rescued