The 20th Golden Melody Awards’ (金曲獎) ceremony handed out honors in artistic and traditional music categories at Sun Yat-sen Memorial Hall (國父紀念館) on June 6 with 72 works selected from 1,508 entries competing in 14 categories.
One of the surprise winners was sax player Tung Shun-wen (董舜文). The first-time nominee beat veterans Matthew Lien and Gerald Shih (史擷詠) to pick up the Best Arrangement Award for his jazz album One Day (歡日記).
First-time winner Li Ching-fang (李靜芳) welled up when her independently produced Taiwanese opera album was announced as the Best Traditional Opera Album Award.
Highly esteemed for his modern compositions, composer and educator Lu Yan (盧炎), who died of cancer last year aged 78, was honored for his contribution to Moving Sound (聲動), produced by Music Forum (十方樂集). A compilation of works by contemporary composers in Taiwan, the album was also awarded top honors in the Best Classical Album category.
With seven accomplished musicians and music groups vying for the award, the hotly contested Best Performance gong went to guzheng (古箏) player Ren Jie (任潔). China’s renowned kunqu (崑曲) artist Wen Yu-hang (溫宇航) received the Best Traditional Interpretation Award, while Taiwanese erhu (二胡) player Mia Wang (王明華) took home the Best Crossover Music Album Award for her mold-breaking renditions of jazz numbers.
The Lifetime Contribution Award went to Wu Jau-nan (吳兆南), the revered maestro of Chinese stand-up comedy, or cross talk (相聲), who promotes and studies the ancient folk art.
A series of dramatic news items dropped last month that shed light on Chinese Communist Party (CCP) attitudes towards three candidates for last year’s presidential election: Taiwan People’s Party (TPP) founder Ko Wen-je (柯文哲), Terry Gou (郭台銘), founder of Hon Hai Precision Industry Co (鴻海精密), also known as Foxconn Technology Group (富士康科技集團), and New Taipei City Mayor Hou You-yi (侯友宜) of the Chinese Nationalist Party (KMT). It also revealed deep blue support for Ko and Gou from inside the KMT, how they interacted with the CCP and alleged election interference involving NT$100 million (US$3.05 million) or more raised by the
A white horse stark against a black beach. A family pushes a car through floodwaters in Chiayi County. People play on a beach in Pingtung County, as a nuclear power plant looms in the background. These are just some of the powerful images on display as part of Shen Chao-liang’s (沈昭良) Drifting (Overture) exhibition, currently on display at AKI Gallery in Taipei. For the first time in Shen’s decorated career, his photography seeks to speak to broader, multi-layered issues within the fabric of Taiwanese society. The photographs look towards history, national identity, ecological changes and more to create a collection of images
At a funeral in rural Changhua County, musicians wearing pleated mini-skirts and go-go boots march around a coffin to the beat of the 1980s hit I Hate Myself for Loving You. The performance in a rural farming community is a modern mash-up of ancient Chinese funeral rites and folk traditions, with saxophones, rock music and daring outfits. Da Zhong (大眾) women’s group is part of a long tradition of funeral marching bands performing in mostly rural areas of Taiwan for families wanting to give their loved ones an upbeat send-off. The band was composed mainly of men when it started 50
While riding a scooter along the northeast coast in Yilan County a few years ago, I was alarmed to see a building in the distance that appeared to have fallen over, as if toppled by an earthquake. As I got closer, I realized this was intentional. The architects had made this building appear to be jutting out of the Earth, much like a mountain that was forced upward by tectonic activity. This was the Lanyang Museum (蘭陽博物館), which tells the story of Yilan, both its natural environment and cultural heritage. The museum is worth a visit, if only just to get a
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