Playful silhouettes and wacky menswear were the order of the day on the red carpet at the Golden Melody Awards on Saturday night. Singaporean singer Stefanie Sun (孫燕姿) stole headlines with her “black swan” Dsquared gown, but it wasn’t her heavily feathered bodice that got the press’ attention. It was the slit on her slinky black skirt, which was high enough to induce a nosebleed in spectators and looked like it probably necessitated a bikini wax on the morning of the awards.
If Sun’s dress was top-heavy, then Taiwanese singer Senda Aisa (千田愛紗) went in the opposite direction. The extremely puffy skirt of the Da Mouth vocalist’s hot pink mini-dress was layered with row upon row of large and tightly gathered horizontal ruffles, making her look like a cross between a flamingo, a topiary and Marilyn Monroe.
Other offbeat silhouettes included best Taiwanese Female Singer winner Huang Yi-ling's (黃乙玲) deep purple bubble dress with a sloping hemline and Singaporean singer Tanya Chua’s (蔡健雅) short tomato red Lanvin number, which was ruched and gathered into a giant, loose rosette over her left shoulder. Best Mandarin Female Singer winner Sandee Chen’s (陳珊妮) rock-inspired Vivienne Westwood gown was a counterpoint to all the girliness. The black metallic fabric was draped and gathered around her body in artfully haphazard folds and accentuated with a pair of heavy black gladiator sandals.
Despite all the playful looks, many stars still reached for surefire goddess gowns, including Taiwanese television host Matilda Tao’s (陶晶瑩) gleaming pewter MaxMara dress with a low sweetheart neckline, Taiwanese actress Tian Xin’s (天心) elegant lavender Dior and Chan Ya-wen’s (詹雅雯) custom-made toga dress with a jeweled shoulder strap.
The prize for craziest menswear arguably went to Best Mandarin Album winner Eason Chan’s (陳奕迅) tuxedo, which seemed to be inspired by ballet costumes. The Hong Kong singer’s jacket flared into an A-line at his waist, with layers of baby pink tulle peeping out from underneath. His shortened trousers, black-and-white striped anklet socks and bright red shoes, on the other hand, would have made Ronald McDonald green with envy.
Malaysian singer Gary Cao (曹格) combined a checked grey-and-black sleeveless jacket with a knee-length tunic and black trousers with one leg rolled up, like an old-school rapper. Taiwanese singer Alan Luo (羅志祥) said that his self-designed outfit was inspired by Indian saris, but the snazzy black sharkskin knickerbockers, short cutaway jacket, tall boots and swath of fabric wrapped around his torso made him look more Little Lord Fauntleroy than Bollywood.
Unlike many of the attendees, Taiwanese singer Ricky Hsiao (蕭煌奇) wore an outfit by a Taiwanese designer. The visually impaired star’s oversized tuxedo jacket had giant sequined eyeballs marching down the front and was designed by an artist and performance artist named (surprise, surprise) Mr Eyeball (眼球先生). It made the schoolboy-on-crack striped blazer, matching shirt and white shorts worn by Best New Artist and Best Composer winner, Crowd Lu (盧廣仲), look positively tame in comparison.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern