Deep in the heart of Taipei beats a passion for Argentine tango. This is not the arched back, straight-line tango of ballroom dancing. Argentine tango is an up close, cheek to cheek, feet and legs brushing, intimate conversation between dancers.
Argentine tango is also addictive, or at least that is the impression that two well-known fans who are involved in putting on a “Milonga” (樂舞會), or tango dance party, at Riverside Live House (河岸留言西門紅樓展演館) tomorrow night give.
Stacy Jou (周思齊) has been teaching tango for about 10 years and cofounded Tanguisimo (探戈藝文沙龍), a dance studio on Zhongxiao East Road (忠孝東路). She is also a key member of the Taipei Tango Association.
“Most of our students are normal — office ladies, 25 to 45, but some are in high school and college. There are also people in their 60s,” she said. “Tango is for every age. You don’t have to be young to dance it; you don’t need to have a dance background. Most students start from zero.”
“Argentine tango you can do in a much smaller space. You do it in an enclosed space; it’s much different than ballroom tango,” she said.
In addition to offering lessons, for the past nine years the association has hosted twice-weekly tango parties and sponsors an annual weeklong tango festival in September that attracts hundreds of dancers from around Asia, Europe and the Americas.
The association has teamed up with club owner Geddy Lin (林正如), who opened Riverside Live House in Ximenting’s Red House Theater (西門紅樓) last fall, to host tomorrow night’s Milonga Tango Party.
But you don’t have to want to dance to appreciate Argentine tango. The music is enjoyable and there are enough musicians in Taiwan who like to play tango music that they have been able to form several tango “orchestras.”
Yvonne Peng (彭靖惠) sings with two of the groups. She was a jazz singer and had recorded four albums before her growing passion for tango — both the music and the dancing — took her in a different direction.
“The albums were all popular music or jazz. But now I’m really interested in tango. I went to Argentina for three months and now I’m teaching [tango] in the studio,” she said.
The passion Peng feels for tango was evident as she animatedly gave a rundown of the groups that will play tomorrow night and their different styles of tango music.
The iTango Orchestra plays traditional music, meaning music from what is called the golden era of tango (1920 to 1950). It has two violinists, two bandoneon (a concertina-like instrument) players, a pianist, bass player and two singers, one of whom is Peng.
Tango Negro only plays Piazzolla music, which dates from after 1955 and is called “tango’s dark era,” in reference to the Argentine politics of that time.
“Piazzolla is very deep, very depressing. Usually we don’t dance to it,” Peng said.
She also sings with Fusion Blanca, which plays “new tango music.” In addition to the piano and bandoneon, there are two guitarists and a
rhythm section.
“We have new songs. We arranged some very famous Chinese songs from the Shanghai era and we modernized them by adding electronic music,” she said.
While Lin, a musician himself, has become famous for sponsoring live rock and indie music events, he was eager to jump on the tango bandwagon, Peng and Jou said.
“He said ‘why don’t we do something since we have so many great musicians?’” Peng said.
“I think he’s quite touched by Yvonne,” Jou said. “She was a jazz singer but now she’s entranced by tango. He used to be a rocker but now he’s interested [in tango] as well.”
He’s also going all out to help create the right atmosphere for a Milonga.
“Riverside Live House is in a beautiful, historic building so it will be really cool to dance there. We will have thousands of roses and [the venue will be candlelit] so it will be very romantic to dance that night,” Milonga project manger Littlesocks Wu (吳思樺) said, adding that 700 people could be accommodated by opening an annex room and the second-floor balcony.
“We also have a blog [milonga.pixnet.net/blog] with all the information about the party, with tango songs and band demos,” she said.
Members of the Taipei Tango Association will be giving exhibition dances at the party as well as offering basic lessons to anyone who wants to give tango a try.
“We’ll teach very simple steps so they can dance that night,” Yvonne said.
Those who attend the party will also be able to take one free lesson at a later date from the Taipei Tango Association.
After talking with Peng and Jou, however, it sounds like the Milonga tickets should come with a warning label that Argentine tango can be addictive — and could change your life.
This Qing Dynasty trail takes hikers from renowned hot springs in the East Rift Valley, up to the top of the Coastal Mountain Range, and down to the Pacific Short vacations to eastern Taiwan often require choosing between the Rift Valley with its pineapple fields, rice paddies and broader range of amenities, or the less populated coastal route for its ocean scenery. For those who can’t decide, why not try both? The Antong Traversing Trail (安通越嶺道) provides just such an opportunity. Built 149 years ago, the trail linked up these two formerly isolated parts of the island by crossing over the Coastal Mountain Range. After decades of serving as a convenient path for local Amis, Han settlers, missionaries and smugglers, the trail fell into disuse once modern roadways were built
“Once you get there, you think, that’s a little embarrassing or revealing or scary... but ultimately, I learned that is where the good stuff is,” says Taiwanese-American director Sean Wang about writing indie breakout Didi (弟弟), which debuted at Sundance Film Festival Asia 2024 in Taipei last month. Didi is a heartwarming coming-of-age story centered on the Asian American experience. Not just a 2000s teenage nostalgia piece, but a raw, unflinching look at immigrant families and adolescent identity struggles. It quickly became the centerpiece of the event, striking a chord with not only those sharing similar backgrounds but anyone who’s ever
Sept.16 to Sept. 22 The “anti-communist train” with then-president Chiang Kai-shek’s (蔣介石) face plastered on the engine puffed along the “sugar railway” (糖業鐵路) in May 1955, drawing enthusiastic crowds at 103 stops covering nearly 1,200km. An estimated 1.58 million spectators were treated to propaganda films, plays and received free sugar products. By this time, the state-run Taiwan Sugar Corporation (台糖, Taisugar) had managed to connect the previously separate east-west lines established by Japanese-era sugar factories, allowing the anti-communist train to travel easily from Taichung to Pingtung’s Donggang Township (東港). Last Sunday’s feature (Taiwan in Time: The sugar express) covered the inauguration of the
“Magical,” “special,” a “total badass:” step forward Kamala Harris, the 59-year-old dynamo who has rebranded her country at lightning speed, offering it up as a nation synonymous with optimism, hope and patriotism. For the rest of us, Kamala’s gift is her joy and vibrancy — and the way she is smashing it just months away from her seventh decade, holding up 60 in all its power and glory. Welcome to the new golden age. Hers is the vibrancy of a woman who owns her power, a woman who is manifesting her experience and expertise, a woman who knows her time has